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Social media's effect on body image
Social media's effect on body image
Social media's effect on body image
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Introduction
This essay is concerned with issues of identity, body image and the politics of hair within African American culture. It discusses the lived experiences of a number of African American women and is no way generalizable to all African American women. Nonetheless, body image and hair politics are prominent features in African American culture because they have deep historical roots and still feature in present day. Body image is generally understood as a mental image of one’s body as it appears to others (Featherstone 2010). This mental image produces body consciousness, which Samantha Kwan describes as an amplified mindfulness that one’s body does not conform to hegemonic cultural standards (Kwan 2010). In today’s modern context, hegemonic cultural norms are reproduced and widely disseminated by the mass media with the help of new technologies. These new technologies Elliott’s discusses, with some in the form of satellite television and other widely utilized media, give viewers unprecedented opportunities to view and scrutinize their favorite celebrities in close proximity (Elliott 2010).
This proximity to celebrities, according to Elliott, shifts focus from celebrities to celebrity body parts. This new focus increases the use of cosmetic surgery and other tools to mimic what is perceived as attractive (Elliott 2010). Furthermore, Elliott in his work goes on to discuss the notion that, in traditional societies, priests and saints were uplifted based on their personality and ability whereas in today’s Hollywood era, the celebrity is celebrated on account of physical features (Elliott 2010). On the other hand, I do not believe this concept fully applied to African American traditional slave society. This is because, ...
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...minist, Thinking Black
Bellinger, W. (2007). Why African AMerican Women Try To Obtain Good Hair. Sociological Viewpoints, 1(1), 11.
Crossley, Nick. (2013). “Habit and Habitus,” Body & Society, 19(2&3): 136-161.
Elliott, Anthony. (2010). “I Want to Look Like That!”: Cosmetic Surgery and Celebrity Culture,” Cultural Sociology, 5(4): 463-477.
Humphrey, A. Y. (2008). Reading Race, Reading Gender: African American Mothers' and Daughters' Readings of Their Lives and Picture Books about Skin Color and Hair Texture. by. Proquest LLC, 1, 1-199.
Fanon, F (2008). Black skin, white masks. New ed. London: Pluto,
Featherstone, Mike. (2010). “Body, Image and Affect in Consumer Culture,” Body & Society, 16(1): 193-221.
Kwan, Samantha. (2010). “Navigating Public Spaces: Gender, Race, and Body Privilege in Everyday Life,” Feminist Formations, 22(2): 144-166.
In Kimberly Springer’s anthology, Skin Deep, Spirit Strong: The Black Female Body in American Culture, she has different articles in the book that are written by a variety of women. The articles in the book break down and discuss areas of history and time-periods that shaped the representation and current understanding of the black female body. Many ideals of how society preserves the black female body to be is based on historical context that the authors in Springers book further explain. The two articles that I am going to focus on are Gender, Race and Nation: The Comparative Anatomy of “Hottentot” Women in Europe 1815-17 and Mastering the Female Pelvis: Race and the Tools of Reproduction.
Film Historian Donald Bogle, the author of “Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films,” offers compelling and informative examples of various stereotypes of African-Americans performers. He emphasizes on historical characteristics of gifted black actors/entertainers; renovating their roles to disseminate specific representations that are significant to the economics and history of America’s shifting environmental circumstances.
By the twentieth century, slavery had damaged black pride, and made it known that black features were inferior. When it came to black women and their hair, black women desperately wanted to match the standard of “white” beauty. Walker’s solution to this was to create a look that was Afro-American without trying to imitate whites. Walker spoke about beauty emphasizing that to be beautiful does not refer to the complexion of your skin, or the texture of your hair, but having a beautiful mind, soul, and character.
In the recent past year or two, a woman’s natural hair has become a big thing. Before, African American women, to be specific, were so disgusted by their hair. They would do anything in their power to change the “nappy” aspect of their hair to “beautiful”. They would use relaxers very so often and hot combs.
Homophobia continues to run rampant in our world today and it is a notable concern in the black community. It is a fear that comes partially from a group’s definition of masculinity. Many people when identifying a homosexual male immediately pounce on the man’s effeminate traits and assign him the role of a homosexual, regardless of whether this is true. Langston Hughes’s story “Blessed Assurance” shows how a father analyzes his son’s life by noting the less masculine things his son does and turning that into a fear of his son becoming homosexual. Hank Willis Thomas uses the medium of photography in his “Branded” collection to examine the male body image particularly within the black community and shows the masculine traits associated within these advertisements. In examining both of these works one can find common definitions of masculinity in the black community across time and with this knowledge begin to understand how John determines certain traits and actions of his son to be effeminate.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
The existing literature on ethnic and racial studies among African-Americans has focused on issues pertaining to beauty and body politics especially on natural hair. Spellers and Moffitt assert that the body politics that one assumes, guides how one relates to a particular political ideology in a particular society. Black natural hair is considered as a way by which the true identity of African women can be understood (Jacobs-Huey). It is a symbol of power among black women; it influences how people are treated by others.
