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Evolution of leadership theories
Summary evolution of leadership theories
An essay on character development
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What constitutes a good hero, leader, or person? What does it even mean to be good? Sure there is a textbook definition of what good means and according to Meriam-Webster Dictionary good means, “to be of a good character or tendency” (Meriam-Webster) but does good mean the same thing to every person? Is it the same cross culturally? What if one person’s good is another person’s bad? Will leaders be viewed differently? In an excerpt from Education and the Humanities, the author whom is not named states, “while studying the humanities, the student comes directly in contact with minds greater than his own, and he cannot comprehend anything of their greatness without expanding his power of comprehension” (1947). This quote informs and allows a …show more content…
N. K. Sanders describes him as someone who, “leaves no virgin to her lover, neither the warriors daughter nor the wife of the noble” (62). From the recounts of the people of Uruk, readers are left with the impression that Gilgamesh abuses his power and his people and they are tired of it. The gods create Endiku who becomes the half of Gilgamesh that is missing. Compared to Gilgamesh who is described as, immature, arrogant, and concerned with sex, fights, and himself only, Endiku shows qualities of compassion and willingness to listen and help. They are opposites that complete each other and through the plot of the story, Endiku becomes the man who steers Gilgamesh to the path of good leadership. When first created, Endiku represented nature as he was covered in hair and was described as eating, “…grass in the hills with the `gazelle and lurked with wild beasts in the water-holes…” (Sanders 63). Contrary to Endiku, Gilgamesh represented culture. Although Gilgamesh was cultured, his behavior was not socially acceptable allowing readers to infer that he needed help when it came to civilized behavior and good leadership. Between the two of them would lie the middle man which is who Gilgamesh became at the end of the
Gilgamesh was destined to perfection from birth. He was created as a divine mortal, two thirds divine and one third human (5). He was a man destined to live a lavish life with all the riches a man could ever want. Unfortunately his arrogance and superior strength got in the way (Foster5). Gilgamesh was created by the gods to be perfect in every regard. But what the gods couldn't prepare him for was life and human emotions, instinct etc. Gilgamesh built a wall that protected Uruk, his home (3). He was destined to live a life like a god among his people. Gods played tug a war for the lack of better words with Gilgamesh's life. They controlled every aspect. This is where all Gilgamesh journey's began and where they would all bring him back to in the end.
Gilgamesh is the king of Uruk, one who is macho, irresponsible, and simply not fit to be in the position that his blood status has put him in. His decisions are constantly making the people of Uruk
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
Gilgamesh was a very self confident and at times that self confidence led to him to have little compassion for the people of Uruk at he beginning of the story. He was their king, but not their protector; he kills their sons and rapes their daughters. He felt like he was superior to others due to the fact that he was two-thirds god, his mother was a goddess Ninsun and one third human. This fact is the key to all of his actions. This is also what sets him apart from the hero Odysseus.
The epic begins with the men of Uruk describing Gilgamesh as an overly aggressive ruler. "'Gilgamesh leaves no son to his father; day and night his outrageousness continues unrestrained; And he is the shepherd of Uruk, the enclosure; He is their shepherd, and yet he oppresses them. Strong, handsome, and wise. . . Gilgamesh leaves no virgin to her lover.'"(p.18, Line 23-27) The citizens respect him, but they resent his sexual and physical aggression, so they plead to the gods to alleviate some of their burden. The gods resolve to create an equal for Gilgamesh to tame him and keep him in line. This equal, Enkidu, has an immediate impact on Gilgamesh. When they first meet, both having never before met a man equal in stature, they brawl. "They grappled with each other, Snorting like bulls; They shattered the doorpost, that the wall shook."(p.32, lines 15-18) In giving Gilgamesh a real battle, Enkidu instantly changes him; having this equal gives Gilgamesh a sense of respect for another man. These two men fighting each other creates a serious mess, but they both end up without animosity toward the other.
He worked his people to death and took what he wanted from them. He used the women as he pleases and killed the men at will. The people of Uruk cried out to the gods so they can have peace. After his return, and after neglecting people for a very long time, Gilgamesh returns and acts like the king he wanted to
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Every culture has a different story of their origin. Each story varies in setting, main characters, and religious aspects. Although the stories are different, the sole purpose is the same for each – to explain how each civilization came to be. In order for a civilization to fully understand their past, they must critically break down the components of their origin story. Creation stories establish appropriate relationships within society by the revelation of the punishment laid out by the gods on unsatisfactory vassals, the importance of a hero figure, and the exposure of human survival based on nature.
In the epic of Gilgamesh, there are many complex characters. Every character involved in the story has their own personality and traits.
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
3. Utnapishtim complements Siduri’s message by giving analogies in regards to the fact that death is unexpected. Nothing is permanent or certain except death. You could build a house that’s believed to stand forever, but is it really true? Does an agreement hold for all time? These are the examples Utnapishtim gives. While death is certain, the time it occurs is not known by man.
Some of Gilgamesh’s qualities are that he had a “beauty… surpassing all others” and was “two thirds… god and one third man” (13). Before Enkidu, Gilgamesh acted horribly. He was a terrible ruler and a terrible man. Gilgamesh was not all good, for example, “his lust leaves no virgin to her lover, neither the warrior’s daughter nor the wife of the noble…” (13). He was a terrible ruler. Gilgamesh was arrogant, but very powerful in his country. His people had no choice but to listen to him. They were forced to go along with his unlawfulness and stubbornness.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.