Justice vs. Morality in Measure for Measure and Merchant of Venice
There are many similarities shared between Shakespeare's plays, "Measure for Measure", and "The Merchant of Venice". The underlying theme of each work is well defined by the phrase "Justice without the temperance of mercy, is power misused". I will support this claim by drawing upon some of the characters and situations that are consistent in each story.
In each story a man's life depends on the interpretation, and sanctioning of justice. In the, "Merchant of Venice", Antonio (who I believe represents mercy), had sealed a bond with Shylock offering a pound of his flesh for the loan of three thousand ducats. Unfortunately he forfeits this bond, (Merchant III,ii) "Sweet Bassanio, my ships have all miscarried.... my bond to the Jew is forfeit....". Shylock (who to the strict letter of the law represents justice), is unyielding to any type of compassion and desires nothing other than what he feels is justice, (Merchant III,iii) "I'll have my bond... beware my fangs. The Duke shall grant me justice...". In, "Measure for Measure", it is Cladio (representing mercy), whose life hangs in the balance of law and morality. Cladio has slept with Julietta out of wedlock, (Measure I,ii) "I got possession of Julietta's bed... she is fast my wife... Save that we do the denunciation lack...". For this crime Angelo (who in place of the duke, representing justice), much as Shylock, desires that Cladio's sentence be carried out exactly as stated by the law, (Measure II,i) " 'Tis one thing to be tempted, Escalus Another thing to fall... Sir, he must die".
In both cases the guilty parties have committed a crime punishable by death, additionally each man also r...
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... of the law, and by not yielding to human decency and compassion, Shylock would have been given his just deserts. The same was true for Angelo who desired Cladio's head as the unaltered law required. It certainly seems to me, that Mr.. Shakespeare was simply stating that in within the realms of these plays' one could easily say that "Justice without the temperance of mercy, is power misused".
Works Cited
Black, James. "The Unfolding of Measure for Measure." Shakespeare Survey 26 (1973): 119-28.
Leech, Clifford. "The 'Meaning' of Measure for Measure." Shakespeare Survey 3 (1950): 69-71.
Shakespeare, William. Measure for Measure. The Arden Shakespeare. Ed. J.W. Lever. London: Routledge, 1995.
Shakespeare, William. The Merchant of Venice. The Riverside Shakespeare. Eds. G. Blakemore Evans and J. J. M. Tobin. Boston: Houghton Mifflin Company, 1997.
Shakespeare, William. The Tragedy of Othello: The Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York; Washington Square Press, 1993.
The tension implied in the insistence to bind the definitions of justice, mercy, and equity in Elizabethan texts suggests that behind their representation there is more at stake than a conceptual problem. Elizabethan conceptions of ideal justice politicize their representations in order to justify the prevailing monarchy. Spenser and Shakespeare offer their own version of the nature of justice through female characters, Mercilla in Book V of The Faerie Queen and Portia in The Merchant of Venice. However the textualization of these categories works differently. For Spenser, justice relates itself to a divine ordering of the world, which connects his work with Elizabeth I, God's instrument on Earth. In the case of MV, law in the form of contracts and bonds, substitutes any divine mediation in the legal process, thus displaying, even though briefly, the artificial nature of justice.
When I was in elementary school, I loved to read. I was a total nerd back then ... okay maybe I still am, but one thing has changed. Now I don't so much like reading. My favorite poet was Shel Silverstein, who wrote "Where the Sidewalk Ends." He seemed like he was a total hippie, but that's cool because I like hippies. My grandma is a recovering hippie. I like her too. Anyway, Shel Silverstein wrote about the coolest things. He wrote about magical erasers, eating whales and a boy with long hair flying away from people who were taunting him. He captured all of the things that I loved without knowing that I actually loved them. Now you may ask, how does this hippie relate to our graduation? Well, he wrote a poem entitled "Traffic Light" and this is how it goes:
Good evening. Some of you out there may not realize this but those of you who attended Suntime Middle School have been with this guy for the last seven years. I would like to ask you all, not just Suntime Middle School grads and who all else, to join me in thanking Mr. Weather for his patience and dedication to the success of our education over the years. We are the Class of 2000. The first graduating class of the new millennium. The past four years have been pretty wild. We started out as a bunch of rats in a small cage, but as time went by we learned and matured and became big rats in a new small cage, but in any case, the cage door is now opening; the handlers turning us wild things loose. As we leave "Where the Wild Things Are," home to some of the best cat fights, fist fights and food fights this side of the Cascades, I have a little surprise for all of you sitting in front of me here tonight in your caps and gowns … we ain’t seen nothing yet!
