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Jazz music culture in american history
History of jazz music timeline
Jazz music in american history
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This was a live concert in Belgium performed in the year 1957. The lead singer was Ella Fitzgerald, performed with a band of instrumentalists. The instruments in the band included the piano, guitar, bass, drums, and the trumpet.
The first song performed by Ella Fitzgerald was Angel Eyes. This is a beautiful song that gives the listener a calm, peaceful feel. This song was further enhanced by Ella Fitzgerald’s soft, silky voice that creates an angelic feel to the song. Additionally, Ella Fitzgerald’s mezzo-soprano range gave an elegant and tender feel to the overall song. I thought that the slow rhythm and the colorful harmonic changes in the song created for an achingly sad, and deeply meaningful song. The piano can be clearly
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heard throughout the song producing a deep, soft melody that creates the blues feels that this elegant masterpiece is known for. Additionally, the bass and drums added to moody sound to produce the deeper tones. Another song performed by Ella Fitzgerald was Lullaby of Birdland. This song is a stark contrast from Angel Eyes, as this song has a light, cheerful melody, in addition to a quick, upbeat tempo. This song is bright and cheerful, giving off thoughts of love and happiness. Ella Fitzgerald’s vocal range goes high in this song as she reaches some of the higher notes. Additionally, I noticed that she improvised some scat singing into the song that added a jazz feel to the song. Lastly, Ella Fitzgerald ended the concert with a fast paced swing song.
The tempo was quite fast, but Fitzgerald was able to keep up the pace without losing her breath. She incorporated some scat singing into the song. I did notice that at the very end of the song Ella Fitzgerald had a bit of a struggle trying to reach the very last high note and hold it. As for the instruments, the piano could be heard especially in this song, with the strong chords creating a distinct sound. Something I thought that was neat was that during the middle of the song, Ella Fitzgerald stepped out of the spotlight and allowed just the instrumentalists perform. The Guitarist played an amazing rhythm with the pianist accompanying him. This continued for each of the instruments, allowing them to get the spotlight before returning it to Ella …show more content…
Fitzgerald. To comment on Ella Fitzgerald’s voice, I believe she has an amazing voice.
I must say that I find her voice to sound very unique. Her voice sounds cheerful and elegant, and so light and airy. In addition, I thought it was amazing that she is able to have such a large vocal range. She was able to reach the demanding high notes in the songs Lullaby of Birdland and Roll ‘em Pete, but she was also able to sing the lower notes, creating a low and deeper tone in the song Angel Eyes, which is impressive since she is a mezzo-soprano.
This performance was similar to what I had expected in that it sounded jazzy and incorporated a wide range of colorful melodies to give an amazing performance. In addition, I expected it to be upbeat, and cheery with an upbeat swing beat to give it an overall loose and free feeling, which it did.
What I did not expect was for there to be so many caucasian people to be in the audience. Truthfully, I was quite surprised by this fact. I would have thought that racial segregation and views on African-Americans in this time period would have made the caucasian audience have a different view on her performance because of her race. However, the opposite was seen at this concert. The audience was enthused and enchanted by Ella Fitzgerald’s voice and swing melody of the band. Likewise,
their Something interesting that I noticed was that all of the instrumentalists were male. This was not surprising since most instrumentalists are males. Although, it was surprising that a white male was playing a band with black instrumentalists, and a black female solo singer. Overall, I thought that the concert was performed very well and that all the members of the band were wonderful. Additionally, I believe that Ella Fitzgerald was an amazing singer with a unique voice. However, I do not enjoy Jazz style of music.
When Ethel was asked to play there, she was excited until she got there. Charles was a rude white man who did not care or want to help colored people. Ethel requested to have her piano tuned, but Charles would refuse to fix it because she was not white. Ethel responded by telling Mr. Bailey, “And no Georgia cracker is telling me how to run my act… and I’m standing on my grounds. And you or no other cracker sonofabitch can tell me what to do” (166). This phrase is monumental. Not only because Ethel is such a young brave girl, but also because she knows she is not supposed to talk back to white folks but she does it anyway. Ethel believes in sticking up for herself and she thinks she deserves just as good treatment as a white performer would. This shows the business side of the entertainment world and how it is not always pretty. Many people claim that entertainers live in a lavish world like ”Hollywood people” do, but in Ethel’s case it’s the farthest thing from quality treatment. Ethel has a lot of courage to stick up for herself to Bailey. She doesn’t want Africans Americans to accept their placement in their world; she wants people to treat her how whites are treated. Ethel demands respect by Charles because she does not want to rip her audience off. An untuned piano could throw off the entire show and she wants the audience to like her, and she wants to perform as best as she can. Even though Charles
The Concert Band. New York: Rinehart and Company, Inc., 1946. Print. The. Rhodes, Stephen.
