Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Shakespearean elements in the merchant of venice
Analyzing the background of the play the merchant of venice
Shakespearean elements tragedies in the merchant of venice
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Shakespearean elements in the merchant of venice
Some of Shakespeare’s most memorable characters are insiders who become outsiders in both a figurative and a literal sense; these characters struggle to find their place in society. Edmund an unwanted illegitimate son and Iago a foreigner are exceptions and are accepted in their community, but they are driven by their desire for evil, as a result of their second-class status. Although they are well integrated and accepted by respected characters they become obsessed with their hatred and their desire for revenge, hate, and greed, lead them to create mayhem. Both Iago and Edmund would ultimately become outsiders as a result of their own actions. In the opening act of the play Gloucester starts off by labeling his son Edmund as outsider he focuses on the embarrassing circumstance of his birth and tries to dismiss him, ‘He hath been out nine years, and away he shall again’ (1.1.30-1) these lines provides one with the sense that Edmund was literally and figurative an outsider. …show more content…
Edmund is not only a villainous character but also an intelligent one; with a deeper examination into his personality it is clear that he has other motivations for his actions outside of his initial purposes.
Edmund believes that his educational exile from the familiar boundaries was an exclusion from the warm family that Edgar had the privilege of being with. Edmund realizes this discrimination and attributes it to him being the bastard son. Edmund is driven by his desire to be an insider. He earned his way inside by gaining the trust of his brother, father and everyone who he ultimately betraying. Gloucester though he claims to love both sons equally does not grant Edmund an inheritance until Edmund tricks him into disinheriting Edgar. Also known, as the “bastard” son seemed very much like an outsider at the beginning of the play when he is rejected and the inherence is given to his brother
Edgar. Iago is only Othello’s subordinate and has been denied the favored place of lieutenant by contrast to Cassio, who has more education and higher status. Iago is on outsiders who successfully manipulate some of the insiders. When Iago speaks of belonging to a group it is more precisely the group of those who ostensibly have masters, yet ‘throwing but shows of service on their lords/ Do well thrive by’ em’ (1.153-4) its like the community of imaginary bastards Edmund invoked in Lear. Iago speaks in both dialogue and in soliloquies as if with insider knowledge about what is really happening
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
The life of Edgar Allan Poe, was stuffed with tragedies that all affected his art. From the very start of his writing career, he adored writing poems for the ladies in his life. When he reached adulthood and came to the realization of how harsh life could be, his writing grew to be darker and more disturbing, possibly as a result of his intense experimenting with opium and alcohol. His stories continue to be some of the most frightening stories ever composed, because of this, some have considered this to be the reason behind these themes. Many historians and literature enthusiasts have presumed his volatile love life as the source while others have credited it to his substance abuse. The influence of his one-of-a-kind writing is more than likely a combination of both theories; but the main factor is the death of many of his loved ones and the abuse which he endured. This, not surprisingly, darkened his perspective considerably.
In the play ‘Othello’ by William Shakespeare, the tragedy of the play is largely a result of Iago’s animosity towards Othello. Iago’s hatred for Othello emanates from the very core of his being and is further amplified due to Othello’s status as an outsider in the ‘white’ Venetian society. This alone causes Iago to perceive Othello as a threat to society, as he goes against the societal and contextual values of the time. Although Iago is acting and reacting based on his own character traits, he is also acting upon the societal norms and expectations which classified Othello as a threat. The accumulation of Iago's hatred
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
Does Hamlet stand alone? Does this magnate of English literature hold any bond of fellowship with those around him, or does he forge through his quandaries of indecision, inaction and retribution in solitude? Though the young Dane interacts with Shakespeare's entire slate of characters, most of his discourse lies beneath a cloud of sarcasm, double meaning and contempt. As each member of Claudius' royal court offers their thickly veiled and highly motivated speech Hamlet retreats further and further into the muddled depths of his conflict-stricken mind. Death by a father, betrayal by a mother, scorn by a lover and abhorrence by an uncle leave the hero with no place to turn, perhaps creating a sense of isolation painful enough to push him towards the brink of madness.
There exists a kind of person who can be called by no other name than by “Magnificent Bastard”. They are masters of deception, bloody brilliant, unstoppable in achieving their goals even when it means grinding others into the dust, and yet they have such a flair, such a charming disposition, that they are often admired by even those who are wronged by them. Iago in Shakespeare’s play Othello is one such character. The audience may love or hate him, but either way they must admit that he commands the spot-light. In spite of this, the reason why Iago acts as he does is shrouded in mystery. Even when directly speaking to the audience about his motivations, Iago is not always truthful. In reality, while Iago derives great pleasure from manipulating others, his driving motivation throughout the entire play is his own jealousy; from being unrecognized for his greatness, to an impossible love for Desdemona, and of the virtuous characters all around him.
