In theater, tragedy is an art that many playwrights try to perfect. What makes a perfect tragedy though? Is it the characters? The plot? Or something other than these two cornerstones of theater? According to the Greek philosopher Aristotle, the perfect tragedy consists of a mix of these elements. In his work, Poetics, Aristotle outlines the fifteen elements that create the perfect tragedy. All fifteen of these elements fall into either two main categories, plot and character, or they stand alone, equally as important as the rest. Sophocles’ play, Oedipus Rex uses all fifteen of these elements to create the perfect tragedy. In Oedipus Rex, Sophocles sets the benchmark for future tragedies through Aristotle’s fifteen points of perfect tragedy. …show more content…
That is to say if it is complex or simple. Oedipus Rex is a complex tragedy because it includes reversals and recognition. The reversal in the plot comes when Oedipus learns that he is actually Laius and Jocasta’s son. This reversal in the plot creates tragedy because for the whole play the audience wants to believe that Oedipus is innocent of this crime, but when the truth is revealed that he is the prophesized son there is no doubt that he is the one who killed Laius. After this reversal the tragedies continue. Jocasta commits suicide and Oedipus gauges his own eyes out. This unraveling of Oedipus’ life is the piece of the plot that completes Sophocles’ perfect …show more content…
According to the classical definition of tragedy, “The tragic hero should be a ruler or leader whose character is good and whose misfortune is brought about by some error or frailty” (Butcher). Oedipus perfectly fits this role. He is the king of Thebes who saved the city from the riddle of the Sphinx. This confirms that Oedipus’ character is good. As for Oedipus’ tragic flaw; he is prideful, and will not yield in an argument even when he has no facts to support himself with. Creon knows this and in and argument with Oedipus states, “You are sullen in your yielding mood/ As in your anger you were savage./ Your anger justly plagues you the most” (Sophocles). Creon describes Oedipus perfectly here. When Oedipus refuses to yield, he is often hit by further tragedy. This a perfect example of this comes when Oedipus refuses to listen to Jocasta’s advice and pursues the shepherd that witnessed Laius’ murder. This shepherd bears the awful news of Oedipus’ true identity, a tragedy that is a direct result of Oedipus’ tragic
Oedipus the King conveys many lessons that are relevant to people living today despite the fact that it was written by Sophocles twenty four centuries ago. Oedipus is a child destined to kill his father and marry his mother. During his life, he makes many mistakes trying to avoid his fate. These mistakes teach us about the nature of humans under certain circumstances. Oedipus possesses personality traits which causes him to make wrong decisions. Attributes like arrogance and his inability to make calm decisions in certain scenarios due to his anger causes his downfall. Oedipus’ excessive pride, like many people today, was an important factor that brought him grief. Oedipus’ lack of patience caused him to make hasty decisions which lead him to his greatest agony. Oedipus’ massive ego turned into excessive vanity, this was the first step to his downfall. Oedipus talks to Creon about the murderer of Laius. He declares, “Then I’ll go back and drag that shadowed past to light… but by myself and for myself I’ll break this plague” (Sophocles, 11). Oedipus is saying that he will be the on...
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Oedipus is the main character in the play Oedipus the King. Oedipus is thought of as a tragic figure because he was doomed from birth. Tiresias, an old blind prophet, told Oedipus' parents about Oedipus' fate. He told them that Oedipus would kill his father and sleep with his mother. So, his parents decided to have him killed, only it did not happen that way. He was passed off by two shepherds and finally to the King and Queen of Corinth, Polybus and Merope to raise him as their own. Oedipus finds his way back to Thebes and on the way kills his father, but Oedipus did not know that one of the men he killed was his real father. This is the beginning of the prophecy coming true. In short Oedipus obtains the throne, Marries his mother and has kids with her. Oedipus' fate has come together without him even realizing what is going on. Eventually he is told what has happened and asks to be banished by his uncle/brother-in-law Creon. The tragedy in Oedipus' life began with his birth and the realization by his parents that his whole life was doomed.
