Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Nature and history of dance
Nature and history of dance
Jazz music in the jazz age
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Nature and history of dance
The 1990’s was a period of growth for the United States. Music and dance evolved significantly. Music and dance evolved throughout the decades by the inventions of new musical instruments, new dance genres, and new social dance crazes.
The music and dance movement started in the 1910s with Ragtime music, improvisational melodies with syncopated beats, from African American traditions. Both music and dance reflected the vibrancy of modern, urban influences. The music is typified by Scott Joplin’s rags and made popular to the middle class by “Alexander’s Ragtime Band,” published in 1911. Animal dances quickly became the new dance craze of the 1910’s. Animal dances were dances influenced by the movement of certain animals. There were endless varieties of animal dance fads, such as: Fox Trot, Horse Trot, Kangaroo Hop, Duck Waddle, Squirrel, Chicken Scratch, Turkey Trot, and Grizzly Bear. The Fox Trot, invented by Harry Fox, for example was a dance in which you trot like a horse. Initially regarded as outrageous, this animal dance later became known as a conservative basic for the 20th century ballroom dance.
During the 1920s the new dances The Black bottom and The Charleston were born. The Black bottom originated in New Orleans as a stamping, swaying “Negro” dance. Musical Producer George White saw the Black bottom performed in a Harlem nightclub. White bought the music and introduced it to white audiences in his “Scandals of 1926.” The dance was then popularized and modified for the ballroom. Scholars of African dance have traced the Charleston to Trinidad and West Africa. In the nineteenth century, black minstrel dancers danced the “patting Juba,” a routine of slapping the hands and the knees, thighs, and body in a rhythmic d...
... middle of paper ...
...y black roll 'n' rollers like Chuck Berry and Little Richard glorified sexuality.
In 1960, Elvis returned to the music scene from the US Army, joining the other white male vocalists at the top of the charts; Bobby Darin, Neil Sedaka, Jerry Lee Lewis, Paul Anka, Del Shannon and Frankie Avalon. America, however, was ready for a change. The Tamla Motown Record Company came on the scene, specializing in black rhythm and blues, aided in the emergence of Supremes, and Aretha Franklin, as well as some black men, including Smokey Robinson, James Brown, Jimi Hendrix, and the Temptations. The Beach Boys began recording music that appealed to high schoolers. The Beatles, from England, burst into popularity with innovative rock music that appealed to all ages. The Righteous Brothers were a popular white duo who used African American styling to create a distinctive sound.
In this Chapter, I explore a contemporary venue for belly dance in America, the Arizona Renaissance Festival. I examine how belly dance functions at the festival and how the festival uses the past as an exotic entity. The Arizona Renaissance Festival creates a fantasy culture for entertainment and reinforces America’s ties to a European heritage. Contemporary representations of belly dance are examined, illustrating how this multifaceted dance simultaneously connects to and denies its Orientalist roots in America. I also examine how images of belly dance from the nineteenth century impact contemporary dance through costume inspiration. Due to the numerous styles of belly dance in America today, I focus on only two different forms of belly dance, American tribal style belly dance or as it referred to ATS and Egyptian cabaret.
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
Breakdancing was born as a result of the song “Get on the Good Foot” by James Brown when it was featured on television. People would attempt to copy his moves in their living rooms. Clive Campbell, or more famously known as DJ Kool Herc, is credited with evolving breakdancing. Breakdancing started with fancy footwork and intricate tricks such as head spinning. Breakdancing became popular in dance and disco clubs. As breakdancing further evolved, there was the addition of groundwork with moves like handgliding, windmilling, and headspinning. This addition of groundwork helped shape what we know breakdancing to be today (Bedinghaus).
Before the Lindy-Hop became popular and long before tap dance was established in the United States, Black Bottom dance was popular among both Blacks and Whites in Harlem, New York. The dance craze, appropriated from the blacks in Harlem’s nightclubs, became a big rage when brought to the white community and put on stage. Black Bottom dance, also known as “Swanee Bottom” was an popular dance among lower class African Americans in the early 1900s. Beloved to be introduced by Alberta Hunter, a popular blues singer, Black Bottom was a dance that emerged from African American culture. Although Black Bottom is not a family recognizable dance today, the popularity of the dance at this time caused a great ripple in the dances that came later on down the line.
