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El danze de los viejetos / dance of the old men
People do not take into account the impact that colonialism had on Mexico and Mexico’s culture of dance and music. The merging of Indigenous tradition and European culture left a strange mark in Mexico, where both those diverse cultures were combined into its own Mexican identity. There is no bigger example of this than the traditional Mexican dance, of the state of Michoacán el danze de los viejetos or in English the dance of the old men. What the dance used to represent pre and post the conquering by Spain is radically different, since Mexico itself changed through colonization. The dance of the old men is still being danced now but the original meaning and what it represents now has changed,
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The people that lived in the region before the Spanish came to America were called the Purepechas. As the article, “Purepecha – Tarascan Indians” states that the Purepechas ruled the region of southern Mexico in the Michoacán, Jalisco state regions of Mexico and they were never conquered by the Aztecs, the P’urpechas also had their own religion music, and dances (Purepecha). One of those dances was the precursor to the old man and it held a deeply religious theme for the people of Purpechas. According to the Purepechas website on the article “La Danze de los viejetos” in Mexico the origin of the dance was of the religious ceremony to their old gods where one had the mask of a young person, while three other dancers had old men masks, there had to be four dancers because the number four was important to their culture (La Danza). The dance was dedicated to the universe and life as the number four was the most important aspect of the dance since each dancer represented, Mercury, Mars, Jupiter, Saturn, and the colors, red, blue, black and yellow, yellow representing corn the most important vegetable in Mexico (La Danza).The dance consisted of the four dancers dancing in a circle while one of the dancers, In particular the one with the young mask dancing ecstatically while the others surround the dancer. The roots of the modern dance are ingrained in the original purapaches dance, as both the original and the modern version have a lot of things in common. After the fall of the Purapaches empire in the hands of the
Have you ever disobeyed your families culture? Or ever wanted to forget about something in your past culture? It’s not always easy, to follow traditions, sometimes you want to create or change your lifestyle.In the poem ‘’El Olvido’’ by Judith Ortiz Cofer and ‘’Life In The Age Of The Mimis’’ by Domingo Martinez. The authors of these texts indicate the idea that trying to hide your cultures identity is defiance against your heritage.
The tradition still takes place today in many areas of Mexico. However, some parts of Mexico do the dance a little differently. The dance is more common in the central regi...
Ragland, Cathy. Música Norteña: Mexican Migrants Creating a Nation between Nations. Philadelphia, PA: Temple UP, 2009. Print.
Tex-Mex is a fusion of Northern Mexico and Southern Texas culture that initiated some time after the Spanish-American war when Texas was originally a part of Mexico. Tex-Mex can be used to talk about food as well as music, a culture in its own community. Tejano music dates far back into the mid-part of the 19th century, starting with a “more pop-oriented urban form relying on keyboards and synthesizer in place of the accordion.” (Broughton, 2000) It is said that this genre of music initiated when German, Polish, and Czech immigrants introduced the accordion, and from then on, evolved into three subgenres of Tejano music. Something that stands out about Tejano music is its instrumentation and orchestration as seen in conjunto, Banda, and grupo, the three subgenres that emerged throughout the spread of time with the influences of many artists
Ruiz, R. Mariachi – An Evolving Mexican Tradition. La Prensa. San Antonio: Dec 1, 2002. Vol. XIV, Iss. 22; pg. 8B.
The origin of Mexican Folklorico dances originate from Mesoamerican days when the Mayas and the Aztecs
She demonstrates the meaning of Silent Dancing through perspective, imagery, and repetition which depicts how her culture goes through discrimination. Her thoughts become based off on the “typical” immigrant Puerto Rican decor. Furthermore, she includes the history of a girl–Niña– mocked by people in her hometown. She wanted to change who she was, not accepting who she was and the culture she was born in. Initially, the repetition of “la gringa” would overwhelm her mind. Niña becomes traumatized daily by the repetition of “la gringa” which means white female because she wanted to become more Americanized than being Puerto Rican. There is irony in this piece since she never ended up in the U.S., but isolated in the village far away from communities
“The most common highland dance is the huayno, which is performed to love songs. The most common Ciriello dance is the Macarena, Peru’s national courtship dance” (Morrison 112).
Whenever I hear this song I cannot, not think about the Aztec culture. It’s the same just without horses heads and candles.
This dance they get into nature by way of rhythm and it can make your body
The history and development of tango can be divided into three stages, the first stage being La Guardia vieja, or Old Guard, which lasted until 1920. During this time, tango had emerged as a genre of instrumental music. The form during this time consisted of three parts, with different sections (ABC). This form usually uses four instruments: flute, violin, guitar and bandoneon. The most famous tango ever written is from this time period, Gerardo Matos Rodrigez’s “La cumparsita.” This early tango used rhythms related to habanera and milonga in duple meter and began to slow the tempo down during the 1910s. During this time, a quadruple meter with sharp accents was also adopted. Marcato and sincopa, two new patterns, established the harmonic and rhythmic foundations of more recent tangos.
All around the world, there are thousands of cultures. Although they are different, every culture partakes in dance. Dancing is something known worldwide. Every culture has traditional cultural dancing they partake in. Mexico has many cultural dances. La danza del venado is one traditional dance from Northern Mexico. La danza del venado, is known as the deer dance.
Horizontes Culturales is a performance that interprets the Mexican culture and it describes all the events that happened back in the days and what impacted our history. This performance is presented by a university in Mexico which put it out on television and was distributed by You Tube. The medium, structure, audience, spectacle and industry, adaptation and lastly technology or convergence make this presentation Horizontes Culturales these structures make the presentation complete and clear.
Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
The Deer Dance, sometimes referred to as La Danza del Venado, originated in Sonora, Mexico by the Yaqui people and spread into southwestern part of Arizona. As with all the Yaqui’s dances, this is dance represents part of Yaqui’s culture and has been passed down through the generations. Unlike many dances that have been influenced by Europeans, the Deer Dance performed today is basically the same dance as it was centuries ago because the Yaqui people, during the Spanish conquest of Mexico, fought for their culture which prevented the Europeans from influencing changes within the dance. This dance is unique and is well known and respected for its spiritual aspects as wells as primitive and ritual qualities.