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Song and music in shakespeare themes
Shakespeare's dramatic use of songs
Shakespeare rhyme scheme
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Recommended: Song and music in shakespeare themes
William Shakespeare’s legacy is carried on through many hip-hop artists and writers. Many elements in Shakespeare’s plays and sonnets are still widely used today in some of the most influential and impactful songs. Learning and absorbing Shakespeare can be difficult to understand while still young, but by making connections between Shakespeare and modern day music, it can make it a bit easier to comprehend and follow. J. Cole uses many elements in his song “Apparently” that were also included in Shakespeare’s sonnet thirty, but at the same time, there are a few differences in his music and lyrics, in comparison to Shakespeare’s writing.
Cole and Shakespeare share many things in common when comparing the use of rhetorical appeals and rhythm. In Shakespeare’s sonnet thirty, he uses a lot of rhyme which adds a beat and can make the text a little easier to understand when you speak or read in a musical/ lyrical format, which is similar to that of music. Music is one thing that many people like and can find fairly
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easy to understand, so adding a beat may make Shakespeare’s writing a little bit easier to digest. The same goes for J.cole in his song “Apparently,” which uses rhyme consistently. This is obviously very common in music, which also can help for an easier understanding of the lyrics, and it adds a beat. Another common element between Shakespeare and Cole, is the use of pathos, a rhetorical appeal. Incorporating pathos into a work can make the audience or reader, really connect to the situation, character, or event being presented. For instance, going back to sonnet thirty, Shakespeare speaks about mistakes made throughout life and how hard it can be to have to think back on those times and digest the things one may have done throughout that lifetime. In J. Cole’s song “Apparently,” he sings about his life in fame and how awful and painful it is to have to address the mistakes he too has made in his life, and the consequences of them. He specifically talks about his mother, and how after leaving her to go party in New York City, her home gets foreclosed. There are many other elements both writers have in common, but those two are the most bold and consistent out of all the ones that can be found between Shakespeare and Cole. On the contrary, there are some elements that Shakespeare and Cole do not share in common at all.
One of the most obvious things, is the diction. In Shakespeare’s sonnet thirty, the diction is very clean, and the language is very proper and elevated. In Cole’s song, “Apparently,” the diction is extremely explicit, and the language includes much slang. The diction can very much add to the emotion, mood, and tone. In the sonnet, one can pull a little more of a sad and regretful, tone and emotion. Whereas, in Cole’s song, one pulls a little bit more anger, impatience, and guilt, in regards to the emotion, tone, and mood. Another difference between both writers is length of the writing. The sonnet is very short and to the point, and Cole’s song is a little more lengthy. The reason being that the sonnet only shares one’s feelings about the topic being presented, whereas Cole’s song tells not only his feelings about the topic, but he also shares a story as
well. Although writing has evolved drastically since Shakespeare’s time, there are many components that still remain since Shakespeare’s time. Hip-hop artist J. Cole shares many of those components, but puts his own spin on it, which is a major contributor as to why he is such a popular and influential artist. Making these connections in school is important, because it can help one better understand Shakespeare, recognize the evolution of writing, and see where some major writing components originated.
“The Roman Baths at Nimes,” a sonnet, has a unique modified structure which resembeles the main purpose of the poem. Originally, a sonnet was structured as “one strong opening statement of eight lines, followed by a resolution to the emotional or intellectual question of the first part of the poem” (Strand 56). The contemporary sonnet comes in two forms, the Petrarchan and the Shakespearian. Both have fourteen lines but they differ in their rhyme scheme. Cole combines the elements from the original and Shakespearean sonnets to form a unique structure for his poem. He uses a modified rhyme scheme of aabcbcdedefghh, which very closely resembles the contemporary form of the Shakespearean sonnet (because of the final couplet rhyme hh) but not exactly. He incorporates the features of the antique sonnet by presenting his internal struggle in the first ten lines of the poem and in the final sentence, resolving the conflict.
