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Importance of miles davis in the developement of jazz
Importance of miles davis in the developement of jazz
Legacy of jazz
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Insight into Miles Davis
Miles Davis was born May 26, 1926 in Alton, Illinois. He was raised in an upper-middle-class family, with his father, Miles Dewey Davis Jr., being a dentist, and his mother, Cleota Mae Davis a music teacher. He spent his childhood in St. Louis and was interested in music by age 12, when he started to take trumpet lessons. At 16, he took up opportunities to play music locally and a year later, Davis joined Eddie Randle’s group known as “The Blue Devils” (Macnie; “Miles Davis” Sony; Ruhlmann).
Davis then attended the Institute of Musical Art in New York City in September of 1944. Once Davis was in New York, he knew he had to meet up with Charlie Parker, whom he had met in 1943. In Manhattan of 1945, Davis started to play with Parker and his quintet, and as a result, quit going to school altogether and focused on becoming a full-time musician (Macnie; Ruhlmann). Davis ended up playing the bebop style that Charlie’s group followed, and played with several other musicians including Benny Carter, Billy Eckstine, Charles Mingus, and Oscar Pettiford. Miles Davis’s musical strengths included “his ear for ensemble sound, unique phrasing, and a distinctively fragile tone” (Macnie).
In 1947, Davis made his first recording and in the summer of 1948, Davis put together a nonet that he played with at the Royal Roost in New York for two weeks in September. He eventually recorded 12 tracks with this nonet for Capitol Records, and these tracks were later put onto the album Birth of the Cool. According to Rolling Stone magazine, this album signaled Davis’s change in style from bebop to something more “introspective” (Macnie; Ruhlmann).
Miles Davis’s heroin addiction interrupted his career from 1949-1953. Although he ...
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...Rhythm & Blues Instrumental Performance. In 1993, when Miles & Quincy Live at Montreux was released, Davis received his seventh Grammy for Best Large Jazz Ensemble Performance. In a few short months, Davis died of pneumonia, respiratory failure, and a stroke (Ruhlmann). His death took place in Santa Monica, California on September 28, 1991 (“Miles Davis Biography”).
Davis was awarded an honorary Doctorate of Music from the New England Conservatory in 1986, an award which recognized his lifetime of success (“Miles Davis” PBS). Miles Davis’s approach to jazz wasn’t very popular when he died, but he did a lot in the jazz genre to make it more popular. He was also very good with solos and was able to appeal to audiences using this solo technique. He serves as a remembrance of being inventive and a reminder that jazz can move forward through these inventions (Ruhlmann).
Understandably the focus of the episode titled 1959 The Year that Changed Jazz would focus on the events of 1959. The main point was outlining the four albums by four different bands that showed the different ways jazz was evolving. The first album to take focus was Kind of Blue recorded by Miles Davis and his sextet. Davis had started his jazz carer at the age of nineteen under his idol Charlie Parker in the late 1940's. Taking what he learned from Parker of the Bebop style, Davis went on to become an amazing artiest in his own right. Columbia Records was was easily able to turn him into a national celebrity, one that the women found highly attractive. From the sextet, Jimmy Cobb and Herbie Hancock were interviewed.
Albert Einstein had once said, “Try not to become a man of success, but rather try to become a man of value." Born in the city of Clinton Township, Michigan at St. Joseph Hospital on July 18th, 1993, Miles Drobot began his journey through life. Miles was born to the proud parents of Melissa and Tobias Drobot and grew up in Mt. Clemens, Michigan. As a single child, he exclusively attended L’Anse Creuse Public School District up until his senior year of high school. Once he had graduated in 2015, he would soon after pursue his college education.
A black man that’s falls in love with planes and would never give on his dream to become a pilots from everyone and everything that got in his way didn’t stop him that’s what I really love about him and glad to tell the story of the furthermost man ever to change history for black people who has a dream to fly and this is the story of Benjamin O. Davis Jr. Was born in Washington D.C on December 18, 1921 and he was the second of three children. The parents of Benjamin O. Davis were Benjamin O. Davis, Sr. and Elnora Dickerson Davis, but if you didn’t know about his father was a U.S. Army Davis was in the army for 41 years before he got promoted to a brigadier general in the fall of October 1940. At the age of 13 of Benjamin O Davis Jr life on the summer of 1926, Davis went for a flight with a barnstorming pilot, however if you don’t know what a barnstorming pilot was they were a group of pilots that did tricks in the USA in the 1920, that stunt pilots would execute trick with airplane for entertainment. The experience led to his willpower to turn out to be a pilot himself. He was the prime officer to get his wings since the Tuskegee Army Air Field on March 7, 1942. (http://www.aldine.k12.tx.us)
I think that Berry Gordy was a great business person because he managed to break boundaries and has become to the largest and most successful black-owned business in America.
Though Jelly Roll Morton began his career without formal training, he grew to live an influential life. His piano style, musical notations on paper, and creative compositions thrived in the 1910s and the 1920s and even weaved its way into the later eras as musicians used Morton’s music as the foundation for their own. Even past his death, Jelly Roll Morton remains a legendary figure. His works are meticulously preserved and displayed in the prestigious Smithsonian Museum and universities around the world continue his legacy by teaching students about Jelly Roll Morton and his influential career.
