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Monsters in Our Society
Do you ever wonder how monsters are created in our society? The dehumanization of individuals can cause both the perpetrator and the dehumanized to act in monstrous ways. But, why and how are they created in our world? Some monsters are created to “help us cope with what we dread most in life” (Donovan) and in turn bring communities together. Philip Zimbardo, a social psychologist, believes that anonymity and the situation a “good” person is in can cause them to act monstrously. Although the effects of a monster can be devastating, communities come together to combat them through reconciliation as well as the promotion of heroism.
In the novels Night and Frankenstein, both Wiesel and Shelley express that human injustice towards outsiders makes both individuals who act unjustifiably and individuals affected by those actions monsters. In Night, the prisoners that were taken to the camps were stripped of their morales of what is right and wrong because of the intense oppression due to the Nazis. Elie describes that he “dug [his] nails into unknown faces. [He] was biting all around… in order to get air” (Wiesel 89). The dehumanization of others and the keenness for self preservation causes prisoners to act inhumane towards each other. In Frankenstein, the monster describes himself as “benevolent; [his] soul glowed with love and humanity: but [is he not] alone, miserably alone” (Shelley). This thinking quickly changed when he realized no one would ever accept him. When society completely ostracizes an individual, they not only feel alone but they feel the need to express their feelings through revenge. The monster shown in Frankenstein is an example of how feelings of rejection can inspire feelings of hatr...
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...ty. They are created to explain the unknown and promote a sense of community among some cultures. The evil that is created, from a certain situation and anonymity, can be forgiven and also stopped by the promotion of heroism.
Works Cited
Donovan, Patricia. "Why We Create Monsters." Why We Create Monsters. N.p., 27 Oct. 2011.
Web. 22 May 2014.
Hugo, Piet, and Susan Dominus. "Portraits of Reconciliation." The New York Times. The New York Times, 05 Apr. 2014. Web. 22 May 2014.
Shelley, Mary. Frankenstein. Austin: Holt, Rinehart and Winston, n.d. Print.
"Think You're above Doing Evil? Think Again." Book Excerpt (n.d.): n. pag.Prisonexp. Web.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar,
Straus and Giroux, 2006. Print.
Zimbardo, Philip. "The Psychology of Evil." TED. N.p., n.d. Web. 22 May 2014.
Works Cited
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a division of Farrar, Straus and Giroux, 1960. Print.
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar, Straus and Giroux, 2006.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, A Division of Farrar,
" N.p., n.d. Web. 15 Dec. 2008. . Wiesel, Elie. Night.
Wiesel, Elie, and Marion Wiesel. Night. New York, NY: Hill and Wang, a Division of Farrar, Straus and Giroux, 2006. Print.
In Mary Shelley’s novel Frankenstein the protagonist Victor Frankenstein creates a monster. The monster in the novel is deprived of a normal life due to his appearance. Like the creature, some serial killers today are killers due to the same rejection. In the novel Frankenstein, Mary Shelley warns that a childhood of abuse and neglect will often result in evil actions.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
"Elie Wiesel Interview -- page 3 / 4 -- Academy of Achievement." Academy of Achievement Main Menu. 5 Mar. 2011 .
Mary Shelley’s novel Frankenstein centers around a creator who rejects his own creation. The plot thickens as Victor Frankenstein turns his back on his creation out of fear and regret. The monster is cast out alone to figure out the world and as a result of a life with no love, he turns evil. Shelley seems to urge the reader to try a relate with this monster and avoid just seeing him as an evil being beyond repentance. There is no doubt that the monster is in fact evil; however, the monster’s evilness stems from rejection from his creator.
Mary Shelley’s novel Frankenstein, is a book in which men pursue their goals against hopeless odds. Robert Walton’s decision to turn the ship around at the end of the novel is questioned by many. This essay will discuss the interpreted views on Robert Walton’s decision to retreat by Victor Frankenstein, Mary Shelley and myself. Although, some may disagree ultimately Robert Walton made the right choice to turn his ship around at the end of the novel and is therefore not a failure.
Wiesel, Elie. Night. Vol. 1. New York City: Hill and Wang, 2006. 33-86. 1 vols. Print.