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Introduction on romantic love
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"East of Eden deals with the inexplicability of the emotion we call love" (Wyatt xxii). John Steinbeck’s East of Eden explores the enigma of love and attempts to explain the pernicious effects of love through the characters’ relationships. Proving very complicated, love takes many forms, spanning from a simple coquetry to deep romance. East of Eden explores three main types of love; romantic love, parental love, and sibling love. Romantic love, typically depicted as one-sided in the novel, has negative effects on the characters who fall for one another. All the men who adore Cathy have love that revolves around idealization and manipulation, this also appears true about Aron’s and Abra’s relationship. Parental love, or the lack of it, causes …show more content…
sibling rivalry, which spurs jealousy and hatred. Cyrus loving Adam and Charles unequally, and Adam favoring Aron over Caleb demonstrates how parental love affects the characters. Sibling love focuses on how love does not exist without hatred and gives the characters feelings of inferiority.
Adam and Charles, and Aron and Caleb do not have the opulence of experiencing a strong and affectionate brother relationship; they struggle with extreme sibling rivalry. In fact, the majority of the characters in this novel receive only tragic love, reflected from Steinbeck’s personal life. Steinbeck shows in East of Eden, by exploring different relationships, such as romantic love, parental love, and sibling love, that love is not purely positive and has negative effects. Romantic Love in East of Eden has a negative depiction and nearly always correlates with idealization. Cathy Ames uses manipulation in order to make men fall in love with her because she has a necessity of feeling in control. The men who fall for her, typically any man she confronts, view her as a paragon, idealizing her to the point of perfection. After burning her parents alive in her house leaves her with no family, she turns to prostitution and manipulates the first of the whoremasters she meets: Mr. Edwards. Cathy weakens the infamously strong Mr. Edwards and controls his emotions until, "He realized that he wanted this one for his own. 'I can't understand why a girl like you--' he began, and fell right into the oldest conviction in the world--that the girl you are in love with can't possibly be
anything but true and honest" (Steinbeck 92). Mr. Edwards refuses to let Cathy become a whore and takes her for his own. Throughout their relationship, Mr. Edwards, an cold-hearted whoremaster, falls deeply in love with Cathy. His infatuation with Cathy causes him great misery; as a whoremaster he learns not to trust women, but he trusts Cathy because of love’s effects on him. Once Cathy realizes she has complete control of him, she abuses her powers with impunity, so that she can obtain the money that she has wanted from the beginning. The exploitation of Mr. Edwards’ emotions causes his destruction; it weakens him and almost kills him (Steinbeck 94). After his horrible encounter with Cathy and love, “He went back to business and never again let the insanity of love come near him” (Steinbeck 98). Although Mr. Edwards idealizes Cathy, Adam Trask takes his idealization of Cathy to an extreme. From the moment Cathy appears on his doorstep, Adam views all of her manipulative actions as irreproachable. Cathy knows that she needs protection so by living with and controlling Adam, she persuades him to marry her. Throughout the entirety their marriage, Adam only views the Cathy he imagines in his head, “Perhaps Adam did not see Cathy at all, so lighted was she by his eyes. Burned in his mind was an image of beauty and tenderness, a sweet and holy girl, precious beyond thinking, clean and loving, and that image was Cathy to her husband, and nothing Cathy did or said could warp Adam’s Cathy” (Steinbeck 133). When Cathy shoots and leaves Adam with the twins, he does not have the ability to imagine that his perfect Cathy would commit such a horrendous crime, and views the twins as reminders of his loss. When reflecting on Cathy’s abandonment of the family, Adam realizes that he does not know whether or not Cathy has beautiful characteristics; Samuel discerns Adam’s idealization of Cathy and explains, “‘To you she was [beautiful] because you built her. I don’t think you ever saw her--only your own creation’” (Steinbeck 262). Even though Adam knows to an extent that Cathy differs from what he thought, her suicide affects him harshly and he experiences great agony. Aron’s romantic relationship displays a reflection from Adam’s relationship and his eminent view of his Cathy. From a young age, Adam develops an avid interest in Abra and has a strong determination to marry her. As they grow older and farther apart, especially when Aron goes to college, Aron makes up that distance with a fantasy of Abra; “Abra--well, of Abra he made his immaculate dream and, having created her, fell in love with her” (Steinbeck 524). Most of the romantic love in the novel focuses on men idealizing the woman they love. The idealization reflects Steinbeck’s own failing marriage with his wife Gwyn; "The marriage fell apart in a way that allowed Steinbeck to project onto Adam and Cathy a sense that men are passive and women are angry. And the parallels between fiction and experience were drawn by him. 