Technique
Francisco Rodriguez from Granda or better known as El Muciano (1795-1848) was a famous performer in the early days of cafés cantantes. The playing technique during the time period was vastly limited and the rasgueado and the thumb method was used to play the melody. "The frequent characterization of this method as 'primitive' obviously overlooks the extremely skillful use of the thumbs, which many a professional today might well learn."
Most artist viewed Flamenco guitar playing as an accompaniment to a song or a dancer, and it wasn't considered glamorous if you're not accompanying a singer or dancer, until El Barbero (1840-1910) turned a new chapter for Flamenco Guitar when he got the opportunity to showcase his musicality by...
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In addition, the extended ring finger of the right hand presses against the tapping plate when the melody is being playing with the thumb; this counterpressure steadies the hand and helps control melodic intonation. In this case the tapping plates also serves as a protection for the soundboard.
• Rasgueado: The Spanish verb ‘rasguear’ means ‘to stroke’ the strings. So rasgueado indicates the stroking or stilking of whole chords, usually involving five or six strings. There are so many ways of doing this that the guitarist is really only limited by his sense of discovery and invention. Whirling fingernails go unchecked by the fingertips, creating an extremely sharp harmonic and rhythmically percussive sound.
• Tremolo: Rapid repetition of a single treble note, often following a bass note. Flamenco tremolo is different from classical guitar tremolo, it is usually played with the right hand pattern p-i-a-m-i which gives a 4 note tremolo. Classical guitar tremolo is played p-a-m-i giving a 3 note tremolo. Or it may be used as an ornament to a chord, in which case it is done on the highest chord string finishing with a thumb across all the strings that make the chord. This creates a very quick trill followed by a full bodied
86), depth or space is illustrated or implied by the size and position of the flute and guitar player being the larger of all the musicians in the foreground and the smaller musicians behind them. Depth is further depicted by the guitar player's right leg in between the flute player's left leg. The line in the neck of the smaller guitar and the implied receding lines of the guitar's body depict linear perspective and add depth. Paolini creates value by using the artistic technique chiaroscuro or Italian for ‘light-dark’ on the flute player per DeWitte (2015, p. 84). The flutist back is highlighted in bright light coming from over his right shoulder. His front side or chest is bathed in shadow.
“Santo Domingo” highlighted the stunning, fast-paced playing of Quintero, who rapped and fingered the strings of her guitar almost simultaneously, creating a clean and indiscernible rhythm between the two.
In a complete Mariachi group today there are as many as 6 to 8 violins, 2 trumpets, and a guitar, which are all standard European instruments. Then there is a high-itched, round-backed guitar called the vihuela, which when strummed in the traditional manner gives the mariachi its typical rhythmic vitality; a deep voiced guitar called the guitarr'o which serves as the bass of the ensemble; and a Mexican folk harp, which usually doubles the base line, but also ornaments the melody.
When one thinks of mariachi, he thinks of a classic band of men, playing guitars and wearing sombreros- and to a certain degree, this is true. However, there is much more behind this genre of music than the cliché, mustached men. In the epic poem, Yo Soy Joaquin, Rodolfo Corky Gonzales incorporates mariachi music due to its significance in Mexican culture, evoking of valued tradition, and conveyance of strong, soulful emotion.
El danze de los viejetos / dance of the old men People do not take into account the impact that colonialism had on Mexico and Mexico’s culture of dance and music. The merging of Indigenous tradition and European culture left a strange mark in Mexico, where both those diverse cultures were combined into its own Mexican identity. There is no bigger example of this than the traditional Mexican dance, of the state of Michoacán el danze de los viejetos or in English the dance of the old men. What the dance used to represent pre and post the conquering by Spain is radically different, since Mexico itself changed through colonization.
The history of the mariachi can be traced back to the sixteenth century and the days of the Spanish colonization. During this time, theatre was immensely popular. The instruments used in these theatrical productions included violins, guitars, and harps. It was to this time, and to these instruments, that the origins of the modern mariachi can be traced (Mexico, The Melting of Two Cultures, 1991).
