Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary influences Victorian era
Literary influences Victorian era
Essay about the victorian era in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary influences Victorian era
Elizabeth Gaskell Elizabeth Gaskell was a writer from the Victorian Period. She was a woman with a great passion for social causes such as women’s issues and the inequalities of class and gender. She expressed her passions on these subjects through the writing of most of her novels. A few of these works such as Ruth and The Life of Charlotte Bronte proved to be very controversial and had a negative effect on her writing career. She was a wife, mother, and author, which she took all of these rolls seriously. The focus of this paper will be on each of these rolls and one of her controversial novels, Ruth. Did she push the social buttons with her writing of Ruth, and some of her other novels during such a prudish time in the Victorian period? …show more content…
She developed friendships with “Charlotte Bronte, John Ruskin, the Carlyles, Charles Kingsley, and Florence Knightingale” (The Gaskell Society- Life & Works, n.d.). She was very good friends with Charlotte Bronte, so at the time of Charlotte’s death, her father asked Elizabeth to write about his daughter’s death. She took on this task, and published The Life of Charlotte Bronte in 1857. She had a professional relationship with Charles Dickens that developed in the early years of her writing career. The writing of Mary Barton had caught his attention and “it was at his invitation that much of her work was first published in Household Words and All the Year Round” (The Gaskell Society- Life & Works, n.d.). Dickens was very instrumental in Elizabeth’s popularity, especially with her writings of ghost stories. However, the relationship with Dickens was not a smooth one. Dickens reportedly said “to his sub editor, “oh! Mrs. Gaskell-fearful-fearful! If were Mr. G. oh heavens how I would beat her!” (The Gaskell Society- Life & Works, n.d.). Dickens still continued to publish her works up until a report appeared in a newspaper concerning some domestic issues he was having with his wife. Elizabeth did not like the way Dickens treated his wife, or the statements he had made to the paper. Not long after this article, Elizabeth started sending her stories to The Cornhill magazine. By the time she reached age …show more content…
(Pollard, 1987, p. 201)
The whole consensus was that women writers should maintain the ideology of love and marriage as the basis for their writing. Elizabeth went outside of this idea of thinking in all of her novels. Her first novel was Mary Barton: A Tale of Manchester life, which she gained fame along with criticism because “she pricked the conscience of industrial England through her depiction and analysis of the working class” (Elizabeth Gaskell: Biography, n.d.). She wrote about what she saw within the city, concerning the relationships between the two classes. She continued to write about these social issues when she published North and South in 1855. Her style of writing raised her to the status of being a leader in social
Women's Issues in The Awakening by Kate Chopin, The Yellow Wallpaper by Charlotte Perkins Gilman, and Souls Belated by Edith Wharton. In comparing the three authors and the literary works of women authors Kate Chopin (1850 -1904), The Awakening, Charlotte Perkins Gilman's (1860-1935), The Yellow Wallpaper, and Edith Wharton's (1862-1937) Souls Belated, a good number of common social issues related to women are brought to light and though subtly pointed out are an outcry against the conventions of the time. In these three stories, which were written between 1899 and 1913, the era was a time in which it seems, that women had finally awakened to realize their social oppression and were becoming rebellious in their pursuit of freedom from the male-dominated societal convention in which they existed. They commenced viewing their social stature as unjustly inferior and realized that these conventions placed deterrents on their intellectual and personal growth, and on their freedom to function as an independent person.
In 1886, the GLUCKAUF, built in Britain in 1886 became the world's first true; oil tanker with separate tanks for the oil, built into her hull. Previously, petroleum had been transported in small containers loaded on conventional merchant ships. The driving forces behind the evolution of tankers were the demand for oil and the growing competition between oil companies striving for a greater share of the market for kerosene and other refined products. In 1850, the cargo ship generally still had her sailing ship-type flush deck, except for a central bridge built across the tops of the paddle frames. This was found to be convenient place from which the Captain and watch keepers could control the ship, even though the steering wheel and the helmsman were still exposed on the upper deck aft and were often lost overboard in heavy seas. This created another need for the cargo ship to be refined.
In the first few chapters Gaskell offers various examples of what the traditional woman of England is like. Margaret’s early descriptions in Chapter 7, characterize the beautiful, gentle femininity so idolized. Margaret is beautiful in her own way, she is very conscious of her surroundings. She is privileged in her own way by being in a respectable position in the tranquil village of Helstone. Throughout the beginning of the novel it is eluded that Margaret has the onset of a mature middle class mentality. During the planning of her beloved cousin Edith Shaw’s wedding, Margaret comments on Edith seemingly oblivious demeanor, as the house is chaos in preparations. Edith tries hard to please expectation of her social class. She is privileged and beautiful; angelic and innocent, she is the perfect idyllic, ignorant child bride, designed to please. For Margaret, “...the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed”(Gaskell, 7). It is in this passage that the readers familiarize themselves with Margaret’s keen ability to see and perceive the differences between her and her cousin’s manor. Edith poses the calm demure and angelic tranquility a woman is decreed to posses. Unsurprisingly at the brink of commotion Margaret observes that, “the whispered tone had latterly become more drowsy; and Margaret, after a pause of
During the 1800s, society believed there to be a defined difference in character among men and women. Women were viewed simply as passive wives and mothers, while men were viewed as individuals with many different roles and opportunities. For women, education was not expected past a certain point, and those who pushed the limits were looked down on for their ambition. Marriage was an absolute necessity, and a career that surpassed any duties as housewife was practically unheard of. Jane Austen, a female author of the time, lived and wrote within this particular period. Many of her novels centered around women, such as Elizabeth Bennet of Pride and Prejudice, who were able to live independent lives while bravely defying the rules of society. The roles expected of women in the nineteenth century can be portrayed clearly by Jane Austen's female characters of Pride and Prejudice.
