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Definition of art
Definition of art
What is the significance of style
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Aaron Begay Ms. Boni Ap Literature and Composition 11 December 2017 Art is defined as an expression of a human’s creativity that produces a work to be appreciated for their beauty and/or emotional impact. In the contemporary world in which we reside, it has been debated whether or not if abstract art is “art”. Among the list of the contemporary 20th-century art is a Dutch artistic movement called De Stijl or Neoplasticism. De Stijl is Dutch for “The Style”. Neoplasticism is an abstractionist and reductionist movement that was formed in 1917, which embraced the ultra-simplistic forms of straight-lines, rectangles, and primary colors. One of the most famous works from this movement is entitled “Composition II in Red, Blue, and Yellow”(1930) by Piet Mondrian. The main point of the movement is to utilize the most basic forms of composition to express the laws governing the harmony of the world. In 1917, A Dutch artist named Theo Doesburg founded the art journal “De Stijl” in order to recruit members for his reductionistic-utopian art style. The journal laid the groundwork for a group of like-minded individuals who embraced neoplasticism. De Stijl is a Netherlands based movement in the early 20th century, lasting only from 1917 to 1931. Neoplasticism began as a response to the horrors of World War I. Artists from …show more content…
The artistic movement was characterized by the non-objective visual language that aimed for a state of perfection. “Composition II in Red Blue and Yellow” best represents neoplasticism because it is the quintessential idea of the movement, which is to use art as a visual medium to influence society, which this movement ultimately did at the time. We see the effects of De Stijl even to this day. Among the things that has been inspired by neoplasticism is the Windows log-screen, an album title “De Stijl” by the White stripes, and architectural
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
Synchromism was the first American Avant Garde artistic movement started in early 20th century Paris by two expatriated artists from the United States, Morgan Russell of New York (1888-1953) & Stanton MacDonald-Wright of Virginia (1890-1973). Artists of the time were always working on new and inventive ways to show the importance of the movement. The two young artists met in Paris and established this movement on the influences of Paul Cezanne, Henri Matisse, and the Post Impressionists movement, which is the idea of color superseding the importance of the subject. They were able to evolve these post-impressionist ideals by implementing the use of Musical Theory, which is a style in which music and sounds would define certain hues and shades in their painting to represent movement, emotion, and expression. Music can be broken down into elements like rhythm, form, and structure while the same can be done with art, and this style bridges the gap between the two disciplines. Russell and MacDonald-Wright incorporated Musical Theory into their artworks in a simi...
The 18th century is well known for its complex artistic movements such as Romantism and Neo-classical. The leading style Rococo thrived from 1700-1775 and was originated from the French words rocaille and coquille which meant “rock” and “shell”; used to decorate the Baroque gardens1. Identified as the age of “Enlightenment”, philosophers would ignite their ideas into political movements1. Associated with this movement is England’s John Locke who advanced the concept of “empiricism”. This denotes that accepting knowledge of matters of fact descends from experience and personal involvement1. Locke’s concept assisted the improvements of microscopes and telescopes allowing art students in the French academy to observe real life1. Science and experience influenced painting more so in Neo-Classicalism. Locke fought for people’s rights and the power or “contract” between the ruler and the ruled. Reasoning that “the Light in Enlightenment referred to the primacy of reason and intellect…and a belief in progress and in the human ability to control nature”1. Hence, the commence of experimental paintings such as Joseph Wright’s (1734-1797) oil on canvas painting: Fig.1 An Experiment on a Bird in the Air Pump. This image was developed through science by placing a bird in glass container and pumping air to see the effects it would have on the bird (White cockatoo)1. Throughout the late 18th and early 19th century in Western Europe, Neo-Classical art became the “true Style” and was accepted by the French Revolution under Louis XIV. Neo-Classical art was a reaction to Rococo’s light hearted, humour and emotion filled pieces.
Theo van Doesburg was a famous Dutch painter, theorist, architect, and designer. He was the founder of Dj Stijl movement which means The Style in English. He also started to publish a magazine by the name of Dj Stijl from the year of 1917. It was an avant-garde magazine. Famous painters, designers, and architects like Piet Mondrian, Bart van der Leck, Gerrit Rietveld, and J.J.P. Oud joined this movement with Doesburg. This famous personality devoted his life to the understanding of art from the rational, essential, and universal aspects. The Will to Style is a lecture given by Doesburg and it tries to critically analyze the features of the new style which he advocated for.
Italian Neorealism, a movement that focused on the arts began in 19th century post war Italy and “became the repository of partisan hopes for social justice in the post war italian state.” (Marcus, xiv) Even before the war, Italy had been under the dictatorship of Benito Mussolini and his corrupt form of government, Fascism, which caused oppression throughout the country. Neorealistic films allowed filmmakers to use common styles and techniques to finally reveal the world filled with anguish and misery that Mussolini had created. These films allowed the rebirth of Italy with the new ideals of freedom and social order. Some directors choose to add melodramatic elements to their neorealistic film which goes against Neorealism’s goal to project the Italy in its real form. However, although Rome Open City by Roberto Rossellini and Bitter Rice by DeSantis have classic hollywood narrative characteristics, the portrayal of women and children represent neorealist principles that help us further understand the struggles and conflicts of women and children during post-war Italy.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
In the beginning, Surrealism was primarily a literary movement, but it gave artists an access to new subject matter and a process for conjuring it. As Surrealist paintings began to emerge, it divi...
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Mondrian founded the art movement titled Neo-Plasticism in. This art movement and the De Stijl art movement have extremely similar characteristics. Both of these movements involve black vertical and horizontal lines, basic shapes, and the use of primary colors. An example of this includes Mondrian’s Composition With Red, Yellow, and Blue, created in 1935 to 1942 with oil on canvas, has the dimensions of 46 by 46 centimeters. This piece includes primary colors, horizontal and vertical black lines, and basic shapes. Mondrian last worked in this
Abstract Expressionism gets its name from the combining of emotional intensity and self-expression of German Expressionists and the anti-figurative aesthetics of abstract schools where Futurism, Bauhaus and Synthetic Cubism came from. The term Abstract Expressionism was applied to any number of the artists in New York who each had quite different styles, such as Pollock’s “action paintings” which had a very busy feel to it, which was different both technically and aesthetically to Willem de Kooning’s grotesque “women’s series”, which was rather violent and not particularly abstract, and Mark Rothko’s block work which was not very expressionistic, but yet all three were classified as Abstract Expressionists.
Surrealism and the surrealist movement is a ‘cultural’ movement that began around 1920’s, and is best known for its visual art works and writings. According to André Berton, the aim was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Breton 1969:14). Surrealists incorporated “elements of surprise, unexpected juxtapositions and ‘non sequitur”. Hence, creating unnerving, illogical paintings with photographic precision, which created strange creatures or settings from everyday real objects and developed advanced painting techniques, which allowed the unconscious to be expressed by the self (Martin 1987:26; Pass 2011:30).
Artistic movements are often categorized by a specific aesthetic. These visual choices are usually a deliberate differentiating reaction to the current culture of art. Though most movements can be categorized by an aesthetic set of rules, such as Cubism, Romanticism, Impressionism, Fauvism, etc… Not all art movements can be defined solely within their visual associations. Nearly all major stylistic shifts in art were based on an ideology as well as a visual language. In the Arts and Crafts movement, the ideas behind the movement were more prevalent than a specific visual style. The Arts and Crafts movement not only changed the way people made objects in the late 19th and early 20th centuries, but it also set into motion an ideological stance that persists today.