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Analysis of John Steinbeck
Power and control in literature
Analysis of John Steinbeck
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Cathy Ames makes choices based on how much it benefits her, and if it ensures that she will prosper from the choice, even if that means destroying everyone else in the process. It appears “that Cathy… was born with tendencies, or lack of them, which drove her and forced her all of her life” (Steinbeck 72). Most humans have natural instincts that allow them to function in a civil society together. Cathy is different, however, and distinct since birth. She plans and decides things unlike how the rest of society does. A chance encounter between the gray James Grew and Cathy leads to one of Cathy’s first evil actions. Nothing happens until Cathy meets him and “[f]or a time it was noticed that a flame leaped in James Grew… and then the flame went out” (Steinbeck 79). …show more content…
With malicious intentions, Cathy purposefully nurtures James Grew just so she can cut him down and hurt him. She is beautiful, deceiving, and conceited. Thinking highly of herself as if everyone were below her, she believes she can do whatever she wants to obtain whatever she wants. There is another instance where a “fire broke out at about three o’clock in the morning” and by the time people arrive, Cathy’s parents and her house are nothing but ash and burnt remains. Cathy is not found at the scene, but she “left a scent of sweetness behind her” (Steinbeck 86 & 89). Within the text, it is apparent that Cathy burns her house and parents all because her parents __ mad and her father whips her. These actions are so heartless that no normal human being could accomplish them without feeling some sort of guilt or regret. Cathy, however, does not feel anything except some twisted happiness at what she has done. Afterward, she starts moving on to bigger things and learning how far she can push her boundaries of manipulation and deceit to benefit herself and punish those she feels needs
External conflicts between the main characters, Cathy and Adam, reflect the idea of good versus evil in their relationship. Cathy, who is much like Satan, creates a huge fight between Adam and his brother Charles with her manipulations. Later, she ruins Adam's dreams and breaks his heart when she shoots him and leaves, sending Adam into a deep depression. After twelve years, Adam snaps out of his dream world and confronts Cathy. Cathy is now called Kate and works in a whore house called Faye's. Despite her actions, Adam realizes that he doesn't even hate Cathy for the hurt she has caused him. He finds peace with himself, renewing his once abandoned relationship with his sons.
Introduced by Steinbeck with a discussion of monstrosity in humans, Cathy walked through life with the vestments of a human but the soul of a devil. Though Cathy maintained a façade of innocence to ward off suspicion, the darkness of her soul was revealed in her few moments of weakness throughout the novel. From the time she was a child, Cathy had “face of innocence” and beauty that attracted children and adults alike (73). Behind her wide eyes, however, something darker lurked. As described by Steinbeck, “…she had some quality that made people look…back at her, troubled at something foreign. Something looked out of her eyes, and was never there when one looked again” (73). Cathy was skilled at using her natural beauty and poise to manipulate others, always maintaining her impeccable appearance. The events of her childhood, however, revealed her to be a creature much darker than her attractiveness would suggest. Her parents died in a mysterious fire, and the lives of the men she manipulated were without exception destroyed. When she finally arrived on the doorstep of Charles and Adam Trask’s farmhouse, her deception continued; she entranced Adam and the two eloped within months. Adam fell head-over-heels for his golden bride. He and many others saw nothing but goodness and virtue in her hazel eyes. Samuel Hamilton, however, saw something more. As he described after his chilling first
Catherine "Cathy" shows her evilness and her monster like behavior in many scenes throughout the book. Steinbeck illustrates Cathy as being a monster: "I believe there are monsters born in the world... It is my belief that Cathy Ames was born with the tendencies, or lack of them, which drove and forced her all of her life," (Steinbeck, 95-96). Cathy used this to her advantage by making people uneasy, but not so uneasy that they would not run away from her. Cathy was born with an innocent look that fooled many; she had golden blond hair, hazel eyes, a thin and delicate nose, and a small chin to make her face look heart shaped. According to the town Cathy lived, Cathy had a scent of sweetness, but that is just what Cathy wanted the town to see and think when Cathy planned her kill. "The fire broke out... the Ames house went up like a rocket… Enough remained of Mr. and Mrs. Ames to make sure there were two bodies" (114-115). Cathy had set the house on fire and broke into the safe to steal the family's money. As the investigators scoped the place, they noticed that the bolts stuck out and there were no keys left in the locks. They knew it was not an accident. Cathy's body was never found, but the town assumed that she died. "If it had not been for Cathy's murder, the fire and robbery might have been a coincidence." Steinbeck, again, portrays the reader that Cathy is a monster: "When I said Cathy was a monster it seemed to me that it was so"(242). Steinbeck is reassuring the reader that Cathy is a monster and with the evidence before and after this statement. For example, Cathy later changes her name to Kate and runs a whorehouse.
Character Analysis of Cathy Filled with misanthropy and convinced in the hypocrisy of humans, the character Cathy in East of Eden dominates as the ultimate source of evil in the novel, and uses manipulation to achieve an unknown goal, however, at the same time she demonstrates immense levels of fear ultimately leading to her downfall. A delicate and tedious process, the art of manipulation that takes time for one to confidently master. With keen insight to understanding how to mislead and alter the opinions, ideas, and judgment of others, one may presume power over others. In East of Eden, Cathy serves as the novel's primary source of evil and exhibits power over those she encounters.
