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Concerns with cultural identity
Cultural and ethnic identity
Aspects of cultural identity
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Recommended: Concerns with cultural identity
Identity formation and acceptance is a difficult task that each person goes through at some point in their life. Irie Jones, a central character in the novel White Teeth, is the biracial child of a white English man and a black Jamaican woman. Growing up, Irie not only has to face puberty but she also faces a coexisting identity crisis. Irie lives in a world of white, a world she feels that she does not belong to. Much of Irie’s identity is formed around her race and ethnicity. Author Zadie Smith uses the metaphors of teeth, hair, body figure, and roots throughout White Teeth to symbolize Irie’s inner conflict with and denial of her ethnic identity. Riding on the vehicles of metaphors and symbols, Smith takes us through a remarkable journey of an average girl’s struggle to accept her ethnicity and ultimately find a place she can call home within herself.
Through her search for her identity, Irie fears that she does not fit the traditional white beauty standards of England. Across cultures, the desire for light skin and a westernized appearance seems to be universal (Ramsey and Harcourt 205). Irie, as well as most people, views beauty through the lens of her ethnic features. Being biracial and living in England, her Jamaican physical characteristics stand out. Although Irie is a mix of both black and white; her shapely figure, skin color, and curly afro make her more visibly recognizable as a person of the black heritage. When a person is biracial “There is a sense of being ‘both yet neither’. At this stage…ambivalence usually takes the form of white preference and black rejection…” (Harris, Howard, and Ezra 80). As one might imagine, it seems like a difficult task to embrace half of a person’s racial background while rejecting t...
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...ith accepting her identity, she reaches a resolution by the end of White Teeth. Zadie Smith lets us witness a glimpse of Irie’s self-acceptance independent from issues of race and ethnicity. The self-realization comes when she is pregnant and soon to be a mother herself, she must face an extraordinary uncertainty: the identity of the father of her child. Going from a failed attempt at looking for herself in her mother, she finds her true self in her own motherhood. Having her own child finally helps Irie to accept herself and to focus on something else besides recognition from other people. Her absolute love for her child is the way Irie’s situation comes to a full circle. In motherhood, she finds a new way to define herself, independent of others. The importance of Irie’s relationship with her daughter is what helps her achieve a sense of belonging in England.
Every individual cares about how they appear to others; their shape and in this informal, narrative essay titled Chicken-Hips, Canadian journalist and producer Catherine Pigott tells her story on her trip to Gambia and her body appearance. In this compelling essay the thesis is implicit and the implied thesis is about how women are judged differently on their appearance in different parts of the world, as various cultures and individuals have a different perception on what ideal beauty is. In this essay Pigott writes about her trip to Africa specifically Gambia and how upon arriving there she was judged to be too slim for a woman. She goes to write about how differently she would be judged back home by mentioning “in my county we deny ourselves
By the twentieth century, slavery had damaged black pride, and made it known that black features were inferior. When it came to black women and their hair, black women desperately wanted to match the standard of “white” beauty. Walker’s solution to this was to create a look that was Afro-American without trying to imitate whites. Walker spoke about beauty emphasizing that to be beautiful does not refer to the complexion of your skin, or the texture of your hair, but having a beautiful mind, soul, and character.
