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The women's liberation movement 1960s
The women's liberation movement 1960s
Changes in roles of women after the 1900s
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I will try to use “Downtown Abbey” as a standing point to illustrate the women fashion included clothing and hair style in 1910-1920s. The essay will answer the question how the fashion style changed from restriction to liberation and practicality. I will try to combine the factual history and what I learnt in this course to see how the “downtown Abbey” related to the historical fact.
Fashion style is the most obvious thing to reflect the self-expression of the women. I believe the fashion of “Downtown Abbey” must be an important part of this television series as the characters keep switching into the different style. The first season is mainly wearing Edwardian-era style with buttoned-up lace shirts and long shirts. Granny Violet Crawley
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Before the war, all the girls in Downtown Abbey had long hair and tied at the back. After the war, Lady Mary and the cook Daisy cut a short hair. Based on historical, Coco Chanel cut her hair in 1916, is a big step of the revolution in hairstyles. Bobbed hair became popular between 1918 and 1925. In 1922, an influence novel written by Victor Margueritte talked about the “modern woman” cut her hair and dress like male and start a liberated life in Paris (Roberts, 1994). Similar view mentioned in the reading from the course, the book “The modern girl around the world” talked about one of the important features of the modern girl was being seen. That was related to the visual economy. The visual representation of modern girl became visible in media, for example, photography, cinema, and lithography (Weinbam, Thomas, Ramamurthy, Polger, Dong and Barlow, 2008). Short hair grew popularity but the men refused to accept. According to Mary Louise Roberts ‘s journal, she mentioned about how the short hair fashion style had overturned French women’s life in the 1920s. Feminist Henriette Sauret once described short hair as "a gesture of independence; a personal venture “(Roberts, 1994, P. 80). Men couldn't understand what was happening to their daughters and wives. They even tried to lock their daughter up until the hair grew back. The short hair was creating a dispute between families. While the situation in “Downtown Abbey” is …show more content…
When Lady Mary went to a fashion show in London, the design of clothes tended to be practical and professional. For instance, women suit was popular. Referring to the history, the most well-known luxury brand Coco Chanel was rise during WWI. She encouraged clothing along with comfort and greater freedom of movement. In order to create the professional image for women, she designed the first suit for women and became popular for women in the 1920s. Not just suit, Coco Chanel also adopted male fashions. For instance, ties, collars, long tailor-cut jackets, and pajamas to create a boyish look (Roberts, 1994). I believe Economy context is one of the reasons why British pursued the practicality of clothing. According to Haight (2014), in 1917, British restriction on paper limited catalog length and began producing budget-priced clothes because of the income decreased. The another reason related to the war, women took the job from men and engaged more in the working environment. They needed a new design of clothes that suitable for them to work. They volunteered for the nurse in the hospital just like Lady Sybil. According to Chadwick & Latimer (2003), the war gave a chance to women fight for the new freedom of movement and enjoyed the professional role. That was a new image of freedom and self-respect led women away from traditional gender roles. The change of fashion style revealed the
The media was all over the change in society and came out saying how the style was more comfortable compared to the cumbersome and restrictive style before (8). An anonymous person states this about the change in the past, “revealing clothing and visible cosmetics worn by young women were the cause, or at least a consequence, of this new conception of female sexuality” (qtd. in Cleve 2). Another anonymous person states, “They feel that beauty is not incompatible with modesty.” (qtd.
Revolutionary fashions made it acceptable to show more skin, develop different styles, and be able for women to express themselves. Women began to liberate themselves from the traditional long hairstyles and turn to the new and shorter masculine hairdos. “The bob appeared in the US shortly. Women with bobs needed more frequent haircuts, and wanted permanent waves” (Monet). Women began to cut their hair shorter, cringing their hair, and finger waving it.
The kids I went to school with, the boys I had romantic relationships with, and even my family members, all made negative comments about my body hair. As a young kid, I believed my body hair was a personal problem. Experimenting with different hair removal procedures, some even painful. I wasted hours removing the hair on my body, in attempts to feel better about myself. My low self esteem became linked with the hair on my body. I believed I had too much body hair for a girl but according to Mills (1959) and the social imagination, I had too much body hair for society. My peers, as well as my family, had been socialized to believe that women’s body hair was gross, and unfeminine. Women had been taught to remove their body hair for decades now in the western world, and it was showcased or the lack there of hair was showcased in all forms of media. As a young girl, my mom bought me my first razor and paid for the electrolysis for the hair on my arm. It was in these actions, where the idea that it was my own problem started to form because it felt like I needed treatment for this problem of mine. I was perceiving a deep seated public issue as my own personal trouble. I can’t blame my mother or my peers because by the time my peers and even my parents were born, the western world had already determined that women should not have body hair. Christina Hope (1982) explains that in 1914 in America magazine’s had just begun
They liberated women from tight corsets through her innovative use of tweed and jersey influenced by men’s clothing. Chanel created many timeless designs including the “little black dress,” the classic Chanel suit and Chanel No. 5 perfume. Her designs have forever changed the fashion industry. Coco created a modern, functional, chic look for women which made them feel liberated in their own clothes. Her style is described it as “less is more.”