'I'm afraid I built a person who wasn't there,' he wrote of Gwyn" (Wyatt xi). By making this character who differs from the personality of his wife, Steinbeck relates to Adam, Aron, and Mr. Edwards. Formed from idealization and manipulation, romantic love abysmally affects the characters who fall in love. Parental love majorly causes jealousy among children; Cyrus and Adam demonstrate this point through how they favor one of their sons over the other. Cyrus neglects Adam after his wife commits suicide and this proves to be the first of many actions affecting Adam’s view of Cyrus. Cyrus’s actions escalate later in the novel when he treats Adam differently than Charles; he reveals that he loves Adam better while including several disparaging comments explaining how he would not have hurt Adam if he did not love him. When Charles learns how Cyrus favors Adam, he beats up Adam in an inimical manner due to jealousy. The effects of Charles’ love for Cyrus appear increasingly stronger after Cyrus’s death. Charles admits how much he loves Cyrus to Adam and for the first time he cries, displaying an unusual exudation of emotion. Astoundingly, Adam’s reaction to Cyrus’s death extremely contrasts Charles’ reaction; Adam’s response appears quite similar to hearing the news of a complete stranger’s death. The fact that Adam remains unharmed by his father’s death regards Charles’s emotions in a sardonic way, Adam rubs theses feelings in by admitting, “'Maybe it's wrong to feel good when our father's just died, but you know, Charles, I never felt better in my whole life'" (Steinbeck 64). Because Cyrus loved Adam more than Charles, Charles feels great jealousy from that lack of love, which explains the opposition in the reactions of the brothers. Adam goes on later in life to repeat the actions of his father and favor one of his sons over the other. Since their birth, he neglected the twins due to the fact that they were symbols of his loss of Cathy. Adam ignores them when they are young in age, but as they grow up he loves Aron more than Caleb. At one point, Caleb feels the lack of his father’s love so strongly that, "Cal wanted to throw his arms about his father, to hug him and to be hugged by him. He wanted some wild demonstration of sympathy and love" (Steinbeck 454). In contrast, Aron does not want to associate with his father, so he graduates high school early and leaves for college as soon as possible. Because of Aron’s absence, Adam constantly boasts about Aron’s achievements and success, while uttering no positive statements of Caleb. Adam bragging about Aron increases Caleb’s jealousy and Caleb desires to gain Adam’s love. Caleb configures a plan where he will acquire all of the money that his father lost previously and compile the earnings into a gift. Though Caleb did not know this at the time, the present was his attempt to buy his father’s love. Ultimately, Adam harshly rejects Caleb’s gift, unknowingly rejecting Caleb in the process. Adam goes as far as saying that a better gift than money would be the same gift Aron gives Adam: pride (Steinbeck 544). Afterwards, Caleb lights all of the bills on fire, watches them burn to ashes, and wallows in his jealousy of not having the paternal love his brother has, "His [Adam’s] rejection of Cal's gift was brutal, unfeeling, and this after he had begun a cordial relationship with his son" (Fontenrose). All of the rejection and lack of love from parental figures causes jealousy and sibling rivalry between the brothers in East of Eden. The lack of love causing sibling rivalry proves true for both Adam and Charles, and Aron and Caleb; without the unequal favoring from their fathers, Charles and Caleb would have a better relationship not only with their fathers, but also with their brothers. Parental love, or rather the lack of it, from Cyrus and Adam causes jealousy between their sons leading to sibling rivalry and the negative effects of love between brothers.
Growing up with siblings a sense of competition was always dealt with. Who was better or who got the better present for example. Sibling rivalry was definitely an occurrence that is seen throughout the novel East of Eden by John Steinbeck. Specifically how the author embraces the good and the evil in the personalities of his characters. The brothers from the book Charles and Adam were resembling the more Biblical brothers known as Cain and Abel. As scenes unfolded in the novel, we glimpse at the rivalry that goes on between the two. Even when the generation carries on to the new brothers, Cal and Aron, there’s still a connection being made to the legend. “Symbol story of the human soul” as Lee, a character, relates it to the same idea. In the secence of
East of Eden by John Steinbeck is an optimistic film about a boy becoming a man and trying desperately to earn the love of his father and mother in the troubled times of the Great Depression. Cal, the main character is a troubled teen who lives with his entrepreneur father, and a brother who is following closely in his fathers steps. Cal’s mother left him and his brother to become a madam of a whorehouse. The struggle takes place between Cal and his father due to his fathers lack of compassion for his son. The conflict rises further when Cal tries to help his father repay a debt, his father further isolates his son and this turns to violent outbursts. Steinbeck focuses on Cal in order to suggest the theme that without love people become violent and mean.
