The monster in Frankenstein is lonely throughout the story looking for meaning, much like Grendel from Beowulf. These two monster type characters are both outcasts in their stories that have less than pleasing appearances. The monster from Frankenstein is abandoned by his master, while Grendel is exiled from the townspeople. Grendel kills because he sees other’s happy while he cannot be, which is similar to the monster killing because Frankenstein created him into a world that did not want him. These characters only wish is to be normal and have meaning, although this isn’t an easy task for these monsters.
The concept of isolation is a huge factor in both stories that each character has to deal with. Throughout Frankenstein, the monster is abandoned by his creator and rejected by anyone else he comes in contact with. “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (13.17). This is much like Grendel’s experience, since he was also disowned and rejected from his own society. He was outcast to live in the swamps.
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Both the monster and Grendel kill because of their rejection and frustration from being so lonely.
Grendel tries to become part of society by attempting to befriend the humans. “I sank to my knee, crying, Friend! Friend!... their spears came through…” (p.52). Here this quote shows he wants to make friends with the humans, but because of his appearance and differences, he is shunned. This causes the hatred in him to kill. Likewise, the monster kills because of his abandonment. The monster wants his creator to feel his pain, so he kills members of his family. ”I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery” (Chapter 20). Both creatures throughout their stories use killing as an escape to find happiness and revenge for the treatment they have
endured. These creatures both seek love and acceptance within their society. Brief happiness is experienced from fighting and the revenge on the humans for what they have done. However, this happiness is not lasting. The monster seeks something more, so he wishes to attain a wife to no avail. The creator decides this is a bad idea for the rest of the world and destroys this new creation before he even gives it life. This gives more fuel to his hatred. While Grendel seeks nothing more than friendship among the humans. As time moves on in Frankenstein, we see that the monster gives up on society as a whole and escapes to isolation. Much like Grendel stays locked up in his guarded cave. These creatures eventually give up on trying to fit in and accept their fate of isolation. The monster from Frankenstein and Grendel from Beowulf share a lot of characteristics of being outcasts. These creatures both have faced severe isolation from their own societies based on appearances and their other differences physically. They each felt the need to kill to find their happiness, which only furthered their isolation. Both characters searched for something more, but both were left lonely and shunned from mankind.
A wave of mixed emotions arises as the pages of novels alike Frankenstein and The Kite Runner are turned. In the spectrum of morality, the authors, who are separated by years marked with societal developments, bond over their necessity to redeem past sins. Both, a hideous creature and a young Hazara boy, are victimized by the claws of prejudice and the scarcity of a sound home-- the relevant incidents that create interest in the narratives. Set in Afghanistan during the late 20th century, The Kite Runner tells the story of Amir and Hassan's friendship, the hardships of betrayal, and the ultimate attempt to glue the broken pieces together. As prevalent themes, sin and redemption are found in Amir's lifelong regret of being a witness to Hassan’s
He kills people because he enjoys it. Evidence of this can be found in an abundance throughout the novel. “An evil idea came over me-so evil they it made me shiver as I smiled-and I sidled across to the table.” (Gardner 83-84) This is the point in the story when Grendel is torturing Unferth. He's enjoying himself, smiling. The one time it would have been merciful for him to kill he refuses to do so. This scene can without a doubt prove that Grendel’s intentions are not for the best. He's not terrorizing the humans to “improve their lives”. He's doing it because it's fun to him. The reader can already see that Grendel doesn't care about the humans, so why would he ravage their town to improve their society? The only reasonable answer as to why Grendel does what he does is because he enjoys
that is to label people or things we do not like. When a person is
Like Grendel, Frankenstein also learns to live in a society that despises his kind. Frankenstein also must kill, but this is only in response to the people's abhorrence of him. Ironically, the very doctor who bore him now searches the globe seeking Frankenstein's destruction. Even the ever-loving paternal figure now turns away from this outcast from society. Frankenstein journeys to the far reaches of the world to escape from the societal ills that cause society to hate him. He ventures to the harshest, most desolate, most uninhabitable place known to man, the north pole. He lives in isolation, in the cold acceptance of the icy glaciers. Still, Dr. Frankenstein follows, pushing his creation to the edge of the world, hoping he would fall off, never to be seen or heard from again. Frankenstein flees from his father until the Doctor's death, where Frankenstein joins his father in the perpetual, silent acceptance of death.
He derives a satisfaction from his interactions with the Danes that he cannot get from interactions with any other creature. violent outbursts and antagonistic relationship with humans can be seen as the result of a lonely creature’s misunderstood attempts to reach out and communicate with someone else. Grendel was amused by the humans, observing of their violence that (ch 3) He was sickened by the waste of their wars, all the animals killed but not eaten. Ashamed of his monstrousness, what better that to be like the thing you envy the most.
Man has always been driven to create. We constantly shape the world around us by inventing stories of heroes and monsters, by crafting complex but passionate ideals about good and evil. Some relish in the power that this manipulation of reality wields; others are more innocent in that they are simply yielding to a universal longing for something in which to believe.
Grendel and Frankenstein are two monsters whose society ignores their existence and find them to be burdensome to their society based on the mere fact that they are not like the rest of their surrounding man-kind. Grendel and Frankenstein both strive to accept their place in the views of their surrounding peoples. Although their sporadic happiness comes from them engaging in fights and killing members of their societies, they learn to accept their place within the societies by coping with their ability to stay loyal to themselves and to fight back with self-devotion and not wanting to give up on themselves.
Mary Shelley's novel Frankenstein is about a creature born in an unaccepting world. Shelley's idea of Gothicism changed the subgenre of horror, due to its dark look into nature. It became an influence on Tim Burton's movie Edward Scissorhands, moved by the sadness of the creature trying to fit into society, he creates a monster of his own. Mary Shelley and Tim Burton use literary and cinematic elements to show that isolation from society can destroy your relationship with others.
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
1. He came like a protecting spirit to the poor girl who committed herself to his care.
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
Both characters from the novels Prometheus and Victor Frankenstein were similar because they were both intelligent. Victor loved science, he sued to go on journeys to seek more information about life and death, because at home he had nobody to teach him.” My father was not scientific, and I was left to struggle with a child's blindness, added to a student's thirst for knowledge. (Victor Frankenstein quotes on education). And he even studied abroad to see more knowledge on his favorite subject. This created major conflicts with his professor at the university but also admiration among professors and peers.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In the books, Frankenstein by Mary Shelley and Perfume: The Story of a Murderer by Patrick Suskind, the intentions behind the heroes' slaughtering binges are comparative. Both the creature from Frankenstein and Grenouille from Perfume are abhor humankind since they are rejected from mankind which makes them slaughter. They additionally both need another creation to facilitate their distress. For the beast it is a sidekick, and for Grenouille it is a fragrance. The creature and Grenouille are both rejected start during childbirth.