The origin of Mexican Folklorico dances originate from Mesoamerican days when the Mayas and the Aztecs
Popular dances like “crank that Soulja Boy” and “teach me how to dougie” wouldn’t exist today if it weren’t for the dance styles of the 1920’s. The 1920’s breathed new life into dancing due to prohibition and the rise of jazz in popularity. Before the 1920’s, dancing was seen as a formal event with but because of movies, dancing became more casual and gone were the restrictions of the early 1900’s. The dances in the 1920’s brought new styles and new rhythms to a variety of dance floors.
As the United States entered the 1920's it was not as unified as one might think. Not one, but two societies existed. The Black society, whose ancestors had been oppressed throughout the ages, and the White society, the oppressors of these men and women. After emancipation the Whites no longer needed the Blacks, but were forced to live with them. The Blacks despised the Whites, but even so they became more like them in every way. Even though these two races had grown so similar over the past century and a half, they were still greatly diversified. One aspect of this great diversity was the difference in music trends. The White society was still in love with the European classical music. The Blacks on the other hand had created something all their own. Jazz, Blues, and Ragtime originated in New Orleans in the 19th century, but by the 1920's it had become famous throughout America. The Whites tried to suppress the Blacks with new laws, but the power of this strengthened race was too great. The Negro music of the 20th century had a huge affect ...
A club known as the Whitey’s Lindy Hoppers possibly began this trend in 1935 when they formed their group of 12 dancers (Swingin’). This group of dancers began, and performed the majority of their lifetime as a group in the Savoy Ballroom. They created the Lindy Hop quite simply, using movements from the Charleston as well as basic tap movements. And because of their dance, they had the opportunity to perform both on Broadway, and even in some movies. First, two partners would dance around together in various ways. Then, the man would complete a series of lifts with the girl, usually ending with them apart. Finally, a section of solo footwork would occur to bring the couple back
middle of paper ... ... The dance became more popular when Chief Sitting Bull started to practice it. Tension between the two sides grew when Chief Sitting Bull was killed by the army. After Sitting Bull’s death, Chief Big Foot and his followers were surrounded by soldiers as they were on their way to join with the other leaders.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
...fined. So, they gave the dance nicknames like Hootchy-Kootchy or Hoochee-Coochie even the shimmy and shake. Nevertheless, using traditional Turkish and Egyptian movements, American Cabaret or American Restaurant belly dancing which has developed its own characteristic style, using props and encouraging audience interaction. As a result, many forms of the Tribal Fusion had developed incorporating elements from other dance and music styles including flamenco, ballet, burlesque, hula hoop and even hip hop Gothic Belly Dance which is a style that incorporates elements from Goth subculture.
The evolution of dance styles during the 1920’s was influenced heavily by the music craze and the introduction of electric lighting made dancing late into the night possible. The end of restrictive clothing of the Victorian era was over and the new style was quite free and flowing making it easier to dance to the exciting melodies being created.
Dancing skyrocketed during the 1920s. Many styles of dance that were created before the era did not become popular until the 1920s. For example, the Charleston did not swept the world until after the moves appeared in “Running Wild”, a show on Broadway. The Charleston dance was a fast paced dance that went with the song “The Charleston” by James P. Johnson. Many dance clubs banned the Charleston because the dance was unsuitable for the youth to be dancing. Also new dance styles were being created, for example, the Foxtrot. The Foxtrot was one of cherished dances during the era. The Foxtrot is a partner dance and many disapproved of how close the partners were to each other while dancing, often cheek-to-cheek.
One of America’s musical styles has become one of the major music genres worldwide and it is jazz music. The genre was developed around the late 1800s to the early 1900s, and originated from African Americans in New Orleans and Louisiana (Issitt 1). Within Jazz there are many different categories such as Dixieland, swing, cool jazz, hard bop, jazz-rock, fusion, and many more (Philipp 3). In addition, “Jazz as a whole is frequently regarded as one of the United States’ greatest cultural achievements” (Issitt 2). However, Jazz was not only a source of entertainment, or a great accomplishment, but also a reliever of pain; and it encouraged people to explore deep into their minds and the world around them.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By