Interview footage of her colleagues, fellow musicians, and friends such as Annie Ross, Buck Clayton, Mal Waldron, and Harry “Sweets” Edison look back on their years of friendship and experiences with the woman they affectionately call “Lady”. Their anecdotes, fond memories, and descriptive way of describing Holiday’s unique talent and style, show the Lady that they knew and loved. The film also makes interesting use of photographs and orignal recordings of Holiday, along with movie footage of different eras. With the use of these devices, we get a feel for what Holiday’s music meant for the audience it reached. The black and white footage from the thirties of groups of people merrily swing dancing, paired with a bumptious, and swingin’ number Billie Holiday performed with Count Basie called “Swing Me Count”, makes one wonder what it might have been like to actually be there. To wildly swing dance to the live vocals of Billie Holiday must have been an amazing experience, as this film demonstrates.
According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than many other African American entertainers.” Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences over those of her past contemporaries.
The documentary is narrated by Tony Bennett and includes footage of Ella Fitzgerald singing in concerts all over the world and live interview recordings of her and of her close friends and family.
Tori Gresham also had a wonder voice that was enjoyable to listen to throughout the performance. I thought that the sound was just perfect. I was clearly able to hear, and understand each character thought the entire performance. Each character sang very well, and performed every performance to its fullest potential. There was not one character that disappointed me.
Entitled "The First Lady of Song," Ella Fitzgerald was the most famous female jazz singer in the United States for about more than half a century. In her life time, she won more than 10 Grammy Awards, and also earned the title “The First Lady of Song.”Her voice was flexible, wide-ranging, prefect and ageless. She could sing sultry ballads, jazz, blue, and imitate every several instruments. She worked with all the jazz musicians, like Duke Ellington,Frank Sinatra, Dizzy Gillespie and even Benny Goodman. She performed at top places all over the world. Her audiences were as diverse as her vocal rangeand they all loved her.
Kenton, Stan. Live From the Las Vegas Tropicana. Rec. 2 February 1959. CD. Capitol Jazz, 1996.
Ella Fitzgerald’s song “A Tisket a Tasket “is based on a children’s lullaby, and a game that she turned into a Jazz song. As a game the children would sing and dance in a circle, dropping and picking up a hankie. Whoever won the game would get a kiss. The Queen of Jazz created a tune with a catchy rhyme with the simple words for the time period. Which was a time of innocence, a naïve world, filled with sweet notes that lull an infant to sleep. The year was 1938, what seems to be a song for babies to sleep, is really shadowed with death, fear, and a longing to be home. (Azizi Powell, p1)
Every performance was presented with charm. The flashing, changing colors seem to go along with the performances. The director was humorous. The performers outfits were on point too. I liked the color coding of the vocalists, Jeremy, Jordan, and Rowan. Also, Julie wore a pretty suede dress and had a great voice. It was nice to see her come out for the 2nd time to sing. When Spencer kept playing his saxophone in some of the performances, it was just amazing. Some of my favorite performances were Sittin on the Dock of the Bay, Ain’t too Proud to Beg, In a Sentimental Mood, and more. It really made me feel like I was in New Orleans all over again. I absolutely love Otis Redding and The Temptations music, so I wasn’t new to these songs they played. I was sitting in the back (R-125) where I felt comfortable to bob my head to the music. If I ever come back to see another concert, I will make sure to get a seat in the back again. I adore Jordan that did sung the Temptations song. I thought it was exciting to see his enthusiasm while on stage keeping us engaged, but everyone did great in their own way. The song by Duke Ellington made me feel melancholy, the piece was soft. I just couldn’t believe how well everyone contributed and gave an outstanding
In spite of controversy Mary Lucinda Cardwell Dawson was a leader in the campaign to promote African-American participation in and appreciation of opera. Against colossal financial issues and racism, Dawson mounted together a legacy that continues on (through**) her students. At the age of 60, Mary Lucinda Cardwell Dawson died in Washington D.C. suffering from a fetal heart attack. In appreciation of her achievements to the black community the National Negro Opera Company’s home on Frankstown Avenue in Pittsburgh is presently being modernized as a historical site. Mary Lucinda Cardwell Dawson has prevailed against critics through her cultural, social, and economical experiences by installing her own ideas, styles, and genres to shape her view of an impartial nation.
Music nurtured the African American tradition and their struggle towards equality in the same century.... ... middle of paper ... ... Greensboro, N.C.: Morgan Reynolds Pub. Carter, D. (2009).
The rate of her voice kept my interest because depending on the question she was answering her voiced seemed to rise and the emotion through her voice was clearly depicted
I noticed he constantly switched from the synthesizer to the keyboard, and this was to change the tune and make it sound layered as I mentioned before. I also noticed that at times he played the keyboard slowly and other times he would play extremely fast. So rapidly that I even questioned how a man can first not only move his arms so fast but also play so beautifully at such high speeds. A tune he played even sounded like a swish-swashing sound, and I was amazed by how a synthesizer and keyboard can possibly make such sounds. I also noticed that for this song that both Lionel Loueke and Dave Holland played the guitar, and I think this was to match the fusion electric instrument style. Overall, the entire band did a great opening for their performance; everyone looked like they were doing their own thing and were very content.
By the twelfth song which was the last I could still feel the atmosphere, the pride and the gratitude of the people. We were just happy to be in their presence. For the last song the whole crowd moved together in a bizarre, alternative. dance. I am a sassy girl.