In his play, "Los Vendidos," Luis Valdez addresses, through humor and stereotypes, the issues faced by Mexicans in America throughout history. Although a "White Washed Mexican" woman is supposedly looking for a Mexican, what she is actually looking for is an American with darker skin. The key word here is American, as she is looking for someone who has denied his or her Mexican roots and become acculturated to the American way of life. This woman does not want a Mexican for any other reason than the fact that he is Mexican, and she has no respect for his heritage.
Throughout history the Hispanic Culture has change the world and possibly gave it more rhythm. In this paper, one famous singer will be discussed and that singer is no other than Shakira. Shakira has been an inspiration to many people of all ages, because of her unique personality and talent. Although she was born in the Columbia her name is known and talked about across the world, due to, her success and exceptional music.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Vironia Qaryaqos Raymundo Quezada CCS 119 10 December, 2017 El Machismo All men have wanted to feel and look like a machismo at some point in their life. The topic of machismo is not addressed often and does not contain enough resources and articles about it. It is what many men want to be and what many women want to see in a man. Women feel attracted to men when they feel like he has the ability to protect them from any kind of harm even when they are not generally in any type of danger.
Since its creation the Spanish Golden Age Theatre has held an important role in the Spanish society. The golden age theatre was from 1590-1681. During this era, the Golden Age had a huge influence over the Latin American theatre world. Spain in particular saw a monumental increase in the production of live theatre. Before the Golden Age era, live theatre was non-existence. The production of live theatre became popular and was attended by both lower and higher class of people. In addition women was allowed to act in theatre plays with men. Before the Golden Age, male actors played female character roles. Over a period of time, live theatre plays started to incorporate religion, comedy and tragedy performances. Spain also introduced its own forms and genres of theatre with the development of the zarzuela. The genre zarzuela is a lyric-dramatic genre that alternates between spoken and singing acting. Zarzuela started to influence many Hispanic countries and Cuba developed their own traditions of Zarzuela.
Flamenco is an individualistic folk art, a genuine Southern art form, which was mainly originated by Andalusian gypsies. It exists in 3 forms: El cante, song, el baile, dance and guitarrra, guitar playing. Its roots also are with Arabs, Spanish Jews and socially outcasted Christians. The flamenco essence is song, which is usually accompanied by guitar and improvised dance. Complex rhythmic patterns and sophisticated footwork differs from other European dance forms.
Flamenco (may refer to ‘Flamingo’ - bird or the ‘Flanders’ region) originated (much later than Kathak) in 18th century Southern Spain-Andalucía . It was mostly performed by the Andalucía society that comprised Gitano (Gypsies). However, unlike Kathak, Flamenco dancers were from diverse professional backgrounds and the dance was not necessarily confined to a small group of people. Unlike Kathak, Flamenco dance lacked prestige because the Gitanos were discriminated and prosecuted because of their ethnicity. Flamenco mostly dealt with themes of hope/struggle/will power/bonding/patriotism - a representation of the general life of the gypsies. The early form of Flamenco solely consisted of verbal communication of stories carrying the mentioned themes.
“During the late-eighteenth to mid-nineteenth centuries, flamenco took on a number of unique characteristics which separated it from local folk music and prepared the way to a higher professionalization and technical excellence of flamenco performers, to the diversification of flamenco styles (by gradually incorporating songs derived from folklore or even other sources), and to the popularization of the genre outside Andalusia.” http://www.timenet.org/detail.html
The music in la danza del venado sets the mood for the story. The rhythm of the music coincides with the pace of the deer performer. The music slows as the deer starts to die, and speeds up when interacting with the hunters. The instruments used in la danza del venado music are percussions. Such as: the reed flute, percussions, rasps, gourds, rattles. In addition to the instruments. Chanting