Rawlins, Jack P. "Great Expectations: Dickens and the Betrayal." Studies in English Literature, 1500-1900. 23 (1983): 667-683.
Jane Austen’s ‘Pride and Prejudice’ is a female centric novel. The contrast between Austen’s strong female protagonist, Elizabeth Bennet, and the theme of marriage as a driving force throughout the novel suggests that, for an author whose own life was independent from a man, Austen was providing social commentary on women in society and could thus be seen to challenge traditional female roles. This is particularly important when taken into account the time period the novel was produced in. Austen was writing during a time where feminism was not a developed idea. As a female writer she was viewed as highly unusual for not marrying and having a career, something which ran contrary to the middle-upper class view for women as the domesticated, subservient housewife.
In one of Jane Austen’s most acclaimed novel, Pride and Prejudice, Elizabeth is her sassy independent protagonist. However, is she the ideal woman? Feminism in the Regency Era was defined by women wanting education and an equal position in family and homes. In this era, the ideal lady had to be modest, dutiful, beautiful, and rich, especially to gain a wealthy husband. With this narrow, cookie cut definition, not many women fit this criteria. This is greatly highlighted in this satirical novel of the upper class. Elizabeth Bennet is a feminist wanting equal positioning in society, but does not fit the mold of the ideal woman according to the Regency Era.
She is what happened after Bloomsbury.the link that connects Virginia Woolf with Iris Murdoch and Mrielk Spark”. These highly regarded and well-respected female authors are showing that women can and do hold power in our society. These authors send the message to readers that women throughout time have been and still are fully capable of thinking for themselves. They can hold their own ground without having to subject themselves to the dominance of the males, be it in writing novels, raising a family, working in a factory, or pursuing a singing career. Thus, they as all women, deserve to be held in respect for their achievements and deserve equality.
Tryon, W.S. Parnassus Corner A Life of James T. Fields Publisher to the Victorians. Boston: Houghton Mifflin Co., 1963. Includes brief references to Dickens, particularly his American speaking tours. Not useful with respect to his journalism.
Elizabeth Gaskell’s Mary Barton belongs to a small, short-lived form of Victorian literature called the industrial novel. The primary authors of this genre—Charles Kingsley, Frances Trollope, Charlotte Brontë, Benjamin Disraeli, Charles Dickens, and Elizabeth Gaskell—all were, what Herbert Sussman describes, as primarily middle-class authors writing for middle class readers in a rapidly changing world, where both author and reader struggled to comprehend their transforming society. The English people new not whether to accept this newly industrialized world as a necessary result of capitalism, or reject it for its inherent inhumanity. Writers like Gaskell portrayed the victims of this new world with sympathy, but expressed fear that the working-class would someday rise to overthrow the economic system that had treated them with such cruelty. As working conditions improved, and people became tempered to this new world, the industrial novel, with few exceptions, ceased to exist, but we can use this genre to look back on how the industrialized world—the world in which we now live comfortably—came into being.
Charlotte Bronte’s novel Jane Eyre embraces many feminist views in opposition to the Victorian feminine ideal. Charlotte Bronte herself was among the first feminist writers of her time, and wrote this book in order to send the message of feminism to a Victorian-Age Society in which women were looked upon as inferior and repressed by the society in which they lived. This novel embodies the ideology of equality between a man and woman in marriage, as well as in society at large. As a feminist writer, Charlotte Bronte created this novel to support and spread the idea of an independent woman who works for herself, thinks for herself, and acts of her own accord.
Charles Dickens is well known for his distinctive writing style. Few authors before or since are as adept at bringing a character to life for the reader as he was. His novels are populated with characters who seem real to his readers, perhaps even reminding them of someone they know. What readers may not know, however, is that Dickens often based some of his most famous characters, those both beloved or reviled, on people in his own life. It is possible to see the important people, places, and events of Dickens' life thinly disguised in his fiction. Stylistically, evidence of this can be seen in Great Expectations. For instance, semblances of his mother, father, past loves, and even Dickens himself are visible in the novel. However, Dickens' past influenced not only character and plot devices in Great Expectations, but also the very syntax he used to create his fiction. Parallels can be seen between his musings on his personal life and his portrayal of people and places in Great Expectations.
Mary Barton is a Proletarian novel written by Elizabeth Gaskell centered around the lives of average English Mill workers living in Manchester, England during the mid 19th century. As a Proletarian novel, the novel is concerned with the struggles of working class people. The novel is also a work of Realism, as it accurately portrays events within the novel as if they occurred in the reality. Gaskell tried to tell the narrative as realistically as possible to relate it to similar events happening in the same decade that she published her books, making the reader draw parallels from both the novel and real life. The novel is told from a limited third person omniscient point of view, focusing mostly on George Wilson, a mill worker employed by
Woolf pioneered in incorporating feminism in her writings. “Virginia Woolf’s journalistic and polemical writings show that she made a significant contribution to the development of feminist thought” (Dalsimer). Despite her tumultuous childhood, she was an original thinker and a revolutionary writer, specifically the way she described depth of characters in her novels. Her novels are distinctively modern and express characters in a way no other writer has done before. One reason it is easy to acknowledge the importance of Virginia Woolf is because she writes prolifically.
“Charles Dickens: Great Expectations.” (2 Feb, 2006): 2. Online. World Wide Web. 2 Feb, 2006. Available http://www.uned.es/dpto-filologias-extranjeras/cursos/LenguaIglesaIII/TextosYComentarios/dickens.htm.