Toni Morrison’s use of her character Hagar emphasizes this point and furthermore exemplifies how this culture of identity can effect a romantic relationship. We observe this as Hagar becomes obsessed with the idea of meeting the standards of beauty in order to get milkman back because she has seen him with a woman who is of a lighter complexion who better fits the standard than Hagar herself does, “That had been shoulders of a girl whose silky copper-colored hair cascaded over the sleeve of his coat.” (Morrison 127).The lighter complexion of the woman fits better with the culturally accepted idea of beauty and feeds into the debate of light skin vs dark skin girls which ultimately ties back to the white-washed culture because lighter skin women are thought to be more attractive because their skin is closer to that of a white woman’s’ this can be seen in the diction that Morrison choices with the use of descriptive words such as silky and copper-haired, adjectives that normally describe the Caucasian woman. To coincide with idea of Caucasian attributes being beautiful Morrison also criticizes consumer beauty. We examine this As Hagar tries to achieve the physical beauty of the cultural standard it appears that the only products to available are those marketed for white women, "Morrison’s implied comparison between the attributes of popularized, white consumer beauty and the O.K
Gary Soto and Cathy Song, the authors of Black Hair and Lost Sister, have had to come to terms with their culture. Living in America, it’s hard to think outside the box because of stereotypes and pre-dispositions. In order to find you’re self and come to terms with who you are as a person apposed to what the rest of the world may view you as, you have to approach the stereotypes head on and grow from them. Both of the speakers in Black Hair and Lost Sister has had to recognize the short comings of their culture to be accepted and grow in the American Culture.
Janie’s first discovery about herself comes when she is a child. She is around the age of six when she realizes that she is colored. Janie’s confusion about her race is based on the reasoning that all her peers and the kids she grows up with are white. Janie and her Nanny live in the backyard of the white people that her Nanny works for. When Janie does not recognize herself on the picture that is taken by a photographer, the others find it funny and laughs, leaving Janie feeling humiliated. This racial discovery is not “social prejudice or personal meanness but affection” (Cooke 140). Janie is often teased at school because she lives with the white people and dresses better than the other colored kids. Even though the kids that tease her were all colored, this begins Janie’s experience to racial discrimination.
Although it often goes unknown, Allison wrote Two or Three Things I Know For Sure and it shares experiences that reveal intersectionality and it addresses how her life experiences and environment shaped her into who she is now. This book also reveals the juxtaposition between how people identify themselves with intersectionality and how society or others view and hold them to specific standards. This book reveals how history can repeat itself, how others can be impacted by the intersectionality surrounding them and how they feel pressured to stick to a standard placed upon them such as the reoccurring idea of being “pretty”. The book ends with Allison and her sister addressing Allison’s niece as being “pretty” and Allison breaks down the walls surrounding her allowing herself to see the battles she’s faced in the
In each film's representation of the transgressive woman-the black daughter who looks white, and who, because of the contradiction between being and seeming which defines her, can fit comfortably into neither culture-there is a correspondence between feminine sexuality and alterity which results in a sexualization of the radical 'otherness' of the black woman. (44)
Through the novel Birdie Lee challenges herself to confront her own awareness of self, to understand her families blackness through the gaze of whiteness. Birdies physical appearance is known as a straight hair and pale child, which gave her an identity that is more closely to the whiteness within her family. Whenever she is in the presence of both her father and Cole, she often felt that she disappeared and becomes invisible. Cole existence “was the proof that his blackness hadn’t been completely blanched” (Senna 1998, p.56).
This essay is concerned with issues of identity, body image and the politics of hair within African American culture. It discusses the lived experiences of a number of African American women and is no way generalizable to all African American women. Nonetheless, body image and hair politics are prominent features in African American culture because they have deep historical roots and still feature in present day. Body image is generally understood as a mental image of one’s body as it appears to others (Featherstone 2010). This mental image produces body consciousness, which Samantha Kwan describes as an amplified mindfulness that one’s body does not conform to hegemonic cultural standards (Kwan 2010). In today’s modern context, hegemonic cultural norms are reproduced and widely disseminated by the mass media with the help of new technologies. These new technologies Elliott’s discusses, with some in the form of satellite television and other widely utilized media, give viewers unprecedented opportunities to view and scrutinize their favorite celebrities in close proximity (Elliott 2010).
