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Recommended: Concert review
Suren Najaryan
10079504
Music 101
Byron Delto
Concert Report #1
I attended a Sundays Live concert at the Los Angeles County Museum of Art (LACMA). The concert was held in the Leo S. Bing Theater on the Edmund D. Edelman Stage. Scheduled for 6 p.m., the concert took place on the 30th.
The hour long concert consisted of three musical pieces:
• Beethoven’s Piano Sonata No. 10 in G Major, Opus 14, No. 2 with three movements:
Allegro
Andante
Scherzo: Allegro assai
• Schumann’s Arabeske, Opus 18 with a single movement
• Chopin’s Piano Sonata No. 3 in B minor, Opus 58 with four movements:
Allegro maestoso
Scherzo: Molto vivace
Largo
Finale: Presto, non tanto
Since it was a piano concert, there was only a single instrument – the piano. The room was setup so that the audience would be facing the stage which a featured a grand piano with towering white boards behind it. The boards were arranged in such a manner as to seemingly cup the piano and emphasize it. The room was clearly designed with acoustics in mind as displayed by the hetero-shaped wooden panels on the walls and the ceiling that started out flat and would sharply rise at regular intervals, eventually filling out a wavy form.
The first piece was composed by Beethoven. The first movement, played with an allegro tempo, was very light and jovial. It featured a very playful melody played over an arpeggiated bass. The second movement was played andante, or moderately slow, and initially had a lot of chords played staccato in the melody. I personally enjoyed the child-like playfulness exuded along with gravity in the background at some parts of the movement. The third movement was Scherzo: Allegro assai. The word “scherzo” refers to the fact that it is the third movemen...
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... and was institutionalized for two years until his death.
Frédéric Chopin was born in 1810 in Zelazowa Wola, Poland and died in 1849 in Paris, France. Chopin began playing piano at the age of six and soon after receiving lessons, he had become a better pianist than his instructor. He moved to Paris and began to work as a teacher while writing his own music. While in France, Chopin began a relationship with a novelist named George Sand. The two settled down in Nohant, Paris where Chopin had time to compose the “B Minor Sonata” and the “Opus 55 Nocturnes” and the “Opus 56 Mazurkas” (http://www.biography.com/people/fr%C3%A9d%C3%A9ric-chopin-9247162#relationship-with-george-sand&awesm=~oBaGShQe6bw4T5). In the mid 1840s, Chopin’s health began to fall and he ended his relationship with Sand in 1848. He toured the British Isles afterwards until his death at the age of 38.
This movement was also in complete sonata form, like the first, but started out with a fugue, containing timpani solos and then later concluded with an abrupt
Chopin was a piano instructor and composer of the Romantic Period. His body of work consists primarily of piano music. Born and classically trained in Poland, he left his homeland due to declining political conditions and moved to Paris, where he moved through the ranks and gained the respect of many other composers of the day. He had a famous relationship with the novelist George Sand, although the exact nature of the relationship is a bit unclear. He suffered from Tuberculosis and died at the young age of 39, not unlike so many other composers of this period.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
The fourth and final movement of a symphony is like the first movement in its form. The form conventionally followed is sonata form, with an exposition, development and recapitulation, but of course with less new material than the first movement, more a combination of the material already heard.
The concert I attended was the Jazz Showcase in Rudder Theatre on Monday June21, 2004 at 7:30 p.m.
The two concerts that I chose to go see were Stanislaus State Wind Ensemble and Jazz Ensembles & Combos Concert. These two concerts are both very similar yet different in their own ways. Each piece also has many attributes to contribute and it was fun being able to watch two very different genres.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
It has a very nice combination of the woodwind and violin. The music goes slow for first three minutes and suddenly it goes fast with the sound of violin and slows down again with the melodious sound of the flute and violin and repeats again giving the feeling of nature and after eleven minutes it is in very high notes. And again, from the 14 minutes, begins the second movement with the melodious sound of violin followed by other instruments. This part is very sad and attractive part of the orchestra too. It feels tragedy and sad music. The music is slow and in low notes. The flute in the fourteen minute is so attaching and alluring. I felt like listening to it again and again. The third movement then begins from twenty-three minute which also feels sad music. It reminds me of the good old childhood days. After the thirty minutes comes the most powerful and weighty part that is the fourth movement. It ends comfortably in F major. Among the four symphonies by Johannes Brahms, I liked the Symphony no.3. And I would like to thank Mr. Madere for giving us with such assignments which help us relax and get free from our
This piano concerto adheres to the tradition way of composing a piece in this genre as it consists of three movements:
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
This is the second movement of the piece. It lasts around five minutes of the total 22 minutes of the whole Orchestral Suite. Air is written for trumpet, timpani, oboe, violin, viola and continuo. It is written in major key. The meter is duple, and I would dare to say that it is quadruple.
Jazz is a music genre that is very rich in culture which is why I decided to attend a Jazz concert. This was my first Jazz event I had ever been to. I went to see the band The Chairman and the Board. This was a blues swing band. Having been to other concerts, I was expecting something similar as far as atmosphere and crowd. I was proved very wrong as this concert defied all my expectations and was in a whole different field as far as life entertainment goes. The first thing I noticed right off the bat was the audience. The age range of this audience was mainly 40-70. I definitely felt like the odd man out when I was there. It did get me thinking though, why was this audience so much older? I looked into the era of when most of those people
In November the 7th 2017, I had another privilege of attending a jazz performance at The School of Jazz, New York. The concert was organized primarily by graduate students who majored in music, and as a result of this, the concert had a number of blossoming musicians who provided the audience with an assortment of different music combos. Unlike in the orchestra, the performers and audience at the jazz concert where dressed casually and there was no particular dress code.
There is an event that I just can describe as one of the most unique and memorable in my life: attending my first concert. After years of listening to Ron Pope’s music, watching his YouTube channel, and following all of his social media accounts, the satisfaction of seeing someone whose music has been the soundtrack to my life for so long was unreal. There were moments that I had to internally remind myself that this is, in fact, happening in real life. Being a dedicated (some may say eccentrically so) fan is tough work – and I was rewarded with two hours of pure magic for one night. Attending my first concert was a unique event that I will always remember fondly because of the atmosphere, the amazing performance and the sense of connection