In the reading “Poetics” by Greek philosopher Aristotle, the word Tragedy is defined as “an imitation of an action that is serious complete and of certain magnitude; in language embellished with each kind of artistic ornament” (Aristotle 1). This indicates that tragedy is foreshadowing what might happen in the future. In the book of Oedipus Rex, written by Sophocles, a Greek Philosopher as well, tragedy is well defined throughout the book. The components of tragedy are the following: good or fine, fitness of character, true to life or realistic, true to themselves, necessary or probable, yet more beautiful. A modern tragedy has the components in which characters no longer must be a king or anyone important with power, but it can be anybody
Oedipus is a hero, as defined by Johnston. According to Johnston, ‘a hero is someone who confronts fate in a very personal manner and whose reaction to that encounter serves to illuminate for us our own particular condition’ (Johnston, Part 2). Oedipus definitely confronts fate in a personal manner. Among other things, he challenges the mysterious qualities of fate by pursuing the Shepherd despite warnings from Jocasta (Sophocles, 71). Oedipus follows through on confronting fate with his individual approach of uncompromising persistence and integrity (Johnston, Part 3). Even at the end of his downfall, Oedipus maintains that Kreon should banish him and that he must obey the curses he himself ordered for the murderer of King Laios (Sophocles, 89-90). Despite being so broken and publicly shamed, Oedipus still persists with his former way of interacting with fate : noble defiance (Johnston, Part 3). Although this quality itself is admirable, Oedipus takes uncompromising to the extreme, losing insight on everything else. Oedipus becomes ignorant to his surroundings, leading to his downfall (Johnston, Part 3). Oedipus’ story also challenges the fundamental belief that life should be rational and just. (Johnston, Part 3) His story illuminates that fate is arbitrarily cruel and will sometimes pick the gre...
The horrible fates of Oedipus and Creon are due to their tragic flaws. Even though both fates of these characters are absolutely terrible, Oedipus experiences the greatest tragedy. Oedipus’s flaw of ignorance might not be directly his fault but it results in horrific actions that no one else can be blamed for. Creon's flaw of pride causes him to make irrational decisions that end up harming the people he loves. Both characters directly cause the deaths of loved family members as a result of their flaws and decisions. Nothing can be worse that this. Oedipus The King and Antigone demonstrate the horrific tragedies of life.
Through Aristotle’s specific definition of a tragic hero, it can be concluded that Oedipus is a tragic hero. Oedipus The King was written by a well-known tragic dramatist named Sophocles. This story is considered to be one of the greatest tragedies of all time. In fact, the Marjorie Barstow of the Classical Weekly says that it “fulfills the function of a tragedy, and arouses fear and pity in the highest degree” (Barstow). It is also very controversial because of the relationship that Oedipus has with his mother, although it was unknown at the time that they were related. The qualifications of a tragic hero, according to Aristotle, include coming from a royal family and falling from power due to actions that only the protagonist can take responsibility for. The main character must also have a tragic flaw, which is defined as a “weakness in character” (Gioia). There have been many protagonists in other plays that represent a tragic hero, but none exemplify Aristotle’s tragic hero traits quite as well as Oedipus does because of many reasons including his royal history, his tragic flaw, his hamartia, and his his fall from power.
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
When it comes to the history of drama Sophocles’ Oedipus is the king of all tragic heroes. From killing his own father and marring his own mother Oedipus’s tragic downfall leaves the reader emotionally scarred for life. Yet he still holds on to his morality and prevails past it all. Famous Greek philosopher Aristotle defines what a tragic hero is and Oedipus fits it perfectly. Oedipus is a true embodiment of Aristotle’s definition of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament.
The impetus for the downfall of Oedipus, "Known far and wide by name" (Sophocles, 1), is his anger. Enraged he slew King Laius and in anger he hastily pursued his own ruination. From the aforementioned recriminations of Tiresias to the conflict with his brother-in-law Creon (his ill temper again displayed - "Tempers such as yours most grievous to their own selves to bear,... .(Sophocles, 25); through the revealing exchanges with his wife/mother Jocasta and her slave (whose pity saved the infant Oedipus), damming insight grows in a logical sequence, all the while fueled by the Oedipal rage. Realizing the heinous nature of his actions, Oedipus blinds himself in a fit of anger and remorse - now, as Tiresias, he can see.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...