Beauty is often described as being in the eye of the beholder. However in modern western culture, the old adage really should be beauty is in the eye of the white makeup artist, hair stylist, photographer, photo shop editor, and advertiser. Beauty and body ideals are packaged and sold to the average American so that we can achieve vocational, financial, social, and recreational successes. Mass media and advertising has affected the way that women perceive and treat their own bodies as well as their self-concept. Women are constantly bombarded with unrealistic images and hold themselves to the impossible beauty standards. First, we will explore the role of media in the lives of women and then the biggest body image issue from a diversity stand point, media whitewashing.
Body image is an important facet in understanding the phenomenon of eating disorders. Body image concerns are important in the etiology and treatment of eating disorders and obesity (Smith, Thompson, Raczynski, and Hilner, 1997; Thompson, 1997). The construct of body image reflects the level of satisfaction one feels regarding his or her body. Body image is a multidimensional construct. It involves race, socioeconomic status, age, as well as, perceptual and attitudinal components. For this reason, research has been done to dispel the myth that all women have a negative body image. Rather, as has been shown, there are definite differences in the perception of body image and self-concept, especially across racial lines. The claims of most studies suggest that African-American women generally have a greater tolerance or acceptability for higher body weight. In addition, African-American women are also thought to place less importance on body size in the scheme of their overall body image, and there are more likely to be satisfied if they are at a higher body weight, and still regard themselves as attractive. Research not only confirms these statements, but also draws attention to other important, culturally- relevant factors, such as age in relation to other cultural forces such as, different attitudes and behaviors that shape the body images of African-American women. Finally, since research shows that body image is an important aspect in the etiology of eating disorders and obesity, its influence and the cultural forces and components behind it should be taken into account in treatment and for future research.
The female body image and what a person should, or could, look like in marketing and advertising is a controversial topic. Beauty sells and is to some extent a problem when the media produces images for women that seem unrealistic. Body image is a critical mental health issue for young girls. It is a concern widespread among women of color, specifically among Latinas. Increasing diversity and perceptions of beauty have driven the need for dialogue on the scrutiny Latinas face across all industries regarding their bodies and appearance.
African American hair looks gorgeous, attractive and beautiful. Your hair is extremely fragile and needs proper care and gentle touch so that it doesn’t break or get loose. Here are the top African American hair cares FAQs.
There have been musicals, documentaries, researches, panel discussions and even talk shows about hair, hair qualities and hairstyles, even Oprah Gail Winfrey chose hair for the magazine's September 2013 theme. According to Adlman (2013), Oprah Winfrey in a video interview said,
Images in media, television especially, are a direct projection of the people who control and project them, which often tends to be white people. “‘We face the problems of images projected by people not of us,’ she said. ‘The media is the most powerful mind-manipulating tool on the earth.’”(Ruby, 18) The perception of black women in the media today can be damaging to the self-image of the young black women of today. During the Black Arts Movement, many artists and poets spoke of how white influence in our lives has created skewed beauty ideals in the African-American community. This white influence tends to harm black women’s images of themselves. Most female images seen in mainstream media are white, thin, tall and just plain gorgeous, making it hard for the average African American woman to relate to. Black television has done well with having different shapes and sizes for women of color to relate to, but that only includes one or two channels on all of television. For example, even though BET was founded by Robert Johnson, a black man, BET is now predominantly owned by white people. “"Day after day, in all forms of media -- print, radio, and television -- we see, hear, and read the perspectives of non-Black women and women of color who are not actively involved in the struggles of Black women -- especially on so-called 'women's issues'.”(Women’s Health Weekly, 546) Large television networks must choose to show things that will not only keep ratings up but also keep people interested in watching their shows. Unfortunately in today’s age and day drama and negativity is what most Americans look to watch. Even though many people feel that these negative things are wrong, we still find ourselves watching and reading about it. The...
One of women’s constant struggles is upkeep with culture and society’s ever-changing definition of beauty. Although both genders have hair on their bodies, the views and acceptability of the amount or the location of body hair vary immensely. In fact, women are often thought to be hairless and men to be hairier (DeMello, 2014). Women must then put in effort to uphold a standard, in which the idea that being feminine is natural and effortless (Toerien and Wilkinson, 2003). That being the case, I will argue that the hairless female body has been transformed over time to represent beauty and youth. More importantly, I will argue that it has now become normative in Western society and deemed unacceptable if women do not conform to the hairless
Body image is a part of human nature, and it leads people all around the world to be influenced by their culture and their surroundings. It reflects the way both men and women view themselves, both esthetically and internally. Body image can have negative psychological and physical effects on members of American society, consisting of inducing eating disorders, prompting low self-esteem, causing Body Dysmorphic Disorder, and inciting cosmetic surgery.