Sonnets is a type of poetry that originated in Italy. There are many different types of sonnets, such as the Shakespearean sonnet, Petrarchan sonnet, and the Spenserian sonnet. Despite their differences, these sonnets share some similarities. “Harlem Dancer” by Claude McKay and “In an Artist’s Studio” by Christina Rossetti share many similarities and differences such as the form, the portrayal of women, and the way the woman is objectified.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
As far as structure goes, Shakespeare’s sonnet and my own are very similar. My 14-line sonnet is written in Iambic Pentameter and follows the abab-cdcd-efef-gg rhyme scheme within three quatrains and a couplet, as does that of Shakespeare. For this reason, my poem follows a meter very close to Sonnet 87. This is also due to the fact that both sonnets contain 10 syllables per line, as well as an eleventh in most lines that derives from weak, or "feminine" verb endings such as "keeping" in the first line of my poem, and "possessing" in that of Shakespeare. Thus, the finality residing in the 10 syllable lines that use masculine endings is accounted for. In addition, my sonnet mirrors Sonnet 87 by starting with "farewell" and ending with Shakespeare’s couplet modified, and one can see his influence in the third quatrain of my poem, which echoes back the last 4 lines of Sonnet 87’s third quatrain. In this way, I was able to mimic most of Shakespeare’s structure while inserting phrases of my own.
William Shakespeare, we were known as one of the greatest authors in literature. “Sonnet 29” exemplifies his use of the Elizabethan
“Beauty is not in the face; beauty is a light in the heart.”- Kahlil Gibran. I am going to compare and contrast between “Sonnet 130”, by William Shakespeare and “The Harlem Dancer”, by Claude McKay. Both poems and sonnets are English and have fourteen lines or stanzas, and the rhyme scheme of ABABCDCDEFEFGG, which points out beauty in women.
Both Sonnet 43 by Elizabeth Barret Browning and Sonnet 116 by William Shakespeare delve into the passion of fervent love. In many ways these two sonnets can be compared and contrasted based upon poetic devices such as word choice, figurative language, and imagery.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
In the sonnet “Sonnet 138” or “When My love Swears that She is Made of Truth” by William Shakespeare, he uses many types of rhyme. Written in iambic pentameter, with a rhyme scheme of ABAB, CDCD, EFEF, GG, Shakespeare includes examples of rhyme, alliteration, and personification.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
has the gentle heart of a woman but is not inconsistent as is the way
William Shakespeare (1564-1616) lived in a time of religious turbulence. During the Renaissance people began to move away from the Church. Authors began to focus on the morals of the individual and on less lofty ideals than those of the Middle Ages. Shakespeare wrote one-hundred fifty-four sonnets during his lifetime. Within these sonnets he largely explored romantic love, not the love of God. In Sonnet 29 Shakespeare uses specific word choice and rhyme to show the reader that it is easy to be hopeful when life is going well, but love is always there, for rich and poor alike, even when religion fails.
1-2: 'Ý have seen a large amount of glorious mornings' "flatter the mountaintops with (a) soverign eye." The sun here is the eye of the morning, making the latter in semblance of a person. Using "sovreign" to describe the "eye" gives the reader the impression of the sun as, perhaps, the ruler of natur...
Shakespeare sonnets, also called English sonnets, are the second most common sonnets. It takes the structure of three quatrains, that is, three stanzas with four lines and a couplet that is a two line stanza. The couplet stanza is pivotal in the sonnet, because it provides amplification, a refutation or a conclusion of the other three stanzas, which creates an epiphany for the sonnet. The other kind of sonnet is the Spenserian, which has the first 12 lines rhyming into a, b, c and d, while the last stanza, which is a couplet has the rhyme, ee. The three quatrains provide detail about three but related ideas while the couplet gives rise to a totally different idea (Petrarca & ...
Although both sonnets have the common theme of nature, Shakespeare used his words to distinguish the differences in his two lovers. One could say that he was ahead of his time with his writing because he did not bow down to convention. Because he wrote the way he wanted to and was not concerned with other writer's styles Shakespeare has become one of the most influential English writers of all time. He pushes his readers beyond the norms in a great deal of his writing, forcing them to take a closer look at what he actually implies with his words.