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Features of Oscar Wilde writings
Features of Oscar Wilde writings
Features of Oscar Wilde writings
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In order to gain such a great value on the writing. The writer would like to present the previous study and research that have correlation to this study, in order to prove the originally of this study. There are several theses and journals that relate with this study, the first relevant previous study is Viktoria Drumova’s thesis: The Picture of Dorian Gray: Eternal Themes of Morality, Beauty and False values Through Centuries. Drumova is a student of Narva Collage, Tartu, Estonia. She writes her thesis in 2015, which submitted as partial fulfillment of the requirements for her master degree. It is about social condition and representation of morality (in particular moral values as dignity, honesty, empathy, sanity) and an exaggerated importance of beauty in Oscar Wilde’s novel The Picture of Dorian Gray in the context of the Victorian era.
In her thesis Drumova attempts sociology of literature concerning in comparative study between novel and film. As a result of the analysis of the topics a parallel emerges between the subjects that have been preoccupations of the Victorian society (conveyed in the novel) and
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Others are healthy, but lack knowledge. Even still some people are high ranking, but have no feature. There are some people who are well learned, but they do not look that people wish to see. Some people write well, but they are unable to sing well. In the same way, if one continues to see only an exaggerated version of the areas in which they lack, it will be easy to fall into an inferiority complex that is very difficult to escape from. People who are unable to outflow from the deep swamp of inferiority ultimately become failures. If one has fallen into an inferiority complex, then it is very difficult for God to use that person. Therefore, the faster a person outflows the swamp of inferiority the healthier that person will be and the Lord will also be able to use that
Therefore, the information that has been portrayed in the article is organized upon his propositional thesis statement and criticism in the categories of the predominant myths that have manifested in society. The necessary sections have been labeled thoroughly for the audience to understand the myths, statistics and Ross’ criticism.
The influential roles of women in the story also have important effects on the whole poem. It is them that press the senses of love, family care, devotion, and other ethical attitudes on the progression of the story. In this poem the Poet has created a sort of “catalogue of women” in which he accurately creates and disting...
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
The author tells the reader story of the teenage girl, who’s suffering from difficulties in the relationship with surrounding her people, such as her friends and wax copy of the president Roosevelt, – “the only man who has ever called her pretty” (Coyle 366). Through all the story the reader can be a witness of the violence against the girl, for example, when Franklyn D. Roosevelt makes her cry for no reason (“She’s kneeling in a wax museum on her first date, crying…”), communicates in not appropriate way (“Send me a pic of ur boobs, says the third [message]”) (Coyle 366,368). In this case we can see not only typical violator’s behavior, but also the reaction, which majority of the women have: belief that “no one will ever love [her]” (Coyle
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
rules determined by each individual to please them. The murderer thinks murder is okay and the normal person doesn’t. Living with a conscience relative to personal desires and not living without a conscience (when it is defined as a set of predefined and commonly accepted values) is the same thing.
In his literary work, Eça’s female characters are marked for life and are either weak or are prostitutes; in the case of Genoveva in “The Tragedy”, she is the latter (King and Sousa 200).
"I do not think that one person influences another, nor do I think there is any bad influence in the world," Oscar Wilde uttered when under trial (Hyde 353). Although this statement may be true, one of Wilde's most famous works shows a great deal of the effects of people shaping one another, causing one to wonder about Wilde's sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence: obvious manipulations such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are more often overlooked such as the more subtle manipulation of Dorian over Basil, of Dorian over Lord Henry, and in the interaction between Dorian and his portrait. Wilde demonstrates the many possible impacts made in these two categories, proving that there is more to a relationship than an outside viewer may perceive, and eventually leading the reader to the unavoidable morbid ending of the book, in which the characters meet their own pathetic ends, with Dorian Gray committing what could be considered a ghastly suicide. Taking into account Wilde?s own life of controversial relationships, this book is especially poignant in its autobiographical suggestions.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
Similarly to Wuthering Heights, the progression from innocence to experience in The Picture of Dorian Gray permeates the novel with its presence. In this text, the main character's impressionable nature gives way to a sudden alteration in his personality. In the beginning of the novel, Dorian Gray is depicted as pure and naive, unconscious of the superficiality of those who surround him. He goes through life unaware of his beauty, and continuously captives people with his unique and enchanting nature. This is illustrated when Basil Hallward- a talented artist- decides to capture his beauty in a portrait, and becomes so entranced with the piece of work that he is reluctant to give it away. Despite such admiration that he receives from others, Dorian Gray remains
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Plato, one of the world’s most renowned philosophers, once said “Things are not always the way they seem, the first appearance deceives many.” This principle is as true today as it was two-thousand years ago when Plato wrote it. The character personalities and plot schemes of Shari Lapena’s “The Couple Next Door” and Oscar Wilde’s “The Picture of Dorian Gray” exemplify this concept of how people use their appearances to deceive others and seek personal pleasures in life. From the disgraceful kidnapping scheme that reveals unimaginable secrets in the The Couple Next Door to the soul and appearance exchange of the protagonist in the Picture of Dorian Gray it is conspicuous that there is a distinction between a pleasant appearance and a moral
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.