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Themes in educating rita
Themes in educating rita
Educating rita characters
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Educating Rita from a Director's Point of View
"Educating Rita" by Willy Russell is a play based on one working class
women's struggle to become educated. The play has just two characters,
Rita, the women seeking an education and Frank, her designated tutor.
One of the play's main themes is the emotional and social changes that
occur as the play, and Rita's education, progresses.
In this essay I will write from a director's viewpoint how I think
certain scenes of the play should be performed. I have selected act
one scenes one and three and act two scene four as I think these
scenes represent the changes in the two characters throughout the
play.
Act 1 Scene 1
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I chose this scene as I think it shows the contrasts between the two
characters when they first meet. The whole play is performed inside
Frank's office with only two characters, Frank and Rita ever
interacting on stage. I think though, that it would help the audience
visually, when either character is describing a past memory or event,
if the characters from this situation came onto the stage and act out
these mentioned experiences (with no sound) as they are told.
The layout of the office should be very simple, there are three walls,
the fourth is taken out so that the audience has a "fly on the wall"
viewpoint. The door is stage right and leads straight off stage.
Frank's desk is in the far corner of the room with a large window
behind it. At the start of this scene Frank moves around his office
with a dim spotlight on him. Bookcases are laced across each wall. The
door leads off stage this is to add an element curiosity and surprise
when Rita first knocks on the door. When this incident occurs another
light should be concentrated straight at the door. Rita then proceeds
to bang on the door to try to open it; Frank simply says, "come in"
repeatedly. This sequence is critical in representing the play's main
Amy Tan, an accomplished Chinese-American author, is well-known for her incorporation of her Chinese heritage into her works of literature.
The word “play” has numerous meanings to different people in different contexts. Therefore it cannot have one definition and is described in a number of ways. Smith (2010) describes play as involvement in an activity, purely for amusement and to take part for fun. That play is “done for it’s own sake, for fun, not for any external purpose.” (Smith, 2010. P4) Therefore, as one precise definition cannot be presented for the word ‘play,’ it is described in a number of ways such as social dramatic play. Briggs and Hanson (2012) portray social dramatic play as the building blocks of a child’s ability to accept the possibility to step into another world, building and developing on children’s higher order thinking, accentuating the child as a social learner. Another example of play is exploratory play, which is described as children being placed in an explorer or investigator role, to identify the cause or affect a resources that is presented to them has. (Briggs, M and Hanson, A. 2012) Games are also another example of play. They are included on the basis that playing games with rules, regardless of age, can develop a child’s intellectual capabilities along with their physical, behavioural and emotional health. (Briggs, M and Hanson, A. 2012).
Education provides unique experiences to everyone. These experiences are not depended on the individual’s personal backgrounds or social statuses. According to Jane Thompson, a scholar in education, the process of education can either be a restriction on creativity or a “practice of freedom.” In Willy Russell’s Educating Rita, the protagonist’s experience through the Open University is a practice of freedom as she is provided with the opportunities to express her thoughts and discover her own limits. There is an internal struggle within Rita as the new environment threatens to erase her past life. Rita is able to maintain her practice of freedom through the help of Frank, whom provides her with a welcoming and encouraging learning environment.
Finding a door to exit would become a puzzling exercise during one of their St. Albans investigations. Terri and Marie were in what is known as “the safe room,” because a large old-fashioned safe is located there. They had completed their investigation and were readying to leave the room when they realized they couldn’t. There wasn’t a door. “It was as if it had been morphed over,” said Terri. “We went around and around in circles. We were growing concerned when we made another lap and there it was. It was as if the door materialized out of nowhere,” she said.
The costumes the characters wore in this play showed the audience that the setting of this play took place in the beginning of the twenty-first century, our modern time today. Rita, a young woman attending a single college class, wore many modern trends seen in the world today. In the first act of the play, this character frequently paired breezy, flowery, bright colored skirts with cowboy boots and a denim jacket. This is a clothing trend we see frequently today, especially in colleges in the southern parts of the United States of America, such as Texas A&M University. Frank, Rita’s aging college professor, wore many cardigans and sweaters that were of the same style as the ones we see in today’s department stores and online catalogs. Many of the costume pieces of both Rita and Frank looked as if they were made out of cotton, which is a common material used by clothing companies today.
The movie, The Grand Budapest Hotel, is a typical Wes Anderson film in regards to his vibrant color palettes, the symmetry in his scenes and the recurrent themes seen throughout the story. The Grand Budapest Hotel is a bit peculiar because an argument can be made for and against the film following the stereotypical three act structure. For example, throughout the film Anderson titles the transitions between scenes as ‘parts’ of which there are five. These ‘five parts’ would be the main argument against The Grand Budapest Hotel fitting into the three act structure. The film’s opening image is of the Lutz cemetery, during modern day, of a girl walking with the The Grand Budapest Hotel book towards a statue of the book’s author.
Gregory heard someone giggle. He banged on the flat of his hand on the door “Let me in. Gregory. Let me in” There was nothing but silence… He waited and called again, but there was no response so he wondered away. He couldn’t demand to be let in and pleading would do no good.
Although Rita stands in contrast to Eliza, they share so many similarities that one could support the statement that "Rita is a modern day Eliza".
That God has only knocked on the door, only after the scriptural ideas to write down that God knocks and that each person must let him in, is not working for the speaker. This relates to the larger argument that they are firm believers in God, but they need more attention for God in order to follow him. In the next couple line the speaker expresses God need to enter his life more with a force in order to make the speaker new again “As yet but knock, breathe, shine, and seek to mend; that I may rise, and stand, overthrow me and bend Your force to break, blow, burn, and make me new” (line 2-4). This relates to my argument that the speaker is directly asking God to force is way back into his life and for someone people once they feel they have angered God they feel they would be able to connect again. The speaker at one expresses that “Yet dearly I love You, and would be loved fain,”
He is a lazy man, bored and frustrated by his life he too does not
hold the door for the people behind them. What makes people decide to hold the
The question of what Rita gains in Educating Rita is quite easy to answer. What she loses is less obvious. Her intention is to gain a college education and she largely succeeds in this. On the way you could say she loses her job and her husband, but it is worth asking whether these are really losses to the person Rita, or rather Susan, becomes.
In the play Educating Rita, Willy Russell uses many dramatic devices to develop the themes and characters. By doing this he is able to build up an image of the characters and themes in the audience’s head. One of the main ways he does this is through characterisation. The two main characters (and the only ones we actually see) are Frank and Rita. These two characters couldn’t be any more different. Frank is a University lecturer in English Literature with a drink problem. He had a failed marriage and is in a struggling relationship with ‘Julia’. However he does appear to have a comfortable middle class lifestyle and has written some poetry in his time. Rita is a working class, 26 year old hairdresser who has taken the big step of enrolling on to an Open University literature course. She is married to a man called Denny, he objects to the course as it means Rita been away from home and leaving her social life within the community behind her. When these two meet a whole can of worms is opened and many amusing, sad and entertaining events take place.
The play Educating Rita by Willy Russell gained great popularity especially during the early eighties. There has also been a movie made from it starring Julie Walters and the more famous Michael Caine. As so often the case, the movie was more elaborate with additional scenes, some of which were spoken of or retold by the actors in the play. The movie also included several actors while the play only featured two, Frank and Rita.
in his office to Rita. He tells her that he "sometimes get an urge to