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Monsters have always been depicted as some atrocious beings that were created to inflict fear into whoever it could, in anyway possible. Monsters vary from culture to culture but never do they vary in the havoc they wreak and the fear they inflict in some. Three authors have shown a more advanced definition of what society sees as a monster.Three greatly written novels “Parasites and Perverts: An Introduction to Gothic Monstrosity” “Gothic Realities: The Impact of Horror Fiction on Modern Culture” “Civilized Vampires versus Savage Werewolves: Race and Ethnicity in the Twilight series” show clearly the theories in novels that depict others as the monster.
Excerpts from three books, written by three magnificent novelists, show how sexuality, race, physical appearance, etc. play a major role in writing that are often times overlooked or downplayed, but are put in the the novel to show a bigger picture of what people define as a monster. In Judith Halberstam excerpt “Parasites and Perverts: An Introduction to Gothic Monstrosity” Halberstam argues that “ Nineteenth century literary tradition is a Gothic tradition and that this has everything to do with the changing technology of subjectivity that Foucault describes” (Halberstam,1991,p.125). In the excerpt from “Gothic Realities: The Impact of Horror Fiction on Modern Culture” L. Anderson Cooper expresses the formula of how “MONSTER=HOMOSEXUAL”(Cooper,2010,p.141). He tells how the homosexual is expected to be reversed with the popular heterosexual. In the final excerpt of “Civilized Vampires versus Savage Werewolves: Race and Ethnicity in the Twilight series” Natalie Wilson show readers about the white privilege. White (vampires) is associated with “ civility, beauty, and intellect...
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...bout the black male aggression towards white female bodies” (Halberstam,1991,p.127). Through Wilson’s excerpt you can see that even with the white equating to evil (vampires killing humans for blood) that they are still idolized and wealthy. In the excerpts you see that no matter the situation the fairer skinned people will always be overpraise while the darker skinned people will be seen as the enemy, the one to go against.
Overall these three excerpts did well with analyzing what a true monster is viewed as in todays society. Not they are scary and less like us, but that they are just like us and live among us and go through everyday life living among us. The way that a monster is depicted through the media is a surefire way to keep minority groups oppressed through physical attributes , sexuality and race being portrayed as something monstrous and nothing more .
In society, there have always been different roles in defining the boundaries between right and wrong; Monsters take a big part of that role. In Jeffrey Cohen’s “Monster Culture,” Cohen explains seven theses which provide a clearer explanation of how monsters take a part in establishing these boundaries. The oldest Anglo-Saxon story written- “Beowulf”- provides three different monsters which all connect to Cohen’s seven theses. In the older version, however, the monsters do not relate to humans in any way, except that they are enemies. The modern version of Beowulf portrays Grendel’s mother to still be evil but also have relations with the humans in the story.
“The only motive that there was was to completely control a person… and keep them with me as long as possible, even if it meant just keeping a part of them.” Using this statement, Jeffrey Dahmer offers his insight about what made him the cruel, demented being people have known him to be for the last 25 years. Many questions still remain, however. How do we, in society, define the term “monster”? What makes a monster? What shapes our perceptions of monsters, and how do these perceptions change over time? Several centuries passed between the time of Grendel from the epic poem, Beowulf, and the Milwaukee Monster, Jeffrey Dahmer, for instance. Grendel is a creation of the Anglo-Saxons, whose culture
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
Ever thought of where monsters come from? Do they just appear in our world, or are they procreated by fellow monsters, maybe, created by humans and their desires. During the renaissance and romantic era, a belief roamed around consisting of the idea that any child not resembling their original procreators was considered deformed, therefore also considered a “monster.” Many factors were considered to affect a child’s resemblance to their progenitors, such as women imagination, and desires, absolutely crossing of the role of paternity in the creation process. Although she succeeds in providing many good examples of women’s imagination being a primal factor in procreation, Marie-Helene Huet, in her essay, “ Introduction To Monstrous Imagination,”
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Monsters and the Moral Imagination, written by Stephen Asma, presents many possible outcomes as to why monsters are the rise. Mr. Asma discusses why monster portrayals could be on the rise in movies, books, and stories throughout his subsection Monsters are on the Rise. Perhaps the rise is due to traumatic events in recent history such as the holocaust or the terroristic attacks of 9/11 in
In "Monster Culture," Cohen widely talks about and investigates monsters regarding the way of life from which they climb. Keeping up the formal tone of a scholastic, he battles that monster climb at the intersection of a society, where contrasts develop and nervousness increases. The beast is an exemplification of distinction of any quality, whether it be ideological, social, sexual, or racial, that rouses trepidation and instability in its inventors. The creature or monster is habitually an irritating half breed that challenges categorization its hybridism defies nature. Yet despite the fact that there are unreliable monsters, real individuals can get to be monsters as well. Keeping in mind the end goal to bring oddity under control, the individuals who submit to the standard code of the day bestow huge personalities to the individuals who don't. Nervousness is the thing that breeds them and characterizes their presence. In this manner placing the beginning of creatures, Cohen strives to uncover our way of life's qualities and inclinations. For the larger part of the article, the monster is just the subject of our examination, an extraordinary animal under our investigation.
Do you ever wonder how monsters are created in our society? The dehumanization of individuals can cause both the perpetrator and the dehumanized to act in monstrous ways. But, why and how are they created in our world? Some monsters are created to “help us cope with what we dread most in life” (Donovan) and in turn bring communities together. Philip Zimbardo, a social psychologist, believes that anonymity and the situation a “good” person is in can cause them to act monstrously. Although the effects of a monster can be devastating, communities come together to combat them through reconciliation as well as the promotion of heroism.
For as long as mankind has been around the fascination of savage beasts were greatly integrated through its cultures. The concept of monsters has been used in many historical and ideological context to vilify what society deems abhorrent. Monsters serve as our own depictions of ourselves and the world around us. They challenge our cultural mores and force us to analyze what is within us. The reason why monsters are becoming increasingly popular is because it allows people to break out of social norms and immerse themselves into a world of immorality. Werewolves, in particular, we see are just like humans, facing the same issues we do. They are seeking love, affection, and acceptance, much like us. However, much of their approach may test our
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
The definition of ‘monstrosity’ and what it means to be ‘monstrous’ can be understood to mean something that is visually unattractive, malformed and/or terrifying. However, monstrosity is not exclusively about something aesthetically ugly, it can also apply to what differs from what is considered ‘normality’. What is ‘normal’ versus what is ‘monstrous’ is closely linked when exploring ideas about the human condition. The representations of monstrosity in Frankenstein and in The Tempest reveal how what is monstrous and what is normal are often found side by side, challenging the idea that it is limited to outcasts who do not ‘fit-in’, and that deep down, a desire to be understood, accepted and included and to live life with meaning are central to the human condition and that monsters in society often reveal our deep seated fears and anxieties about our own existence.
Do you really understand what a monster is or who the monster is? A monster could be anything or anyone. People think that monsters are just supernatural creatures and ugly and huge, but that is not exactly true. Everyday people could be monsters and sometimes they are the worst types of monsters. When you read “Beowulf”, you could say that Beowulf, Grendel, and Grendel’s Mother were all monsters in some way.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
A monster according to the online dictionary is many things; it can be a creature so ugly or monstrous that it scares people, an animal that is not of a normal shape behaviour or character, an animal or human that is huge in size, or a person who excites horror by wickedness or cruelty. I would describe a monster as someone who commits evil deeds and whose general mindset is to cause suffering on other living creatures. By my definition of a monster this makes victors creation a monster but not Victor.