Several characters through the course of Steinbeck's novel East of Eden demonstrate a lack of self-knowledge or corruption of the soul. A gap is created between some the character's actions and their true essence as a person. The disparity between a character's conduct and their identity as a human being is often a demonstration of the fight between good and evil within the character's own soul. Caleb, one of Adam Trask's twin boys embodies this struggle vividly throughout his life. This search for self-identity plays into a key theme of the novel, which is that of free will. Despite the fact that there is a variance in the way a character wants to act or the person who they truly are at heart and the way that they actually carry out their lives, free will offers hope. Steinbeck pushes the idea that a person's life and fate is never out of their control and that it is never too late to change the road that you are on. It can be argued either way that this break up of fundamental identity, expression and self-knowledge is the nature of man or simply provoked by the events in the character's lives. It becomes apparent through Caleb's life that the nurture of the individual seems to be the larger factor in causing this separation. Caleb Trask's character demonstrates how the struggle between good and evil within an individual can affect one's self-knowledge, which is catalyzed mainly by the nurture of the character and, ultimately, is amendable through free will.
Cathy Ames makes choices based on how much it benefits her, and if it ensures that she will prosper from the choice, even if that means destroying everyone else in the process. It appears “that Cathy… was born with tendencies, or lack of them, which drove her and forced her all of her life” (Steinbeck 72). Most humans have natural instincts that allow them to function in a civil society together. Cathy is different, however, and distinct since birth. She plans and decides things unlike how the rest of society does. A chance encounter between the gray James Grew and Cathy leads to one of Cathy’s first evil actions. Nothing happens until Cathy meets him and “[f]or a time it was noticed that a flame leaped in James Grew… and then the flame went out” (Steinbeck 79).
Then there is the relationship between Charles and Adam. Charles physically and mentally abuses Adam to the extent that he tries to kill him when Charles thinks that their father, Cyrus, loves Adam more. Throughout all this Adam still loves Charles, even after he finds out that Charles and Cathy had slept together and his sons may have even been fathered by Charles. Later in the novel, Adam forgives Charles and writes him a letter to try and put their differences aside, only to find out that Charles has died.
Schultz, Jeffrey, and Luchen Li. "East of Eden." Bloom's Literature. Facts On File, Inc. Web. 8
John Steinbeck's novel, East of Eden is the epic story of a California family who struggle to overcome issues of betrayal, infidelity, and the age old battle between good and evil and sibling rivalry. The story centers around two generations of brothers in the Trask family-Adam and Charles, and Adam's sons Aron and Cal. In each generation, one of the Trask brothers is moral and good while the other brother behaves badly and immorally. Because the good Trask brothers are favored, the bad Trask brothers develop envious tendencies and a recurrent theme of sibling rivalry appears throughout the book. Steinbeck's dramatic account of the Trask brothers and their rivalry in East of Eden is an impressive tale, but it is also a familiar one that closely echoes a
Once upon a time, castles watched the seas and pigs could fly. Often, when we are young fairy tales are read to us to offer happy endings in a world of darkness. They give us one specific ending and put our minds at rest knowing that Belle found her Beast. In Song of Solomon, by Toni Morrison, Milkman Dead is not afforded the luxury of his journey having one specific pathway of going through life. Milkman’s story can be seen as a fairy tale with elements of good and bad. His world is trapped in a bubble, and it is not until the fairy tales of other people and books end that he becomes his own fairytale. He finds himself through the twists and turns of his own story. Because of the magical elements within Milkman’s life,
The novel East of Eden by John Steinbeck is an allegory to the biblical story of Cain and Abel, and many of its characters become embodiments of both good and evil. As they struggle to overcome what has been decided for them they are taught they hold the power to overcome and rise above their destiny’s. When the Hebrew idea of “timshel” is introduced to the allegory of Cain and Abel, it become apparent that whether life is predestined or not; mankind holds the ultimate ability of deciding what will become of himself. Adam’s choice to move on from Cathy, Cal’s decision to forgive himself, and Cathy’s decision to let evil overcome her prove that overcoming what is predestined for one lies in the hands of the individual.
