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Dorothy Allison in the book “Context” suggests that her girlfriend might not accept and even reject her for the social economic class that she comes from against the social class of her lover. The author has fears in scenarios which her soulmate looks at her differently, through a new view, in a new visual and mental sense that she might have hatred and not remain as close as before. The Author anxiety about rejection and coming from the “working class” that in order to be accepted as equals, they need to have similar economic class. The insecurities and lifestyle highlight by her is intended for people who are in or come from the lower class, as the lower class suffers from the same insecurity in everyday life fearing they might be mocked
or turned away from friends, coworkers, and even romantic partners. The author in my opinion is a rather a weak human being, not for coming from a lower class status but for her phobia of not being welcomed by her soulmate, unsympathetic my stance. She shouldn’t have to panic about where she came from, rather focus on what she has now and what she has. I have no sympathy for anyone who puts themselves down for who they are or where they come from. She says I quote “It was not my family I feared. It was my lover. I was afraid to take my lover home with me because of what I might see in her face once she had spent some time with my aunt, met a few of my uncles, and tried to talk to any of my cousins.” (Pg.132). I would not waste my time with anyone we cannot accept me for me. I can see her point of view on social class, but unfortunately you can’t change your past, future on the other hand can be determined no matter how late, the author should have been grateful on what she has and where she stands. Finally to conclude I state again that if your significant other cannot accept you for where you come from and who you are then you shouldn’t not be with them, author beats herself for what she cannot have control and does not truly accept what she has now, for me that’s truly a pitiful person.
In America, many people are divided by what we comprehend as a class system. Within our society, a multitude of people finds themselves not interacting often with those outside of their class and can rarely find similarities with people with a different financial status. In Andre Dubus’ writing “The Land of No: Love in A Class-Riven America”, he speaks about his experience with his girlfriend who comes from an affluent background opposed to his less advantaged upbringing. Dubus shows that the experiences people face from different classes can differ entirely and therefore it makes it difficult to identify with someone outside of your class. In Andre Dubus’ writing, “The Land of No: A Class-Riven America” he is showing
The lngles family from Little House on the Prairie, a popular television series, demonstrates the working class. Mr. Ingles works while Mrs. Ingles takes care of the household duties. The family displays a genuin e happiness. They have no modern utilities, but they have each other. They have a strong love within their family, and worldly materials serve little importance to them. A typical family today displays tremendous difference s compared to the Ingles family. Jealously and competitiveness play a major part in showing these varia...
Mrs. Turpin shows prejudice in several different aspects of her life. Her prejudice is first seen when she is in the doctor’s waiting room. The story states that “her little black eyes took in all the patients as she sized up the seating situation.” (339) While in the waiting room, Mrs. Turpin is surrounded by people of many different cultural and social backgrounds. As she gazes around the room Mrs. Turpin immediately begins putting the people into categories. Some she called “white trash”, others were wealthy and pleasant, and the remainder such as Mary Grace, were ugly. Most of Mrs. Turpin’s free time is also filled with prejudice thoughts. The story states that “Mrs. Turpin occupied herself at night naming the classes of people.”(341) She spends so much of her life judging other’s lives that she does...
In America, many people are divided by a class system. Within our society, many people find themselves not interacting much with people outside of their class and can rarely find something in common with people of different financial backgrounds. In Andre Dubus the Third’s writing “The Land of No: Love in A Class-Riven America, he speaks about his experience with his roommate who comes from an affluent background opposed to his less advantaged upbringing. In “The Land of No: Love in A Class-Riven America, Andre Dubus the Third displays that the experiences the people face from different classes can differ entirely and therefore it makes it difficult to identify with someone outside of your class.
Social class has always been a controversial issue in America. This idea, that individuals are defined by their wealth, is explored by Jeannette Walls in her memoir, The Glass Castle. Walls shows, through a manifold of personal anecdotes, how growing up in a dysfunctional household with financially inept parents affected her and her siblings. Growing up in this environment, Jeannette was exposed to a very different perception of the world around her than those of higher social status. However, despite the constant hardships she faced, Walls makes it clear that a lower social status does not define an individual as inferior to those in a higher class.
Understanding how this world truly functions is easy to lose its scope. Many can only tell of how he or she came to realize it through his or her own life. In Dorothy Allison’s case, she was abused and raped by her own father. It is because of this that she finds herself standoffish with men. When she writes about her life and reaches her conclusions of harsh realities, who is to tell her she is wrong? Who can possibly stare her in the face and say, “You have it all wrong.” Is it even plausible to consider telling her that the majority of people never experience anything like that; therefore, the world is not such a horrible thing? How would she react? One could argue that it makes the world that much worse; not because she had it so bad, but because the rest of so...
In "Bums in the Attic," a chapter from her novel The House on Mango Street, Sandra Cisneros discusses the differences between groups in which the upper class ignores anyone not belonging to the same leisure status. Those belonging to the lower classes however, has had to work to gain success and cannot forget the past in which he struggled. In chasing the American dream, the lower class realizes that the only way to gain true happiness from monetary success, one cannot forget his past and must therefore redefine the traditional attitude of the upper class.
