Charles Mingus in the 1950s
Charles Mingus is one of the most original and influential jazz composers of the twentieth century. He created the second-largest volume of jazz work after Duke Ellington (McDonough 20), and is the first African-American composer to have his work acquired by the Library of Congress (Harrington B1). Mingus is known for his unusual style of composing and playing, which attempted to reconcile jazz improvisation with orchestration, in order for the final composition to conform most closely to his vision. Also, Mingus liberated the bass from its mundane role of keeping time, turning it into a fully versatile instrument as capable of stating the theme as the horns. While forging a new role for his instrument, he also forged a new style of jazz, one that acknowledged the influence of bebop but did not cater solely to that genre. Instead, Mingus' music incorporated a wide range of styles, from Ellington's big band sound, to gospel music, to early New Orleans jazz bands. At the same time, he imbued modern sentiments and an avant-garde feeling into his music. In the 1950s, his music made several important aesthetic and technical advances, punctuated by the release of numerous influential albums. These productive years were crucial in shaping Mingus' sound, as he fully incorporated gospel elements into his music and developed a means of composing and working with his musicians that allowed for endless innovation.
In the 1940s, Mingus had made great strides in developing his style of composing and playing, creating works such as Mingus Fingers, which was performed by the Lionel Hampton orchestra and recorded. In this composition, the bass has a prominent role in developing the theme, an unusual departure from...
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"Dizzy Gillespie – Jazz and Blues Masters ." american jazz musician . b 1917 . d 1993.
In conclusion, Edward Kennedy "Duke" Ellington was of the most talented jazz composers and pianists of the 20th century and did amazing work and composed some of the most famous compositions of jazz. He has gave so many jazz composers motivation to do what they love and think outside the box, he was a genius. His compositions will live through the decades inspiring musicians and composers, his talent will live forever.
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
All types of music require musicians. In the H.R. (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of all time.
In the mid 1930s, Benny Goodman sparked the beginning of the Swing Era of jazz music shortly after leading his first band, which was monumental to the development of jazz. This marked a transition from the early Jazz Age, which resulted from combining aspects of ragtime and blues music over the previous two decades. Through Goodman’s live performances at various gigs and NBC’s radio show Let’s Dance, he gained increased recognition as a jazz performer and band leader. Following his pivotal Palomar Ballroom gig in Los Angeles, Goodman’s music inspired teenagers to create dances to accompany his new jazz style. As a result, his music grew to gain national acclaim and popularity among many different types of people. Goodman greatly influenced
McPherson, Ian. “The Salt of the Earth: 1955-1960 R&B-Derived Rock & Roll.” Time Is On Our
Mingus did not enjoy playing in the club because he thought the audience to be rude and disrespectful when they did not pay attention to him and his ensemble. He often chastised his audience for their fake attraction to jazz. But much of Mingus’s anger was directed at the music industry. He often criticized the pressure that musicians faced when trying to sell out a performance only to help the industry and attract large audiences (Dunkel 23). He believed that musicians should pave their own paths and thought he was stronger than the musicians who sold out big stages. By not conforming to the industry expectations, Mingus gave himself another ideal quality by sticking to his true personality. By asserting his pride in his heritage he promoted the same pride in those that worked for and with
Kenton, Stan. Live From the Las Vegas Tropicana. Rec. 2 February 1959. CD. Capitol Jazz, 1996.
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
A single artist can have a very strong impact on a whole genre of Music. We have seen this time and time again through artists such as Charlie Parker, David Brubeck, John Coltrane, Art Blakey, Miles Davis, and various others. All of these artists had tremendous influences on the different eras that evolved throughout the history of Jazz. Bill Evans, and American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him. Throughout his career and his works with various other artists, Bill Evans has cemented himself as one of the great influences on modern day Jazz.
Carringer, Robert L.. The Jazz singer. Madison: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1979. Print.
The term modern jazz generally referred to the musical period after bebop, when musicians begun to approached harmony in different aspect. Modern jazz was often overlooked, often defined as jazz derivation or hybrid and was influenced by variety of musicians; among them was Bill Evans. He was one of the most important jazz pianists, and remained to be one of the most influential musicians of post-bebop jazz, due to his prominent sound that made him recognizable to everyone. According to Bert Konowitz, “Bill Evans Sound is created by using chords in the left hand that often do not have the root of the chord on the bottom, as well as voicing chords with tone clusters” (198). Bill Evan’s sound was distinct and involved unique technique like chord cluster and block chord. Bill Evans was an important figure that influenced the development of modern jazz, including the progress of modal jazz technique, the re-harmonization by chord voicing and the expressivity of jazz.