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The importance of art in education
The importance of art in education
Essay on art education
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Edmund Burke Feldman was an Alumni Foundation Distinguished University Professor of Art at the University of Georgia. He was an art educator as well as an art historian. He has written several books about art including The Philosophy of Art Education, First Edition, 1995. The primary focus of this paper is to inform and show what Doctor Feldman thought was important to art teachers by correlating the practices of teaching art to the issues of philosophy Doctor Feldman wanted to bring together both subjects of art education and art teaching. He outlined the principle issues of art education and provided art teachers with a way of creating goals for teaching art. Dr. Feldman revealed that the approach to art education should be seen as a discipline and as a philosophy. His foundational practices included the earlier thoughts of Manuel Barkan. Doctor Feldman felt that there was a conflict between our capitalist and socialist nature, which could generate personal and professional creativity. His beliefs were that art teachers are conditioned by political forces and that the power of art education comes from the psychological impact of the visual image and the power of the art teacher comes from their ability to relay these images. Doctor Feldman teaches that art needs to be meaningful and art students must connect to the information presented, then be able to use it as an experience. Then students can use the experience to create a path to transform the idea into a work of art. He presented that art teachers could show students that life and art are connected and that one could inspire the other. He insisted on educating students in art appreciation through critiques and developed the four-step critique method. In the fi... ... middle of paper ... ...sured in the degree to which the intuitive, internal notions of what happened in the classroom can be brought out into the full light of external inspection and meaning making. In as much as the supervision of teaching becomes an artful practice, then some understanding of the language of art is in order. Artful structional supervisors can begin to utilize reflection, as in art criticism (Feldman, 1995), as a mechanism for reflecting on teaching in a much Instructional Supervision as Dialogue 5 broader, fundamentally different, and possibly more profound way than some methods currently provide. Works Cited Corleto, D. (2009, July). NEH Picturing America. Salem, Massachusetts, USA. Feldman, E. B. (1995). Philosophy of Art Education . Englewood Cliffs, N.J.: Prentice Hall. Feldman, E. B. (1994). Practical Art Criticism. Englewood Cliffs, N.J.: Prentice Hall .
We are constantly being bombarded with visual culture throughout every hour of the day, though at times it may seem overwhelming and desensitizing, it is only getting more prevalent. Paul Duncum is an art educator who is corporating these aspects of visual culture in the classroom everyday and also teaching his students to do this as well. I have talked about Paul Duncum educational history, his contributions to art education, his teaching philosophy, and how I can use his beliefs and teachings in my future as an art educator. With my new found knowledge of Paul Duncum and his teaches, I hope, as a future educator to follow in his footsteps of incorporation of our society’s importance of visual art in my classroom.
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
Dewey, J. Art and Education: A Collection of Essays. Pennsylvania, The Barnes Foundation Press, 1954.
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
This paper serves the purpose to explore three main topics: who am I, what have I learned thus far, and who do I want to become? Through my experience at Adler University I have gained insight into what it takes to become an art therapist. Though the journey of pursuing art therapy is a lifelong experience, it didn’t start here.
In today’s society anything can be considered “Art”. From the great sounds of a symphony, to the architecture of a modern structure, or even an elephant painting with its trunk, art is what the viewer perceives it to be. Individuals will always agree or disagree with the message behind a certain piece of art, as pieces can be offensive to some, but beautiful to others. Some argue that funding the arts in school is a waste of money, time, or a combination of both, but the benefits outweigh the negatives by far, due to a variety of reasons.
The therapeutic process of using art was built to treat a wide range of mental disorders and psychological distress so its experience differs from a regular art class, making the art therapist quiet different than your average art teacher. My job is to make you aware of the differences between an art therapist and an art teacher. They have similar jobs in the same kind of field but differ greatly in importance. An art therapist is trying to get you to experience something different then your art teacher, and that difference being art therapists are trying to get you to focus on your ‘inner- experience’, your feelings, perceptions, and imagination. Their teachings generally involve learning skills in art and techniques, but its emphasis is on developing and exp...
Stone, W. F. (1897). Questions on the philosophy of art;. London: Printed by William Clowes and Sons.
Throughout the Morelli reading, we are shown that education is the combination of classroom material as well as practical interaction. The basis of the Morelli article was to show the difference between being a connoisseur of art, or someone who takes art in and appreciates it aesthetically, and being an actual art historian practicing in the field. The concept that differentiates between these two ways of looking at art is that when one is an art historian, he or she examines every aspect and factor that is responsible in the making of the work of art. This means that an art historian will focus more on the methodology of how and/or why the piece exists from the basis of theories such as an artist’s biography, the cultural history surrounding the piece, or others such as the psychological analysis of the artist or the influence of social movements such as Marxism or feminism. This typically requires a more in depth analysis than that of a connoisseur, and one based on more textual research. A connoisseur examines the art itself in the physical aspect: the techniques, brushstroke, texture, form, composition, etc. Throughout this article, one may find most fascinating the aspect that in looking at in varying perspectives such as both a connoisseur and as an art historian is a ben...
For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and aesthetic experience, Plato has made his works more controversial than Aristotle.
Waite, D. (1995). Rethinking Instructional Supervision: Notes on Its Language and Culture. New Prospects Series: 1.
"Why Arts Education Is Crucial, and Who's Doing It Best." Edutopia. N.p., n.d. Web. 20 May 2014.
Art education is defined as a specific occupational area where the subject art is taught within a public or private school system. Because art classes are publicly funded, classes are provided to students who show artistic talent and those who do not (Salmon 103). The use of art can be dated back to the days of the Neanderthal, and until the Italian Renaissance, art was only considered culturally important and was not taught (DeHoyas). At the birth of the United States of America, male and female students were taught different forms of art, where the boys’ art was typically more functional. The teachings of art were ofte...
Cato, T. (2001, January1). Reasons to support art education. Retrieved September 18th, 2002 from http://www.gaea.armstrong.edu/. Promotes the teaching of art education in Georgia. Calls for research into art education to show its benefits and advantages.
Marzano, R.J. (2007). The art and science of teaching. Alexandria, VA: Association for Supervision and Curriculum Development.