This plays similarly into Shakespeare’s parallel and distortion of tragedy and comedy, but in more profound way. Not only does it question free will and fate—but reality verses mirage. Shakespeare often explores the idea of dream and vision against fact and truth and as yet explores this theme in Measure for Measure. “Wrench awe from fools and tie the wiser souls to thy false seeming! Blood, thou art blood: let's write good angel on the devil's horn,” Angelo curses against himself. The duality of the characters and of the city itself is present throughout the play, and multiple questions of reality and truth permeate the essence of Measure for Measure. Measure for Measure often depicts testing and choosing as an instance of determining fate: each character has one or two single moments in which to make a momentous choice, which then determines much of the development within themselves and the plot or their circumstances. While Measure for Measure is infused with a sense of inevitability, character flaws, downfall, and irreversible fate, all which mark a tragedy, it plays upon and sometimes even reverses these elements, reflecting more comedic elements. Each character seems to be spiraling toward doom and certain destruction—but then there is a moment in which the Duke, acting as a benevolent meddler, gives
"O cunning enemy that, to catch a saint, with saints dost bait thy hook." A disturbing tale of suspense, dark comedy and corruption, Shakespeare's Measure for Measure explores sexuality, morality and the law, exposing the abuse of authority in high places amid the seething underworld of Vienna. This essay will explore Isabella’s moral dilemma.
Meron, Theodor. “Crimes and Accountability in Shakespeare.” The American Journal of International Law. 92.1 (Jan.,1998): 1-40. JSTOR. Web. 24 Nov. 2013.
Middle school was our warm-up and preparation. We stretched ourselves to meet new people and some of them are still sitting next to us today. Our crackling voices and newfound interests in the opposite sex who we usually met at the Skate Deck, distracted us from our upcoming race, but our teachers reminded us that our warm-up in middle school is like the race we would face in high school. We began choosing a path and preparing mentally for the challenge ahead.
Risk is the exposure to danger. Taking risks are necessary because risk reveals experience to an individual. Hazard has both malevolent and benevolent outcomes, which can affect the overall atmosphere in a play. The content of William Shakespeare’s The Merchant of Venice includes many scenarios of risk-taking among the relationships between characters. The Merchant of Venice consists of four different plots: the bond plot, casket plot, love plot, and ring plot; in which characters are exposed to danger. Risk serves a major responsibility as it divulges many elements of dramatic significance throughout the play. Shakespeare manifests hazard through rival arguments, lovers’ commitments, and father and child agreements.
Shakespeare’s famous play Measure for Measure is usually put into the genre of a dark comedy. I’m not exactly sure if that best fits this particular Shakespearian writing or not, but I do know that there is more dark than there is comedy in it. The writing is set in Vienna, Italy around the time of the 17th-18th century. The Duke of Vienna has decided to leave on a trip, and he will place a successor, Lord Angelo, in his position while he is away. Little does anyone in the town know, but the Duke decides to stay put within his town so that he may spy upon the citizens and leadership. This minor development begins a whirlwind of plots, themes, and character development. However, one character and plotline is highlighted within this famous writing. Isabella, a virtuous and pious woman, has to make the decision to either give up her chastity and vow to God, or to allow her brother to face seemingly certain death. It is the many facets and reasons behind this choice that has made this Shakespearian play so popular. The person watching or reading wants to know what choice she will make.
Proverbs 16:9: The mind of a man plans his way, but the Lord directs his steps.
What do you want to be when you grow up? The dreams of our youth often become the challenges of today and the challenges of today often become the blueprints of our future.
In "The Merchant Of Venice." English Literary Renaissance 34.3 (2004): 286-305. Shakespeare, William, Barbara A. Mowat, and Paul Werstine. The Merchant of Venice. New York: Washington Square, 1992.
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.
The title of Measure for Measure is taken from the Bible: "Judge not, that you be not judged. For with the judgment you pronounce you will be judged and the measure you give will be the measure you get.” This quotation from Christ 's Sermon on the Mount, stating generally that each individual will be judged as harshly as he has judged others, implies that mercy and human sympathy should temper justice. This passage comes from Matthew and is reinforced again in Mark. Shakespeare named this story so because of the way Angelo attempted to judge the people of Vienna, more particularly, Claudio. Angelo, though saved from death by the warming hand of Isabella, will soon receive the judgement he so evilly placed upon some of the citizens. Claudio was guilty of something, though was not in deservance of death and Angelo was seen as an evil dictator; Shakespeare identified this in the fact that he used the gospel to derive his story “Measure for Measure.” Shakespeare was not playing around when he named this play what he did, he was showing a clear understanding of the sermon on the mount, and paving the way for the reader to easily identify his motive of reinforcement of this sermon within his own