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Critiques functionalism
Critiques functionalism
Critiques functionalism
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The Bauhaus was one of the most influential art and design schools of the past. Although closed down due to the Nazi’s power over Germany in 1933, its influence has and will continue to manifest in design industries and spread its principles to young and old designers alike. Walter Gropius revolutionized design theories by emphasizing products function and form, influencing the development of modern design theory. We see this in students such as Marianne Brandt, Joseph Hartwig, Marcel Breur and Stephen Dell whom have taught and influenced the design world with their products, Tee-Extraktkännchen MT 49, Bauhaus Chess Set, Club Chair and The Table Lamp respectively. These products are examples of simple modernist style with no extra fancy decoration it has excellent function expression and simple shapes. This influenced can be traced all the way forward through America’s architecture to today’s contemporary product design. Products such as the Alain Silberstein Bauhaus 2 Titan watch, displays this influence.
German architect Walter Gropius founded the Bauhaus in 1919 (Whiteford, 1993). While serving as an officer in the Great War, he dreamed of creating an art and design school that would help change the world. After the war, Gropius began to work on his dream and was asked to find an art school and to write his ideas in a manifesto published in 1919, the Proclamation of the Bauhaus (Whiteford, 1993). The revolutionary tone of the Proclamation of the Bauhaus inspired the soviet revolution and the German mutinies, which helped end the war.
The Bauhaus, which translates to the “Building House” in English, was a revolutionary institute of architecture and design that fashioned the face of the 20th century. Its key objective was to re...
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...d down what they saw as communist ideas (Forgacs, 1995). This forced van Der Rohe to relocate the Bauhaus to Berlin in 1930, where the Nazi’s eventually closed its doors in 1933 (Forgacs, 1995).
Although the Bauhaus died in Germany, due to the dangerous years of World War II many of its key figures spread out into the free world predominantly the United States, and birthed the ideas of the Bauhaus (Kentgens-Craig, 1999). Here the Bauhaus idea had more potential than ever, as the American city became the architectural proving ground for the industrialized world (Kentgens-Craig, 1999), which inspired all facets of design and contemporary design. For example Alain Silberstein Bauhaus 2 Titan watch (image 5) displays the use of the primary colour and simple shapes, a clear influence from the Bauhaus preliminary theory course, and of Piet Mondrian’s De Stijl movement.
Marcel Breuer, born in the early 1900’s in Hungary, was one of the first and youngest students to learn under the Bauhaus style, taught by Walter Gropius. Breuer started his career designing furniture, using tubular, or “handle bar like”, steel (Dodd, Mead, and Company 32). One of the most popular of these furniture designs was his Club Chair B3designed in 1922. In the 1930’s, Breuer moved to the United States to teach and practice architecture. In the 1950’s, he received the Medal of Honor from the New York Chapter of the American Institute of Architects (AIA). Between 1960 and 1980, Breuer was honored with several honorary doctoral degrees from several universities around the world. After retiring in 1976 due to poor health, Breuer was awarded several other awards, and his work was displayed in exhibitions around the world. Breuer died on July 2nd, 1981, at the age of 79 (Marcel Breuer Associates 6).
Drawing on Bauhaus methods, Bayer supported the concept of a total work of art and the unity – painting, typography, and information design were all connected to each other. In addition, every element in design was there for a purpose – to inspire, inform, or both. The atlas was “an example of how Americans had adapted Bauhaus design principles to communicate simply, directly and possible forcefulness. Atlases of world resources produced before Bayer’s publication hardly utilized a modernist graphic language. This would change with environmentally informed atlases of the 1970s that borrowed extensively from Bayer in their integration of color, graphic and symbols.”
Gehry draws his inspiration from famous paintings such as the Madonna and Child which he qualifies as a “strategy for architecture” (Friedman M. , 2003, p. 42) and which he used as an inspiration for a project in Mexico . Through his interpretation of the paintings and artwork, Gehry looked for a new kind of architecture. His search for a new type of architecture culminated in 1978 with his own house in Santa Monica. What was once a traditional Californian house would be redesigned to become one of the most important and revolutionary designs of the 20th century, giving Gehry international prestige and fame. Frank Gehry’s “Own House” uses a mixture of corrugated metal, plywood, chain link and asphalt to construct a new envelope for an existing typical Californian house. This house has been inspired by Joseph Cornell, Ed Moses and Bob Rauschenberg. Gehry comments on his house by saying that there was something “magical” (Friedman M. , 2003, p. 54) about it. He admits having “followed the end of his [my] nose” (Friedman M. , 2003, p. 54) when it came to constructing the “new” house, which led Arthur Drexler, former Director...
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date
...erfect atmosphere to convey speed, efficiency, and technology of the time. This open floor plan not only functions as an efficient visual element but also incorporates the idea of communal work. Customers, store leaders, associates, tech gurus etc. are all free to wander and work together without office walls or boundaries to separate them. The change in the use of light began during the Bauhaus era when lampshades which used to block light and create harsh separations were replaced with broad flood lights evenly spaced to create equal lighting throughout. The use of pure white walls and metal trim also make direct reference to the Bauhaus ideals. Likewise there is an egalitarian principle evoked in the designs. Built to human scale and made clearly for use by people rather than large monumental or overly scaled buildings that often promote power and authority.
In the early twentieth century the Modern movement of architecture and industrial design came about. This movement was a reaction to the change within society and the introduction of new technologies. The ever changing world and technology meant artists to evolve alongside the changing world and this kind of ‘industrial revolution’ that was happening. Modernists ideas have seeped into every form of design especially architecture and design. Although most modernists insisted they were not following any style in particular, their work is instantly
Graphic designer and typographer Stefan Sagmeister has always had a unique way of viewing the world, therefore has created designs that are both inventive and controversial. He is an Austrian designer, who works in New York but draws his design inspiration while traveling all over the world. While a sense of humor consistently appears in his designs as a frequent motif, Sagmeister is nonetheless very serious about his work. He has created projects in the most diverse and extreme of ways as a form of expression. This report will analyse three of Stefan’s most influential designs, including the motives and messages behind each piece.
Griffith Wilson, Alexandra. “The Bauhaus 1919-1933.” The Metropolitan Museum of Art. N.D. Web. 9 Feb. 2014. .
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The use of materials to complement a design’s emotional reaction has stuck with the modernist movement. His implementation of these materials created a language that spoke poetically as you move through the structure. “Mies van der Rohe’s originality in the use of materials lay not so much in novelty as in the ideal of modernity they expressed through the rigour of their geometry, the precision of the pieces and the clarity of their assembly” (Lomholt). But one material has been one of the most important and most difficult to master: light. Mies was able to sculpt light and use it to his advantage.
Winton, Alexandra G. "The Bauhaus, 1919–1933." The Metropolitan Museum of Art. Web. 03 May 2014.
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?