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The picture of dorian gray morals
The picture of dorian gray morals
Strengths and weaknesses of the picture of dorian gray
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Plato, one of the world’s most renowned philosophers, once said “Things are not always the way they seem, the first appearance deceives many.” This principle is as true today as it was two-thousand years ago when Plato wrote it. The character personalities and plot schemes of Shari Lapena’s “The Couple Next Door” and Oscar Wilde’s “The Picture of Dorian Gray” exemplify this concept of how people use their appearances to deceive others and seek personal pleasures in life. From the disgraceful kidnapping scheme that reveals unimaginable secrets in the The Couple Next Door to the soul and appearance exchange of the protagonist in the Picture of Dorian Gray it is conspicuous that there is a distinction between a pleasant appearance and a moral …show more content…
They use their affable or innocent appearances to enclose their thoughts of greed to determine the best course of action to satisfy their appetite for materialistic gains and non-tangibles. Although, displaying honesty, integrity, and hard work is considered the noble path for obtaining prosperity in modern society, people find it far too rigorous to walk that direction. On that account, many humans become tempted to adopt the use of deception as the preferred approach. For instance, in the novel The Couple Next Door the main plot is centered on solving a conundrum of a baby girl being kidnapped. In fact, Marco Conti, the father of the baby, is the perpetrator that performs the kidnapping. To the media, Marco puts up a front as a concerned father, saying, "We love Cora more than anything. We want her back. We say to whoever has her, please, please bring her back to us, unharmed."(Lapena 49). In contrast, when he is disguised as the kidnapper, he hides his daughter away as he seeks a ransom from his wife's mother to save his dying business. Marco epitomizes the effectiveness of a friendly appearance and displays the abhorrent use of deception to satisfy human greed. Marco later develops an unscrupulous mindset saying, "Nobody makes that much money without taking advantage of somebody. It's much easier to make money if you don't care who you hurt. If you have scruples, it's much harder to get rich.” (Lapena 66). Marco's unscrupulous …show more content…
Recurrently, people often do this because they have a reputation to maintain. A person's appearance or demeanor exhibits a lot to someone that is being interacted with, namely one’s behavior, manners, and personal traits. One’s appearance is often utilized as a tool to modify a person’s perspective of who one may be. Humans do this as a method to wash away their past immoralities and renew their identity with a moralistic one. This behaviour is seen in The Picture of Dorian Gray, where Dorian Gray decides to sell his soul, while keeping his youthful good looks. His appearance makes him look much more virtuous as a person and as a result many of his acquaintances were convinced of his innocence; "Mind you, I don't believe these rumors at all. At least, I can't believe them when I see you. Sin is a thing that writes itself across a man's face. It cannot be concealed."(Wilde 143). Despite all of the rumors he hears, Dorian's friend Basil believes that Dorian's immorality is not factual, and instead he still considers that Dorian is righteous person because his outer beauty does not exhibit a person that has performed misdeeds. In similar fashion, Dorian also meets another one of his acquaintances named Lady Narborough who is believes in the same notion. " Lord Henry is very wicked, and I sometimes wish that I had been; but you are made to be good -- you look so good." (Wilde 171) Lady
Society tends to misjudge people base on their appearances instead of their personality. As it’s shown on Cyrano de Bergerac story everyone misjudges people. Cyrano was ashamed of the way he looked, especially with his enormous nose that made him stand out. People didn’t care if Cyrano got his feelings hurt they thought he was a cruel person. Its bad when people tends to misjudge people without even knowing them but they just judge them by their looks instead of their personality. People shouldn’t be ashamed of the way they look and it shouldn’t stop them from accomplishing their goals and express their feelings towards the people they like.
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Dorian’s beauty is greatly appreciated by Basil, and he is the one who makes Dorian realize his beauty and charm. Henry, being a part of the Victorian Society, values beauty too much. To him, beauty is a sensory pleasure. Henry’s strong views and preference towards beauty greatly influence Dorian throughout the novel. About his friendships and enmities, Henry mentions that he “chooses [his] friends for their good looks, acquaintances for their good characters, and enemies for their good intellects” (Wilde 10)....
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Through Basil Hallward, Wilde implies that Dorian can easily be corrupted. However, Dorian tries to assure Basil that he is not being influenced. He states that Lord Henry "has certainly not been paying me compliments. Perhaps that is the reason that I don't believe anything he has told me" (Wilde 15). The only reason Dorian does not believe Lord Henry is because Lord Henry does not complement him. Wilde infers that if this is the only reason for Dorian to doubt Henry, Dorian could therefore be influenced in some other way. Overall, Wilde shows how a person may deny the warning signs of being influenced.
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Everyone is merely a product of their surroundings and become what they have been raised to be. While some remain untempted by the vices of their peers, others completely absorb the negative influences in everyday life. Modern society values beauty over substance and The Picture of Dorian Gray serves to reveal that flaw. Oscar Wilde criticizes the superficial nature of people by satirizing the corruption of their views on morality. He says “The books that the world calls immoral are books that show the world its own shame” (Wilde 238). Dorian Gray, the main character, is representative of the direction that humanity as a whole is heading toward. He struggles with his religious identity while also trying to please society’s expectations
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
To avoid getting hurt, he pretended to be Lord Henry: decadent, cynical, eloquent, rebellious, and a bit evil in the eyes of bluenoses. Dorian Gray is what he would like to be: be loved, taste all the beauties and exquisite in life and die for what he wants to defend. In this novel, Wilde portrays his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.