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Sympathy provoked for the creature in Frankenstein
Sympathy to the monster in frankenstein
The role of love in Frankenstein
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Film is a great attribute to the modernization to our society. We use film to make words into actions. The visual aspect of a story, makes the story more like what we see every day through our own eyes. In the excerpts edited by Brandy Ball Blake and L. Andrew Cooper, they explain the ideas behind films effect on monsters. Information from Frankenstein, An American Werewolf in London, and Psycho help support the effect of film on the humanization of monsters. Film shows the audience of how certain characteristics effect who monsters are. Emotion is a characteristic that film uses to humanize monsters.
In today’s society, the perception of monsters is taken so many ways. Personal opinion puts a definition on the term monster. According to
Most of what we do it based on how we feel. We love one another through emotion and we do monstrous things through emotion. Monsters, also, have a soft side. Victor Frankenstein’s monster needed the love and affection from his creator. However, Victor did not give in to this emotional state. Anne Mellor explains Frankenstein’s denial of this, “Frankenstein’s failure to embrace his smiling creature with maternal love, his horrified rejection of his own creation, spells out the narrative consequences of solitary paternal propaganda” (Mellor 47). Our need for affection leads us to problems of insignificance. In relation to how us humans need love and support to strive in society. This makes Frankenstein’s monster portray humanistic traits. Also, in John Landis’s werewolf story, the scary, human killing werewolf still has some of his human characteristics. Andrew Cooper summarizes Landis’s film, “… the creature’s refusal to attack the woman standing helpless before him hints that there’s more human in the monster that its looks might suggest” (Cooper 96). The werewolf knows that woman he loves is before him; his love emotion overrides his animal instincts. In love, we choose to honor and be compassionate to our partner; therefore, the humanistic side of the monster comes out. On the other hand, emotion can cause despair and harm to people associated with the monster. Cooper acknowledges the slasher monster in which I choose to fit this characteristic. The main character from the movie Psycho, Norman Bates, causes harm to young women. Women that he finds himself attracted to, sexually, are his victim of choice (Cooper 212). In the movie Psycho, Bate’s chooses a woman in his hotel, “… enjoys the shower in her room at the Bates Motel until the shadow of a womanly form approaches, yanks back the shower curtain, and stabs her repeatedly with a kitchen knife” (Cooper 212). However, Bate’s isn’t just himself; he portrays his
Monsters and the Moral Imagination, written by Stephen Asma, presents many possible outcomes as to why monsters are the rise. Mr. Asma discusses why monster portrayals could be on the rise in movies, books, and stories throughout his subsection Monsters are on the Rise. Perhaps the rise is due to traumatic events in recent history such as the holocaust or the terroristic attacks of 9/11 in
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
In Mary Shelley’s novel Frankenstein the protagonist Victor Frankenstein creates a monster. The monster in the novel is deprived of a normal life due to his appearance. Like the creature, some serial killers today are killers due to the same rejection. In the novel Frankenstein, Mary Shelley warns that a childhood of abuse and neglect will often result in evil actions.
After his creation, Frankenstein’s monster is left in isolation, cursed to endure people’s hatred towards him. This revulsion met by onlookers is merely based on the creature’s hideous looks. The monster is not actually a monster at all. He displays more humanity than many other characters in Frankenstein. The ultimate irony is that the prejudicial belief is what caused the reanimated human to become a monster. In the nature versus nurture debate, proponents of the nature theory believe that a person is unchanging and that one’s experiences do not affect that person’s behavior. If this were true, the monster would not change as a result of his interactions with humans. It is undeniable that the creature does immoral things, but when Frankenstein’s monster saves a little girl from drowning, Mary Shelley takes a clear stance that the creature was naturally noble but became monstrous as a result of interactions with humans.
Not only did he feel contempt because of the way he was treated, but it was also compounded by the extreme feeling of isolation that he had. "Being lonely can produce hyper-reactivity to negative behaviors in other people,” says John Cacioppo, a psychologist who specifically studies the biological effects of loneliness, “so lonely people see those maltreatments as heavier” (Gammon). The monster was alone since the day he was created, so his mind and mental state were undoubtedly damaged, making him more prone to turning his negative feelings into something far worse, like murder. “But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses,” laments the monster (Shelley). His lack of relationships made him socially inept, and made it hard for him to think rationally about how to react to negative comments. In the seventeenth chapter of Frankenstein, the monster returns to Victor after living alone in his cave for a while and asks Victor to create a female companion for him to ease his lonesomeness (Shelley). He begs Victor, using the argument that companionship will ease his pain and reduce the hatred he feels for humans: “If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes” (Shelley). According to John Cacioppo’s findings, the monster would be correct in
The monster “Frankenstein” is thought of as a horrible, evil creation. One informant thought of him as frustrated, loud, and uncommunicative. Some others remember aspects from the many different movies such as the monster having “the mind of a killer and the heart of a kind man.” One informant recalled the monster having a “soft spot for children” when he helped a little girl kill all the evil monsters in one of the movies.
Overall these three excerpts did well with analyzing what a true monster is viewed as in todays society. Not they are scary and less like us, but that they are just like us and live among us and go through everyday life living among us. The way that a monster is depicted through the media is a surefire way to keep minority groups oppressed through physical attributes , sexuality and race being portrayed as something monstrous and nothing more .
In the essay “Why We Crave Horror Movie,” Stephen King describes that horror movies are beneficial for the people because we are all mentally ill. King explains that horror movie is a sort of release because everyone has a dark side in our body, so watching horror movie can keep the hungry alligators under control. People watch horror movie because they want to prove themselves that they are not afraid of a horror movie, and they are normal people too. King describes horror movie like a roller coaster, so people have enough courage to sit through the whole ride. People also enjoy seeing other people in danger. A horror movie can also keep the dark emotion down such as violence and aggression, and it allows people to remain happy and sane. A horror movie can
Frankenstein by Mary Shelley portrays an individual in a unique situation trying to overcome daily interactions while being faced with inconceivable misfortunes. Created by Victor Frankenstein, who set out on a journey to bring life to scrapped pieces of waste, he was then abandoned and left to fend for himself in a world he was abruptly brought into. After being abandoned by his creator for his less than appealing looks, this then sparked his inevitable desire for revenge. Eventually leading to the destruction of those associated with his creator. Knowing that he will never fit in, the monster began to act out in hopes of getting back at his creator for what he did. His vulnerability due to missing guidance and parental figures in his beginning stages of life contributed to his behavior. The books and article Family Crisis and Children’s Therapy Groups written by Gianetti, Audoin, and Uzé, Victim Of Romance: The Life And Death Of Fanny Godwin by Maurice Hindle, and Social Behavior and Personality by Lubomir Lamy, Jacques Fishcher-Lokou, and Nicolas Gueguen support why the monster acts the way he does. The monster’s behavior stems from Victor’s actions at the beginning of his life and therefore is not to blame. The creature in Frankenstein is deserving of sympathy even though he committed those murders because the lack of parental guidance, lack of family, and lack of someone to love led him to that. All in all his actions were not malicious, but only retaliation for what he had been put through.
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
violent acts. After facing denial from Felix and the family, the monster later attempts to find love from one of his kind (Weekes 12). The creature requests that Doctor Frankenstein create a female partner for him, with whom he can share his passion and acquire empathy (Shelley 130). The monsters demand shows today’s current situation where people desire to depend on others for acceptance and validation.
A monster is defined as an imaginary creature that is typically large, ugly, and frightening. By this definition, Victor’s creature who is depicted to be eight feet tall and hideous