Queer. Exile. Class (Clare 31).” When Clare writes about losing home, he is writing about the parts of his identity that pulled him away from the place that he raised, as well as the parts of his identity that prevent him from finding home in other places (Clare 41). These words, queer, exile, and class, are both driving forces behind why Clare can’t find a place where he feels fully comfortable settling, but also these words give him a place where he feels at home. Clare explains his trouble finding home best when he describes, “I was a rural, mixed-class, queer child in a straight, rural, working-class town. Afterwards, I was an urban-transplanted, mixed-class, dyke activist in an urban, mostly middle-class, queer community. Occasionally I simply feel as if I’ve traded one displacement for another and lost home to boot (Clare 46).” This telling of Clare’s displacement highlights how his queer identity drove him from his childhood home, but his rural, mixed-class background prevents him from feeling content in the city (Clare 46). His queer identity, and his desire to escape his class situation, is part of what forced Clare into the exile that he experiences. However, these identities don’t only serve as a point of alienation for Clare but also as a place where he can belong. When talking
The change in a social class is something that is shown in every day life and the media. It is the American Dream to move upward in society. The movie Sweet Home Alabama is a prime example of social mobility in the main character. The main character Melanie Carmichael left her small town Alabama home and achieved an impressive upward social mobility. She began her life as a daughter of a respectful working class family to become a world famous fashion designer in New York City. At the beginning of the movie, Andrew, the mayor’s son, proposes to Melanie. She says yes, but before she can marry him, she has to clear up a not so final divorce with Jake, her high school sweetheart she left behind. Melanie is now caught between two classes and two cultures, the working class that she grew up in and the upper class she has now placed herself in. As the film continues, her dilemma will require her to acknowledge and reconnect with her mother who lives in a trailer park while still trying to impress h...
I often have a difficult time describing my situation to others, but I wouldn’t want it any other way. Three divorces have taught me what successful and not so successful relationships look like. My younger sister with autism has taught me empathy, compassion, and patience. My step siblings have been there for me when did not have to be and for that I am grateful. No matter the family situation, every family has an undeniable sense of pride. For example, my family, most of whom were born in Ireland, throw the loudest St. Patrick’s day parties and keep our Irish flags up all through March. We are proud of our incredibly fair skin and abundance of freckles and redheads. My family’s pride is similar to that of Aunt Alexandra’s and her obsession with heredity and the certain “family streaks” in the novel’s Maycomb county. Scout mentions said streaks in chapter 13. “Everybody in Maycomb, it seemed, had a streak: a drinking streak, a gambling streak, a mean streak, a funny streak,” (Lee 129). I again feel Scout and I could relate to each other through our unique family situations, hers of course being her family’s cook Calpurnia and her neighbor Miss Maudie as her mother figures. Another unique family are the Pritchett’s on the show Modern Family. I was elated when this show came out because, while dramatized for comedic effect, it is a break from the straight, white, “we all get along fine” families usually depicted on TV.
The novel not only explores racial prejudice, but also prejudice against gender and social status. Maudie is a victim of prejudice agains...
In today’s society, there are certain types of women who are born with the advantage to prosper, and others who will ultimately face challenges. Certain factors are involved when discussing what types of women are more likely to encounter difficulties throughout their life. Audre Lorde, an African-American theorist, poet, and activist, stated tat the American norm is, “usually defined as white, thin, male, young, heterosexual, Christian, and financially secure” (Lorde 19). If a woman does not identify with all of these characteristics, she is more susceptible to hardship. Bastard out of Carolina, The House on Mango Street, and The Bluest Eye discuss many of the consequences of having certain factors that are considered out of the norm.
Social class is a major theme in the book The Bluest Eye by Toni Morrison. Toni Morrison is saying that there are dysfunctional families in every social class, though people only think of it in the lower class. Toni Morrison was also stating that people also use social class to separate themselves from others and apart from race; social class is one thing Pauline and Geraldine admire.Claudia, Pecola, and Frieda are affected by not only their own social status, but others social status too - for example Geraldine and Maureen Peal. Characters in the book use their social class as another reason for being ugly. Readers are reminded of the theme every time a new character enters into the book.
Austen’s novel focuses on the social class known as the rural landowning gentry, and the people whose education or family connections enable them to associate with the gentry. Austen uses Marianne Dashwood to represent the "sensible and clever; but eager in everything; her sorrows, her joys, could have no moderation, she was everything but prudent" counterpart to her sister Elinor Dashwood who had "strength of understanding and coolness of judgment," neither of whom belong to the land gentry any longer. Austen juxtaposes the two sisters journeys as a way to shed light on the corruptness and instability of the social class system. By surrounding Marianne and Elinor with social climbing characters such as John Willoughby, John Dashwood and Edward Ferrars, Austen illuminates the ruthlessness that surrounds the sisters. The three men are too preoccupied with either getting...
...h, alone with him, that no one can understand him. Addie lives in her father's influence, the loneliness accompanied her. She wants to be concerned for others but does not know how to do it, with a very extreme way to prove her existence, but in the end she still does not get out of the shadows. The influence of culture on people is huge, it can let a person feel full and rich, but also can let a person antipathetic, sense of loneliness, alienation and existential crisis.