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
Charles Mingus is one of the most original and influential jazz composers of the twentieth century. He created the second-largest volume of jazz work after Duke Ellington (McDonough 20), and is the first African-American composer to have his work acquired by the Library of Congress (Harrington B1). Mingus is known for his unusual style of composing and playing, which attempted to reconcile jazz improvisation with orchestration, in order for the final composition to conform most closely to his vision. Also, Mingus liberated the bass from its mundane role of keeping time, turning it into a fully versatile instrument as capable of stating the theme as the horns. While forging a new role for his instrument, he also forged a new style of jazz, one that acknowledged the influence of bebop but did not cater solely to that genre. Instead, Mingus' music incorporated a wide range of styles, from Ellington's big band sound, to gospel music, to early New Orleans jazz bands. At the same time, he imbued modern sentiments and an avant-garde feeling into his music. In the 1950s, his music made several important aesthetic and technical advances, punctuated by the release of numerous influential albums. These productive years were crucial in shaping Mingus' sound, as he fully incorporated gospel elements into his music and developed a means of composing and working with his musicians that allowed for endless innovation.
Edward Kennedy Ellington was born on April 29, 1899 to his middle-class parents James Edward Ellington and Daisy Kennedy Ellington, who were both pianist. At the age of 7 his parents put him in piano lessons and enforced the necessity for sophistication and etiquette, which is actually where his nickname Duke came from because his style of dress and his mannerisms reminded his friends of that of a nobleman. He attended At age 15 although he was a talented pianist, he was rough around the edges and could not read or write music, but that did not stop him from composing his first piece “Soda Fountain Rag”, which he created by ear while working as a soda jerk. Upon viewing various ragtime artists while vacationing with his mother Duke felt encouraged to better his piano skills and through the help of Dunbar High School’s Henry Lee Grant and local big band leader Oliver “Doc” Perry, Duke learned to read and write music, become far more polished in his playing techniques, and overall raise his playing ability. While by professional at this point he was a sign painter, he played party gigs and dances ...
	On February 15, 1965 the music world lost one of its greats. By the time his life was over, he was already a legend, having influenced the likes of Oscar Peterson and Ahmad Jamal. Nat had performed with some of the best including Duke Ellington and performed for some of the best, including the Queen¨, he was even friends with John F. Kennedy. Though he is often remembered today as a great singer, he was also one of history’s greatest jazz pianists. It is said that as a pianist, he developed the intricate right-hand style of initiated by Hines and the sparse left-hand of Count Basiel. His records have been released and re-released and even to this day they are still popular. Through the marvels of modern technology, Nat and his daughter, Natalie (who is also a well-known artist) were reunited for a rendition of the classic, "Unforgettable", which he certainly is.
A single artist can have a very strong impact on a whole genre of music. We have seen this time and time again through artists such as Charlie Parker, David Brubeck, John Coltrane, Art Blakey, Miles Davis, and many others. All of these artists had tremendous influences on the different eras that evolved throughout the history of Jazz. Bill Evans, an American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him.
I’m always thinking about creativity. My future starts when I wake up every morning... Every day I find something creative to do with my life.” A very inspiring quote from Miles Davis, whom was a famous American jazz trumpeter, bandleader, and composer. He’s regarded as one of the four most influential musicians in jazz history.
Frank Marshall Davis was a poet and journalist from Chicago, also known for being accepting of jazz as shown in some of his writing. Jazz became much more prominent in black literature and became more accepted following World War II. Jazz music became much more self-consciously an art; people realized it was the type of music designed for listening rather than for dancing.
For my final project of this course, I have chosen the “Kind of Blue” album by Miles Davis. This album was released in 1959, and is considered to be the best-selling jazz record of all time (NPR.org, 2017). When I was in high school as a junior, I took the jazz band class that was offered at that time. One of the most talked about musician in that class was Miles Davis. Miles was a major influence in the world of jazz; he was a brilliant composer and musician. “Kind of Blue” was Miles greatest creation ever. This album showed off “modal” jazz brilliantly. Miles Davis was a brilliant composer, and his ability to play trumpet was out of this world. At age 32, Davis was a professional, becoming one
During her second major singing, in 1959, she sang two songs, and during the third, she had to be carried off the stage. She died later due to illnesses caused by the drugs she used to be dependent on, and alcohol. She was only 44.
Kind Of Blue by Miles Davis was a studio album released by Columbia Records. The album’s exact release date was August 17, 1959. The album, “Kind of Blue” consisted of the genres of modal and cool jazz, but focused mostly on modality. The album featured Bill Evans a pianist, Paul Chambers a bassist, Jimmy Cobb a drummer, and saxophonists John Coltrane and Julian Adderley as well as pianist Wynton Kelly on one track. The meaning or portrayal of the music on the album was a modal approach that altered and mixed playing styles of different musicians. Miles Davis main goal by releasing “Kind of Blue” was to get rid of modern jazz clichés. Through modal jazz Miles Davis ended up focusing on fewer chords and less concentrated harmonies. Through modal