Edmund, the bastard son of Gloucester is not pleased with his status as a bastard. Edgar the legitimate son of Gloucester stands to obtain the lands, wealth and power of his father. Edmund thinks this is unfair and begins a plot to banish his brother and obtain the lands of his father. He begins by writing a fake letter from Edgar saying that he wants to murder his father and wishes to take power by force. Edmund uses his deceiving abilities to make the letter seem genuine. He lies to his father about how he came into possession of the letter: “It was not brought me, my Lord; t...
... interpretation using the term ‘outsider’ does not presume that unyielding dichotomies define characters as always either outsiders or insiders, or that the works in question always associate the strange with the evil or the familiar with the good or do the opposite. Especially within Shakespeare’s Henry IV, Part 1 and Othello, being an outsider is more a relative condition than a firm position. Consider Othello: a central aspect of the experience of this play is the constantly changing point of view. The initial impression of Othello provided is that of an outsider through Iago’s eyes, then his subsequent refutation of Iago’s image, his character’s gradual approach to actualizing this image as Iago makes him perceive Desdemona as an outsider, and the destruction of the outsider in himself while Iago is revealed to every other character as the true moral outsider.
Internal and external struggles influence people to action, be it swift and daring or cunning and low. In Shakespeare's plays, the events around and within a character often combine to cause a character to act in a manner that would be considered out of character or unnatural for the person. Shakespeare uses these characters to provide the audience with a lesson or theme; to give them something they can apply to life and see learn from. In Othello, the character he uses as an example is, in fact, Othello. Shakespeare informs his readers of how doubts caused by rumors and lies can lead to the breakdown of even a once noble person.
William Shakespeare’s play “Othello”, is play about jealousy, envy, trust, and revenge. In many of Shakespeare’s plays have a bad character who most readers may consider unworthy or irregular, especially with Iago, is probably has the most negative effect on other characters. Although a lot of people may think he evil but he is not that much of an evil human being. He is a normal human and accepted by his society and also a well recognizable character throughout most of Shakespeare’s play. Shakespeare fictionalizes him as an evil character and he became known to readers as sort of Satan and Machiavelli. Even Fred West has criticized people who see Iago as an insignificant person he said:
In William Shakespeare’s Othello Iago is the undeniable orchestrator of all the turmoil in the play. Iago’s malicious ploys cause envy and grief for every character that he encounters. Iago chooses to hurt people by making them envious because Iago himself is plagued by evy. Iago’s ironic struggle with envy is the fuel for all destruction in the book, and without the element of envy each character would have less of a desire to carry out the actions that transpired throughout the play. Iago is envious of Othello’s position of power, and the rumors that Emilia had an affair with Othello. Ultimately, Iago plans to destroy Othello by inciting him with envy, and to get Othello to turn on his wife.Iago’s paramount display of envy for Othello is in his soliloquy and also his conversations with Othello. Othello soon becomes overwhelmed with envy, and it is this envy that drives the play, and Iago’s plans.
What should be noticed in particular is that, essentially, Shakespeare invented Iago; set him down in his dramatis personae with the single epithet “a villain”; and devoted most of the play’s lines and scenes to showing in detail the cunning, malignancy, and cruelty of his nature, including the cowardice of his murder of his wife. It seems to me therefore impossible to believe, as some recent critics would have us do, that the root causes of Othello’s ruin are to be sought in some profound moral or psychological deficiency peculiar to him. (137)
Shakespeare’s utilization of characterization through personal thoughts illuminates the willingness of Iago to betray during his quest for revenge. While blissfully deceiving Roderigo, Iago’s reveals his
Othello is a steadfast leader that the reader finds him or herself wanting to be more like. His experiences are unparalleled and that’s what makes him such a popular leader. He has seen many battles and fought many fights; his stories are legendary among those who revere him. In our day he would be the man every man wants to be like and the man every woman wants, but even those who are revered have enemies. If this were not the case then there would be no means for him to have become so revered. In overcoming so many obstacles Othello made a most convincing enemy. In this article we will explore Iago’s dark secrets and expose and examine what makes him such a great villain. William Shakespeare used various literary devices such as characterization, metaphors, irony, and symbols to portray Iago as a cunning villain.
A tragic character must pass from happiness to misery whereby he must be seen at the beginning of t... ... middle of paper ... ... born a bastard which continuously haunts him, does what he does as an act against the whole society. Therefore, Edmund’s driving force is to revolt against those in power, against traditional values and against the very make-up of society. He regards this revolution as a worthy cause, and his scheming is aimed at putting himself in power, gaining the throne.