Cathy contains power in death. In a criticism by Daniel Burt, he notes that Cathy in a way shows dominance over Heathcliff in her death. Instead of Heathcliff’s love for Cathy eventually diminishing, he yearns for her even more. He completely loses himself growing unbelievably mad in love he holds for the lady. For instance, one night Heathcliff wanders over to Cathy’s place to visit her once more. The typical meeting morphed into a horrific night. Nelly passes a message Heathcliff never expected to hear. She explains to him that the love his life Cathy passed away from the sickness she drove herself into. Heathcliff cries in a vicious roar, “Catherine Earnshaw, may you not rest as long as I am living! You said I killed you-haunt me, then!” (Bronte 87). He permits her to taunt and torture him after Cathy’s death. This opens the door for Cathy to continue her reign over Heathcliff. He does not care on any level about the consequences of his wish or actions may bring. Heathcliff ultimately allowed the woman to drive him to the grave to rest and be with her for eternity; the love he grows for Cathy allows her to control man and even more so in her death. In short, the death Cathy entitles on herself only furthers her power and control over Heathcliff as he breaths on
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
Cathy II and Linton tease Hareton: ‘“[Hareton] does not know his letters,’ [Linton] said to [Cathy]. ‘Could you believe in the existence of such a colossal dunce?’ ‘Is he all as he should be?’ asked Miss Cathy seriously” (Bronte 170). “Not know[ing] his letters” reflects the horrible and inhumane treatment of Hareton. Most servants know their basic letters, but Hareton is not granted this right by the master of Wuthering Heights. “Miss Cathy,” in her prim and proper upbringing is unable to comprehend the fact that there is an uneducated person present and mocks Hareton. The “colossal dunce” has had the misfortune of being uneducated, and is relegated to a position even lower than a servant. Cathy is visiting Wuthering Heights and quickly becomes wicked, joining in on
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
In future relations with Edgar Linton and Heathcliff, Cathy acts in accordance with the behaviors of her present company. As Nelly informs Lockwood during her storytelling,
Maybe this is the main problem or question touched in Wuthering Heights that is explored through all the novel. Cathy and Heathcliff grew up together, Catherine - passionate wild nature and Heathcliff - miserable pauper, but with the heart and soul, that are so suffered and wounded. They fell in love with each other at first sight. They kept each other, protected each other from angry and boring sermons of Hindley and from religious senile grumbling of Joseph.
By centralizing this thwarted passion, it is Brontes aim to warn readers of the demoralizing mindset that accompanies unrestrained devotion. Catherine struggles immensely with her role in two separate realms: one of refined tenderness and eloquence, the other of rampant fervor. This struggle is best illustrated in her relationship to Edgar and Isabella Linton as they represent civilized and cultivated members of society. Upon first arrival at Thrushcross Grange, Catherine is initiated into the contrasting environment of the Lintons and is separated from the savage lifestyle of Wuthering Heights. Catherines spirit is spilt into two opposing forces and develops a double personality to endure the internal conflict. She longs to be with Heathcliff, stating that their souls are made of the same matter, but refuses to detach from Edgars company. Bronte presents the duality of man in this sense, asserting that naturally man combats societal expectations with inherent fascination. To personify these effects even further, Bronte allows uses illness as a manifestation of the characters internal suffering. Catherines becomes fatefully ill after being confronted by Edgar to choose between him and Heathcliff. The internal dilemma takes a physical embodiment, allowing for readers to infer that passion has boundaries and
To begin their journey towards complete development, the gothic heroines must first realize where their strengths lie. In the case of both Jane Eyre and Cathy Linton, their strengths lie in their compassion for others and their courage in the face of adversity. An example of Jane’s compassion can be found when she returns to the disabled Rochester and pledges to stay with him despite his disability. When asked by Rochester if she “‘will marry [him]? […] A crippled man […] who [she] will have to wait on?’ (453)” Jane replies with, “‘Yes sir’” (C. Brontë 453). Similarly, Cathy finds it within herself to forgive her abuser, Heathcliff, despite all the terrors he has evoked on her. She tells him, “Mr. Heathcliff, you’re a cruel man but you’re not a fiend. ...
Cleo even states that she cares about the way she looks and the man whom she is with, since she is not a little girl anymore. The theme of society is also portrayed in the play when Ethan asks Hunter if he owns Cathy. This theme helps the audience to understand Wuthering Heights on a deeper level, since it reveals the type of society in which the women in the story live in, or a society where women are rushed into love or as seen as prizes in order to inherit money. This theme not only helps one understand Cathy’s rebellious nature, but also women today that are pressured into accepting gender roles that often sexual or dehumanize
When people are first born into this world, the first thing they do is cry, which is an emotion. Notice that crying is an emotional usually used to gain attentions. In the novel Wuthering Heights by Emily Bronte, one of the characters named Catherine uses her emotional responses to get what she wants. With Catherine always acting up yet getting her way, this leaves Nelly wondering what is really going on. Nelly and Edgar both have their own different beliefs on Catherine’s reasons for her actions. While Nelly is used to Catherine’s emotional tantrums, Edgar thinks she does this to manipulate others. While Nelly thinks Catherine is a spoiled child, Edgar believes she is an innocent little girl who just tricks her way to be personally satisfied.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...