Similarly to Wuthering Heights, the progression from innocence to experience in The Picture of Dorian Gray permeates the novel with its presence. In this text, the main character's impressionable nature gives way to a sudden alteration in his personality. In the beginning of the novel, Dorian Gray is depicted as pure and naive, unconscious of the superficiality of those who surround him. He goes through life unaware of his beauty, and continuously captives people with his unique and enchanting nature. This is illustrated when Basil Hallward- a talented artist- decides to capture his beauty in a portrait, and becomes so entranced with the piece of work that he is reluctant to give it away. Despite such admiration that he receives from others, Dorian Gray remains …show more content…
humble and virtuous, thus revealing his innocence at the dawn of the story. This innocence is also manifested in his lack of awareness of the corruption that prevails within the aristocratic society in which he lives. This all begins to change, however, when Dorian is introduced to the cynical and superficial Lord Henry, who passionately delivers a speech to him about the triumph of beauty over intelligence.
In his speech, he goes on to exclaim that the sole purpose of life should be to fulfill one’s desires and attain pleasure at any cost. The Lord states, “‘The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful’” (15). He also states, “"I like persons better than principles, and I like persons with no principles better than anything else in the world"” (13). What once allowed Dorian to remain so innocent for a majority of life ultimately serves as his tragic flaw following such discussion of the prominence of youth by Lord Henry. His impressionable nature allows the corrupt Lord’s words to have a profound impact on his actions and thoughts. In the next few weeks, Dorian grows extremely close with Lord Henry, and professes his life to finding pleasure in everything he does. With this, however, comes a blatant disregard for the consequences of his
actions. This marks Dorian’s digression from a life of innocence, because he commits unforgivable acts throughout the novel without remorse. After the supposed love of his life kills himself because he refuses her love, he allows Lord Henry to convince him that his actions were poetic and justified. He states, “‘Someone has killed herself for love of you. I wish that I had ever had such an experience’” (48). To the delight of Lord Henry, Dorian undergoes two decades of erratic behavior after this, wreaking havoc on the lives of others along the way. As he discovers that the results of his sins are translated into flaws on his portrait, Dorian attempts to alter his ways but fails in doing so. The author writes, “[Dorian] felt a wild longing for the unstained purity of his boyhood -- his rose-white boyhood, as Lord Henry had once called it. He knew that he had tarnished himself, filled his mind with corruption and given horror to his fancy; that he had been an evil influence to others, and had experienced a terrible joy in being so” (114). Here, the shift that Dorian undergoes is made evident as he yearns to become the boy he once was. Now unrecognizable, his own portrait haunts him and in an attempt to resolve his problems without confronting them, he locks it away. Eventually, Dorian’s sins catch up him, however. After he kills his best friend Basil and is confronted by the brother of his ex-lover, he begins to feel an amalgamation of fear, guilt and anxiety. When Dorian rarely experiences such moments of realization throughout the course of the novel, the author reveals the magnitude of his transition, as he is overcome with emotions when confronted with the sins he has committed. Whereas innocence suggests a sense of purity, experience designates intellectual awareness. Throughout each of these novels, the loss of innocence is prevalent among the protagonists. This underlying notion within both texts subsequently gives way to the downfall of the characters, as each is robbed of his morality. In one case, a character embarks on an everlasting quest for eternal youth, while the other uses revenge as the underlying motive for all of his actions. Along their journeys, both Heathcliff and Dorian evolve, as the need to fulfill their desires molds them in a way that strips them of their innocence. In Wuthering Heights, Heathcliff inflicts pain and torture on all those who surround him following his detrimental return to the English countryside. In The Picture of Dorian Gray, Dorian relinquishes his virtues and opts instead to spiral into a life of sin and corruption. No matter what the circumstances, the journeys of both characters embody the abandonment of a former state of innocence for experience.
In The Picture of Dorian Gray, Oscar Wilde introduces Dorian Gray as a mysterious and beautiful young man. He has no opinion and is very similar to a ball of clay, in the sense that he has no opinion and is free to be molded by whoever takes interest in him. Basil and Lord Henry both take interest in the young man. While both praise his physical beauty, Lord Henry wants to turn him into a hedonist minion. He convinces Dorian that he is a perfect candidate to live life according to his pleasure and that Basil is a poor influence upon him. Dorian takes this to heart and lives his life this way. He exchanges the purity of his soul for the beauty of his youth in certain painting. This breaks him down. He becomes less and less welcome by those who once admired him. He gets blackballed from clubs, has promiscuous sex and spends seventy-two hour periods in London’s opium dens. His life of seeking pleasure makes him more and more unhappy. When Basil shows up, he wants some one to sympathize with him and tell him that what he has done is not his fault. During the scene of Basil’s murder, Dorian’s want to be seen as good is apparent, but his unwillingness to accept fault and his corrupt ideology drive him to kill Basil, unveiling a new, malicious side to Dorian Gray.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
and rich people in his town as well. His beauty charmed the world. Basil was
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
In Oscar Wilde’s novel, The Picture of Dorian Gray, the character Basil Hallward is enamored with Dorian Gray’s youth and innocence. This love for Dorian is an example of Greek love or boy love that would have been popular during the late Victorian age, especially with the decadence. However, this love would have been frowned upon and in the case of Wilde, legally held against him.
In the Victorian Era of mid nineteen to early twentieth century, a woman’s role in society remained to be in the household, away from the business and cares of men. The feminine side is portrayed as negative, powerless, and lacking (Kileen 49). Society discouraged women from having power in society and neglecting women represented normal in the eyes of most men and women. However, Victorian novels such as The Picture of Dorian Gray illustrate the consequences of disregarding women. In Oscar Wilde’s only novel, the lack of importance surrounding the female characters and their careless treatment from men results in the selfishness of the male characters exemplified through Dorian Gray’s acts of evil.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.” The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain st...
Almost as soon as Dorian is introduced, he makes his values very apparent by saying, “I know, now, that when one loses one’s good looks, whatever they may be, one loses everything... Youth is the only thing worth having. When I find that I am growing old, I shall kill myself.” (25) Dorian equates youth with life itself and believes that once youth is lost life
Moreover, his first sin being the starting point of his inevitable future after meeting the infamous Lord Henry is Dorians introduction to his own beauty. As a result, his vanity is displayed through his self portrait
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
He attempts to leave his life of selfish pleasures behind but he is unsuccessful. He does not know how to truly change his pleasure seeking ways without the presence of his superego. In his last attempt to “be good”, Dorian kills himself along with his id. These events reveal how Dorian’s devotion to the pleasure principle causes harm to others and turns Dorian into a murderer. Dorian’s loyalty to this lifestyle is what ruins his the life of himself and many others around
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.