Clothing for women was custom-made although women’s clothing “developed more slowly.” (Source 1) Women accepted ready-made clothing because it was more affordable. Instead of going to general stores, they used catalogs to look for more “modern and fashionable”
There are many important women pertaining to 18th century salons in France. But, it is important to introduce one woman in particular who had a big impact on the salons. She is Marie Thérèse Rodet Geoffrin, better known as Madame Geoffrin. Madame Geoffrin's popularity in the eighteenth century came during a time where the center of social life was beginning to move away from the French court and toward the salons of Paris. Instead of the earlier, seventeenth-century salons of the high nobility, Madame Geoffrin's salon catered generally to a more philosophical crowd of the Enlightenment period. In her book, Enlightenment Salons...
In the 19th century play, FASHION, Anna Mowatt develops the character plot as a contrast and comparison between being “natural” and “artificial in a world becoming preoccupied with fashion, and being fashionable. In the head notes, it was stated that Daniel Havens said FASHION is “the ugly image of the American Dream gone sour.” (Watt and Richardson) Fashion has a complex definition. The word ‘fashion’ can mean anything from the type of clothes you wear, how you communicate with others, the place you live, how you present yourself, or who you associate yourself with. In FASHION, Mowatt took a comical yet sober look at the definitions of “fashion,” applied it to real life in 1845, and through her characters, provides a mirror with which an audience/reader can evaluate themselves. I do not believe updating this play would be difficult because America has continued down the fast and destructive path in an effort to keep up with the “fashions” of the day.
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Young woman in the new generation back then loved her clothing line, it was exciting and something new to them. Everybody looked up to Coco chanel and wanted to be just like her, because she was considered a very independent woman,also slim and very fit. She had a very bold haircut which inspired so many girls to get it just like her. Channel loved to wear and create black,white,and beige pieces. She invented the “little black dress”. Which is now still around in our
In Deauville, she introduced casual knit dresses which was shockingly different from what others were creating and wearing. “She introduced relaxed dressing expressing the aspirations of the 20th century woman, replacing impractical clothing with functional styling.” (Martin 80). Her designs stressed simplicity and comfort and revolutionized the fashion industry. Within five years of her original use of jersey fabric to create a poor girl look, had attracted the attention of influential wealthy women seeking relief from the prevalent corseted style. In 1954, Chanel presented her new collection of the signature suit. The Chanel suit is a standard garment in modern fashion. “The key to her design philosophy was construction, producing traditional classics outliving each season’s new fashion trends and apparel.” (Martin
This was the start of a new era for fashion back in the 1910’s. Chanel’s new line of jersey was an immediate success, changing the women’s relationship with their bodies and their ways of life. Showing revolutionary changes, Chanel transformed the female silhouette completely. She shortened dresses, revealed ankles, freed the waist, eliminated the corset, revived jersey in womenswear. Chanel changed the fashion world forever.
In the article it informs the readers that “No period has shown more rapid change in silhouette of woman’s fashion than the first 50 years of the twentieth century. Each change of outer fashion was reflected in the underfashion in order to give women the silhouette and [character] that fashion demanded… which nature intended” (“Fifty Years of Change”). At this time period, female roles became more reasonable because women were given the rights to vote and as well as being apart of the workforce. According to Presley, “By 1970, 7,500,000 woman worked outside the home. Social and political unions for women were formed… The suffragette movement continued to grow” (“Fifty Years of Change”). Changes that happened to female gender roles during the 1900s were shown throughout society at the time by the types of clothing such like pants normally worn by workers, and even corsets that women at home used throughout the day; women wore what was suitable for those who worked or stayed at
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
6. Hammond, Colleen. "Dressing with Dignity - History of Women's Fashion Industry - How to Fight Sexual Revolution and Immodesty in Dress!" N.p., n.d. Web. 18 Dec. 2013.
Historically, multiple styles of dressing have been created during the last several decades, which played an important role in modern fashion in the UK. Everyone has a different and unique dressing style in their general life. Some styles are influenced in vintage styles which is attributing to the deep effects of old vogue, and another group of dressing styles are inclined into the fresh element. According to those different styles some of them are even evolved in the milestones in fashion history.