Steinbeck uses the biblical story of Cain and Abel in East of Eden to show us that we do not have set fate. Steinbeck uses the Hebrew word “timshel”, which means “thou mayest”, to suggest that man has the ability to choose good or evil. “Timshel” affects the characters in East of Eden such as Cal and Aron and their choice of overcoming good or evil. Steinbeck sees this novel as his most important work, and he uses it as a way to state his personal ideas concerning mankind:“The free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual.”(Steinbeck,132). Steinbeck shows God has given humans free will and their ability to choose good or evil, if they so decide. He portrays the “C” characters to be connected to Cain, such as Charles and Cal and the “A” characters to be connected to Abel, such as Aron and Adam.
One deceased master author, one 1500 page manuscript, three previously unsuccessful editing attempts. This equation would scare away most editors. At first, it even scared away Tom Jenks. When his bosses at Scribner’s Publishing asked him to revise Hemingway’s 1500 page manuscript, Jenks initially declined. He told the company, “'I don't care if I never see another Hemingway story again’” (http://narrativemagazine.org/html/eden.htm). For Jenks, “Publishing more Hemingway seemed less interesting than publishing new writers, which is what I came to Scribner's to do” (http://narrativemagazine.org/html/eden.htm). Ultimately Jenks did take on the impossible task of editing Hemingway. One would expect a Hemingway expert to do the editing of The Garden of Eden, however for Jenks, editing Hemingway was an entirely new experience. Eric Pooley, a writer for New York Magazine, states, “[Jenks] hadn't read a Hemingway novel in years. He didn't review the Hemingway canon before he started, and he still hasn't read Islands in the Stream. Preparing to edit, he asked no one for advice”( http://narrativemagazine.org/html/eden.htm). Yet Charles Scribner Jr., one of the three editors who tried and failed to edit the book before Jenks, believes that Jenks’ lack of Hemingway “worship” made editing the book easier. He states, “coming to the task fresh, without a long personal association with Hemingway, Tom was less inhibited” (http://narrativemagazine.org/html/eden.htm). Jenks could not afford to be enamored with the work of Hemingway. In front of him lay the task of removing hundreds of pages from one of the world’s most respected authors.
Some of the most aspiring and influential authors show to be American novelists. American novelists brought about a new style of writing, which became very popular. John Steinbeck shows this style of writing in his novel, East of Eden. This makes Steinbeck one of the most significant American novelists in the twentieth century. East of Eden contains many parts, which add detail and interest to the novel. Many of Steinbeck’s novels and other works remain and continue to be nationally acclaimed. Many elements exist in East of Eden that bring about the meaning and concept of the novel. The study of John Steinbeck and his book, East of Eden, will help the reader better understand the element of fiction and interpret the meaning of the work.
Albert Ellis once said, “The art of love is largely the art of persistence.” Love is an imperishable feeling that never fades, or dares to descend. However, when love is infused with innocence, one starts question what love really is. In Henry James’s novella Daisy Miller: A Study the main character Winterbourne, meets an American flirt by the name of Daisy Miller, who appears to be an innocent girl. There relationship escalates quickly as this perceived “typical American flirt” catches Winterbournes eye, and they began to have vast dialogue. There conversations make the reader question who is innocent, and who isn’t. There relationship is persistent, and both Winterbourne, and Daisy seem to love each other. One is left to judge if Daisy Miller or Winterbourne is really “innocent”. By probing through their dialogue, and Daisy’s hinted flirtatious gestures it is palpable that she is not. The ambiguity in the relationship between Daisy Miller, and Winterbourne is powered by innocence, such that it relates to the novella as a whole, inevitably questioning who is really "innocent.”
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...
Ryūnosuke Akutagawa “In a Grove” demonstrates the idea of one person literally speaking out of the mouth of another person. The Husbands story being told through a medium which displays a theme of being lost in your subconscious. This shares the idea of sin and falling into darkness. Compared to all of the other sides of this story, the Husband is the only one that illustrations a spiritual connection/reaction to the event, as the reaction to his life being shattered. The Medium allows the husband to tell his side of the story, although he has passed on. Allowing the character's spirit to reveal the realization of his wife’s betrayal. This can be presented in the way he talks/reacts about his wife’s statements. All of the language used is very unworldly due to the Medium’s influence.