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Analysis of love and a question
Analysis of love and a question
Analysis of love and a question
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Edna St. Vincent Millay, in her conventional sonnet “What Lips My Lips Have Kissed, and Where and Why,” asserts that love comes and goes. To develop her claim, Millay begins by first using imagery to describe the speaker’s past relationships which continue to haunt her as they “tap and sigh” upon her glass; second, the speaker is compared to a “lonely tree,” and this metaphor among others serves to show how deprived of love the speaker currently is even though she once had the arms of her lovers “under [her] head until morning”; last, personification is used when the speaker says, “I only know that summer sang in me / A little while, that in me sings no more,” and this reveals to the reader that love is a thing of the past for speaker; the
In the excerpt from Tomson Highway’s Kiss of the Fur Queen, a hunter, Abraham Okimasis, pushes through an intense race with his dogs in the snow. Literary devices, such as imagery and details, reveal the internal and external struggles of Okimasis’ life during the race. His fight to the finish gradually creates suspense as he continues to scramble with the idea losing, while he also battles with nature, self, and beast.
Daniel Mark Epstein says that “the truth about her personal affairs was scarcely less fantastic than the rampant speculations; even now, historians find it difficult to separate Millay rumor from Millay fact.” The speaker is obviously at an older age now, and feels as if her youth was wasted. “What lips my lips have kissed, and where, and why, I have forgotten,” is the first line in Millay’s sonnet. This line sets the tone and theme of the poem right away. She has been with many men in her younger years.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
Much like Lorraine Hansberry, Madeleine L’Engle believes that “the growth of love is not a straight line, but a series of hills and valleys.” Lillian Hellman’s The Little Foxes, Tennessee Williams’ Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Glass Menagerie, and Robert Harling’s Steel Magnolias use the idea that even through struggles their characters show that love always endures. Although loving someone, who is not particularly loveable, is one of the most difficult parts of being human, it is possible by remembering that addictions can be reversed, blood is forever, and a ring is more than just an object.
In Millay's poem " What Lips My Lips Have Kissed, and Where and Why" she laments over lost lovers. Ironically, she is described as both fondly remembering and regretfully forgetting them. In the second and third lines, the speaker recalls the lips and arms, of the young men, that have embraced her in the past, rather than their faces, suggesting her ignorance of their identities or names. She continues, "the rain is full of ghosts tonight." (3-4) In this octave she uses raindrops hitting a windowpane to stand for the sighs of lost lovers. She also compares raindrops to ghosts as a metaphor for memories of lost lovers, whose absence she feels, though who have faded into a vague abyss. In this comparison, she also uses the windowpane to show the separation between the present and past, or a border which allows insight but not interference. She is able to look back at her past but not change anything she has done thus she can only reminisce and unfortunately only regret. She describes "a quiet pain" (6) in her heart "for unremembered lads" (6-7) emphasizing her loneliness and sorrow caused by these meaningless trysts. In the sestet Millay compares herself to a "lonely tree," (9) "with birds vanishing one by one" (10) and "boughs more silent than before." (11) The tree is an analogy for her lost chances at true love. The lack of leaves and singing birds on the boughs of the trees stand for the loss of youth and lovers. In the last few lines of the poem Millay's character realizes that nobody young desires the her, now that she has aged.
"What lips have I kissed" by Edna St. Vincent Millay While reading "What lips my lips have kissed" by Edna St. Vincent Millay, I realized many things about myself. The first thing was that I, after thinking I would never be able to decipher one word of poetry, actually could. I also found that I was able to enjoy it. Another thing was that the narrator (whom I felt was a woman- no man could portray these feelings like a woman) and I had strikingly similar feelings. There happened to be many other amazing findings, but these two were the first and most important to me.
In Pablo Neruda’s love poems, ‘Body of a Woman’ and ‘Sonnet 89’ the theme is about a woman who Neruda loved. This essay will analyse how Neruda uses imagery and metaphor, amongst others, to reflect on how much Neruda has matured over time.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Edna St. Vincent Millay’s “Time does not bring relief,” also known as simply “Sonnet II”, explores the theme of a protagonist who cannot escape the memory of a loved who has left them in an ambiguous fashion. Millay disregards cliché that “time heals all wounds” as being a lie as the protagonist allows her grief and resurrected former feelings over the missing figure to control her actions after a year--”But last year’s bitter loving must remain /Heaped on my heart, and my old thoughts abide.” Throughout the year, the protagonist has longed for the loved one during the varied weather accompanied by the seasons. Regardless of the changing seasons, the subject cannot escape her dilemma. Not only does the central figure watch time go by, she refuses
As we discussed Astrophil and Stella in class, I felt a familiar knot in my stomach. At first I could not pin-point the reasons for my aversion to these sonnets. However, as we discussed it in class, it became clear to me. I could identify with Penelope Devereux Rich. Although Astrophil and Stella could be interpreted as an innocent set of love sonnets to an ideal woman and not a particular woman, they reminded me of the letters I received last year from a guy, Lee Burt, I had not seen in seven years. He stalked me by mail and phone. I felt small and vulnerable, and in some ways, violated. I do not hold much higher opinions of Sir Philip Sydney. I would argue that Sydney's sonnets were not innocent, but obsessions, and he too could be considered a stalker.
Heartbreak is an experience and emotion that mankind has faced forever. In the poem For He Looked Not Upon Her , George Gascoigne writes his sixteenth century sonnet about a speaker who cannot face his ex lover. The speaker of the poem speaks with an attitude that expresses exhaustion with the games of love all while recognizing the trustless beauty of his ex.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
This feeling is particularly obvious in the sonnet beginning "What lips my lips have kissed" (1); the speaker's love life is characterized by a series of convenient relationships. Given lines seven and eight for analysis, "For unremembered lads that not again / Will turn to me at midnight with a cry," Dr. Freud might suggest that the impulsive sex serves the double purpose of sabotaging a promising relationship while feeding the needs of thespeaker's ego. Feminist and other [1] critically-oriented literary scholars who have learned how to identify objectification in their sleep certainly would not miss it in this poem. [comment4]But because convention is twisted by the poet's gender, this tactic seems fresher, less hurtful, and more amusing. There is novelty and irony in a woman using what may be considered the male gaze to scrutinize her own capriciousness.
The complexity of Carol Ann Duffy’s poem Valentine, is not hidden in its essence, the comparison of love to an onion, but in the way she illustrates and supports her metaphors. Through the usage of both literary and structural devices, Duffy explores the meaning of love through the lense of her speaker, who, on valentines day, is trying to convey the true meaning of love through her symbol of choice: an onion. While her structure may seem unorthodox to some, her operation of both long, metaphorical sentences and short, stoccato ones makes the poem on one hand sweet and pleasurable to read and on the other, unnerving and sad.
These three poems, then, are written in the voice of the spurned lover. In two of them, this lover is cognizant of our presence and seeks to impress us with his impassivity; but in the third, he pours out his sorrow and minds not whether we think the less of him for his poor choice of women.