In this memoir, the meaning of language is intertwined with the search for self-identity. This book was focused on an experience of perusing her own heritage by the use of DNA and genomics. In Raquel’s instance, or Rachael as her friends refer to her as, language has become a force of conflict and discrimination. Raquel wants to fit in with her peers and uses language as a means to relate. “Rachael, if you call me nigga one more time, I’m going to have to fuck you up” (pg. 71). It is this conversation that causes racial tension between Raquel and her friends. She tries to explain that they are all women of color, regardless of how much darker their skin is than hers. Her friends can’t seem to understand why she likes all that “black shit” (pg. 71) referring to her like of hip hop music. Another issue regarding culture and ethnicity occurs with Raquel’s encounter with Simon, who uses discriminatory comments as a joke. Raquel, who finds great offense to it, takes this use of vulgar language personally. The role of language within this novel displays the hardships and struggles of growing up as an immigrant adolescent in the United States. It emphasizes the racial discrimination and adaptation aspect as well. However, despite all of the hatred and uncertainty Raquel possesses, she begins to develop resilience,
Without details, the words on a page would just simply be words, instead of gateways to a different time or place. Details help promote these obstacles, but the use of tone helps pull in personal feelings to the text, further helping develop the point of view. Point of view is developed through the story through descriptive details and tone, giving the reader insight to the lives of each author and personal experiences they work through and overcome. Issa Rae’s “The Struggle” fully emplefies the theme of misplaced expectations placed on African Americans, but includes a far more contemporary analysis than Staples. Rae grapples as a young African-American woman that also struggles to prove her “blackness” and herself to society’s standards, “I feel obligated to write about race...I slip in and out of my black consciousness...sometimes I’m so deep in my anger….I can’t see anything outside of my lens of race” (Rae, 174). The delicate balance between conformity and non-conformity in society is a battle fought daily, yet Rae maintains an upbeat, empowering solution, to find the strength to accept yourself before looking for society’s approval and to be happy in your own skin. With a conversational, authoritative, humorous, confident and self-deprecating tone, Rae explains “For the majority of my life, I cared too much about my blackness was perceived, but now?... I couldn’t care less. Call it maturation or denial or self-hatred- I give no f%^&s.” (Rae 176), and taking the point of view that you need to stand up to racism, and be who you want to be not who others want you to be by accepting yourself for who you are. Rae discusses strength and empowerment in her point of view so the tone is centered around that. Her details all contribute to the perspectives as well as describing specific examples of racism she has encountered and how she has learned from those
In the poem “White Lies” by Natasha Tretheway the narrator opens the poem with vivid imagery about a bi-racial little girl who is trying to find her true identity between herself and others around her. She tells little lies about being fully white because she feels ashamed and embarrassed of her race and class and is a having a hard time accepting reality. The poem dramatizes the conflict between fitting in and reality. The narrator illustrates this by using a lot imagery, correlations and connotation to display a picture of lies. The narrator’s syntax, tone, irony and figurative language help to organize her conflict and address her mother’s disapproval.
As Alice Walker shows Dee’s idea of her own culture, heritage, and identity and how it changes though the progression of her life. With every new experience, Dee discover more about her identity. This is important because identity helps to shape and cultivate a person’s personality and actions in their life time. When growing older one discovers more about one’s self.
In her premiere novel White Teeth, Zadie Smith presents four distinct, yet overlapping, families: the Bowdens, the Jones, the Iqbals, and the Chalfens. Through these families, Smith subverts the archetypal gender imbalance of the fundamentalist religious family by contrasting the matriarchal Bowdens and Iqbals--who are Jehovah’s Witness and Muslims, respectively--with the secular, patriarchal Chalfen family.
In Zadie Smith’s first and third novels, White Teeth and On Beauty, respectively, Smith utilizes the plot point of having a husband cheat on his wife with a younger and white woman. Through this plot point, Zadie Smith explores the marital dynamics of two couples: Alsana and Samad Miah in White Teeth and Kiki and Howard Belsey in On Beauty. Howard and Samad both sleep with women who are very different from their wives; Howard has relations with Claire Bowden (who is white, very thin, and academic) (and then with Victoria Kipps, who is young, extremely beautiful, and one of his art students), and Samad has relations with Poppy (who is white, childish, and a school teacher). These couples’ plot events are similar, but the reasons and outcomes