A wave of mixed emotions arises as the pages of novels alike Frankenstein and The Kite Runner are turned. In the spectrum of morality, the authors, who are separated by years marked with societal developments, bond over their necessity to redeem past sins. Both, a hideous creature and a young Hazara boy, are victimized by the claws of prejudice and the scarcity of a sound home-- the relevant incidents that create interest in the narratives. Set in Afghanistan during the late 20th century, The Kite Runner tells the story of Amir and Hassan's friendship, the hardships of betrayal, and the ultimate attempt to glue the broken pieces together. As prevalent themes, sin and redemption are found in Amir's lifelong regret of being a witness to Hassan’s …show more content…
Victor Frankenstein, protagonist of the novel Frankenstein, allegorizes his quest from being an over dedicated scientist to a desolate man, stranded in the Arctic ice, with the obligation to stress the importance of leading a balance and moderate lifestyle—“I cannot describe to you the agony that these reflections inflicted upon me: I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had forever remained in my native wood, nor known nor felt beyond the sensations of hunger, thirst, and heat!” (Shelley 102). On condition that this might help him redeem his sins, Frankenstein takes it upon himself to avenge the death of his beloved ones. Similarly, the Creature, mostly driven by feelings of rejection and abandonment, is also engulfed in sorrow and thus plans to relieve some of it by “returning the favor”. Shortly after becoming cognizant of his abilities to hurt humans, the Creature says the following, “‘I too can create desolation; my enemy is not vulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him’” (Shelley 122). Evidently, these spoken words are enlaced with rages of fury but as the plot progresses into its resolution it becomes notable that his evil intentions are overshadowed by his heartfelt regret. Unfortunately, the
The Kite Runner is a book about a young boy, Amir, who faces many struggles as he grows up in Kabul and later moves to America to flee from the Taliban. His best friend and brother , Hassan, was a big part of his life, but also a big part of guilt he held onto for many years. The book describes Amir’s attempt to make up for the past and resolve his sins so he can clear his conscious. Amir is worthy of forgiveness because although he was selfish, he was very brave and faced his past.
Actions made in a moment of pain, anger or simple immaturity can take anyone to make mistakes that can change their lives completely. Everyone has something in the past that is shameful, embarrassing and regrettable that is kept present daily. Whether this event happened during childhood, adolescence or early adulthood, this event could haunt and have shaped that person’s life into what he or she is today. In a similar way, the book The Kite Runner by Khaled Hosseini is shaped by a tragic and eventful past that has shaped Amir’s, Baba’s, and Hassan’s lives. The four literary elements that will be used in this essay that Hosseini strategically uses in this book are: irony, simile, metaphor, and personification.
The way our friends treat us in the face of adversity and in social situations is more revealing of a person’s character than the way they treats us when alone. In Khaled Hosseini’s novel The Kite Runner, ethnic tensions, nationality, and betrayal become the catalyst that drives and fuels Amir, Assef, and other characters to embark on their particular acts of cruelty. Serving as a way to illustrate the loss of rectitude and humanity, cruelty reveals how easily people can lose their morals in critical circumstances. Through Amir, Assef, and the Taliban’s actions, cruelty displays the truth of a person’s character, uncovering the origin of their cruelty. Amir’s cruelty spurs from his external environment and need for love from his father, choosing
The fact that Frankenstein’s creation turns on him and murders innocent people is never overlooked; it has been the subject of virtually every popularization of the novel. What is not often acknowledged is the fact that Frankenstein himself embodies some of the worst traits of humankind. He is self-centered, with little real love for those who care about him; he is prejudiced, inflexible and cannot forgive, even in death. While some of these traits could be forgivable, to own and flaunt them all should be enough to remind a careful reader that there are two "monsters" in Frankenstein.
Horrified and regretful of his creation, Frankenstein becomes overwhelmed by thoughts of depression and guilt. Previously, while working as a scientist and before his creation, he had “possessed a coolness of judgment that fitted me for illustrious achievements.” But once terrorized by the consequences that were to come with his creation, “this thought...now serves only to plunge me lower than the dust.” Frankenstein, who once was so enthralled with science that it dominated every facet of his life, now wanted nothing to do with it. Similarly, the Creature was brought into the world with high hopes: “once my fancy was soothed with dreams of virtue...I falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of
Dr. Victor Frankenstein and the Creature seem different from each other throughout the whole story, however, they actually share many similarities when the story is looked at deeper. Both the Creature and Frankenstein share a connection with nature, a desire for more knowledge, a need for family, and experiences in isolation.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
"After the murder of Clerval I returned to Switzerland, heart-broken and overcome. I pitied Frankenstein; my pity amounted to horror; I abhorred myself. But when I discovered that he, the author at once of my existence and of its unspeakable torments, dared to hope for happiness, that while he accumulated wretchedness and despair upon me he sought his own enjoyment in feelings and passions from the indulgence of which I was forever barred, then impotent envy and bitter indignation filled me with an insatiable thirst for vengeance. I recollected my threat and resolved that it should be accomplished. I knew that I was preparing for myself a deadly torture, but I was the slave, not the master, of an impulse
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
This will be discussing some of the similarities between the two wrenching stories of Frankenstein and Blade Runner . The story of a Frankenstein starts off with explorer Robert Walton who has left his beloved family to travel. Along the way he finds Victor who is found floating in ice dying due to the coldness and malnourishment. He brings Victor on board and nourishes him back to a stable condition.
Khaled Hosseini, the author of The Kite Runner, grew up in prejudiced Afghanistan during the 1960’s as a middle-class Pashtun living with Hazaras working for his family. His move to America after the Communist Coup proved difficult for his family, especially his father. In his novel, Hosseini writes through a young boy, Amir, very similar to himself, who grows up with his father and two Hazara servants in Afghanistan at the time of the Taliban attacks. Both Amir and his father, Baba, treat their servants, Hassan and Ali, like family. Society, however, does not approve of such relationships between Pashtuns and Hazaras. As Amir hides and watches horrified, another Pashtun boy rapes Hassan. This leads to the continuation of Amir’s internal conflict about the treatment of Hazaras by the public, and also makes him feel guilty and self-conscious throughout his entire life. In addition, Amir strives for affection and attention from his rather indifferent father. Amir’s outward conformity to societal values in his relationships with both Hassan and Baba, as a result of his inner struggle and guilt, contribute greatly to the significance of The Kite Runner.
The Kite Runner by Khaled Hosseini is a novel based in Afghanistan that shows the betrayal between two boys with two different social backgrounds. Four years later “The Kite Runner” was filmed by David Benioff, which shows the meaningful message that the book delivers in a movie. Throughout the book and movie, Amir the protagonist must live the rest of his life with guilt from his childhood. Although the movie gave the same meaningful message that the book delivered, the book was further developed, which had more detail and kept the readers wanting more. Ultimately these details that were present in the novel gave the readers a better understanding of the characters, which led to the relationships