Multicultural Arts Management Personal Statement

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From a very early age, I always considered myself to be a creator of art. Taking scrap notebook paper, I would gleefully create absurd, yet often amusing comic books for my parents. When this mode of creativity no longer appealed to me, I vowed to teach myself how to type. I wanted to expand my stories into something larger than just drawings on lined notebook paper. My family could not afford a computer and learning to type was not a privilege that was readily available to me through my elementary education. Still, I yearned to expand my stories into more than just drawings on lined notebook paper. After receiving an old computer from my grandmother, I began to type stories on the basic application of Microsoft Wordpad. With my two index …show more content…

It wasn't until the end of my high school experience that I realized the importance of my voice. During this period I realized the stories I wanted to see and hear were embedded within others and myself as well. The Multicultural Arts Management Internship Program, which infuses could truly help me think about innovative and creative ways to get more stories from marginalized groups recognized and applauded. The set-up of the ABC/NY fuses all of my interests into a concise, but purposeful mission. Understanding different aspects of arts management is essential in creating a space where all voices and art can be easily …show more content…

As assistant director for the project, I was in charge of helping to organize and create an arc for the show. This meant writing many pieces for the show including the introduction of the character “Loose Lips Lisa”, a straight-forward radio personality who offered concise, but thought provoking commentary on topics such as interracial dating, Trayvon Martin, and race in America. The show was an enormous success, bursting open repressed conversations of race and identity on Oberlin's campus. Interestingly enough, the theater department (which is tends to be dominated by white, cisgender men) did not throw in the support that they usually dedicate to shows. This ignited requests from a lot of the student body involved in the theater department to promote multicultural works as

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