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Labeling theory in today's society
Labeling theory in today's society
Labeling theory in today's society
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From a young age we are taught the saying “Sticks and stones may break my bones, but words will never hurt me.” While this may be helpful for grade school children that are being bullied by their peers, it has some problems as it trivializes the importance that words can have. The words that people choose for themselves, as well as the words that others ascribe to a person, have an unmeasurable importance to how people can understand themselves. These labels can be a significant source of oppression or liberation for many people who identify within them. In Eli Clare’s memoir, Exile and Pride, looks at the importance of words as he explores the labels he’s associated with. He does this through mixing discussion of the histories and modern representation …show more content…
Queer. Exile. Class (Clare 31).” When Clare writes about losing home, he is writing about the parts of his identity that pulled him away from the place that he raised, as well as the parts of his identity that prevent him from finding home in other places (Clare 41). These words, queer, exile, and class, are both driving forces behind why Clare can’t find a place where he feels fully comfortable settling, but also these words give him a place where he feels at home. Clare explains his trouble finding home best when he describes, “I was a rural, mixed-class, queer child in a straight, rural, working-class town. Afterwards, I was an urban-transplanted, mixed-class, dyke activist in an urban, mostly middle-class, queer community. Occasionally I simply feel as if I’ve traded one displacement for another and lost home to boot (Clare 46).” This telling of Clare’s displacement highlights how his queer identity drove him from his childhood home, but his rural, mixed-class background prevents him from feeling content in the city (Clare 46). His queer identity, and his desire to escape his class situation, is part of what forced Clare into the exile that he experiences. However, these identities don’t only serve as a point of alienation for Clare but also as a place where he can belong. When talking …show more content…
Through the discussion of terms such as supercrip and home, alongside discussion of labels that he chooses to accept or leave behind, Clare is able to analyze the way that he looks as his identities. Clare’s autobiography uses words and language as a tool to show that a person’s identities aren’t simply labels, but are ways to understand oneself, unite, and even find a place to
Good evening and welcome to tonight’s episode of Learning Literature. Tonight we will be celebrating the 20th anniversary of Gattaca by analysing the techniques text producers employ to construct representations of social issues relating to marginalised groups. We will focus on two classic pieces of literature, Ken Kessey’s, One Flew over the Cuckoo’s Nest, as well as Andrew Niccol’s Gattaca. Through a range of techniques, the text producers have included representations of freedom and independence, power, as well as discrimination in each of their respective texts.
Within this existential consideration, Richardson (2000) finds autoethnography as a writing style - combining the readable style of autobiography into the ethnographic approach - which may produce something that will make it off the shelf. If relevant research is what is intended to be produced, then its readability must be a primary
Ever since the abolition of slavery in the United States, America has been an ever-evolving nation, but it cannot permanently erase the imprint prejudice has left. The realities of a ‘post-race world’ include the acts of everyday racism – those off-handed remarks, glances, implied judgments –which flourish in a place where explicit acts of discrimination have been outlawed. It has become a wound that leaves a scar on every generation, where all have felt what Rankine had showcased the words in Ligon’s art, “I feel most colored when I am thrown against a sharp white background” (53). Furthermore, her book works in constant concert with itself as seen in the setting of the drugstore as a man cuts in front of the speaker saying, “Oh my god, I didn’t see you./ You must be in a hurry, you offer./ No, no, no, I really didn’t see you” (77). Particularly troublesome to the reader, as the man’s initial alarm, containing an assumed sense of fear, immediately changing tone to overtly insistent over what should be an accidental mistake. It is in these moments that meaning becomes complex and attention is heightened, illuminating everyday prejudice. Thus, her use of the second person instigates curiosity, ultimately reaching its motive of self-reflections, when juxtaposed with the other pieces in
Upon analysis of Night, Elie Wiesel’s use of characterization and conflict in the memoir helps to illustrate how oppression and dehumanization can affect one’s identity by describing the actions of the Nazis and
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
Clare longs to be part of the black community again and throughout the book tries to integrate herself back into it while remaining part of white society. Although her mother is black, Clare has managed to pass as a white woman and gain the privileges that being a person of white skin color attains in her society. However whenever Clare is amongst black people, she has a sense of freedom she does not feel when within the white community. She feels a sense of community with them and feels integrated rather than isolated. When Clare visits Irene she mentions, “For I am lonely, so lonely… cannot help to be with you again, as I have never longed for anything before; you can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I o...
The film observes and analyzes the origins and consequences of more than one-hundred years of bigotry upon the ex-slaved society in the U.S. Even though so many years have passed since the end of slavery, emancipation, reconstruction and the civil rights movement, some of the choice terms prejudiced still engraved in the U.S society. When I see such images on the movie screen, it is still hard, even f...
...s appealing it is not without consequence. Clare, and those who choose to pass, are not free to embrace their whole identity and will always remain a threat to those they come in contact. Clare exemplified the archetypal character of the tragic mulatto, as she bought tragedy to her own life and all those she came in contact. Clare’s presence forced Irene to contend with feelings of internalized racism, and thus feelings of inferiority. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about. Larsen does not allow her readers to perch on the belief that once a member of the dominate group ones life is not without pain and suffering. Every action, even those that seem to make life easier, have consequences.
Stories are often left untold or forgotten. The stories that are deemed profound or are remembered are of fact or evident to the masses. The stories that make up history, such as the African Americans’ fight for equality, are made up of concrete events that were witnessed. On the contrary, stories like the narrator’s in Ralph Ellison’s Invisible Man are generally overlooked because they are focused on an individual’s experience. This is due to the theory that humanity is naturally self-involved, but also ashamed because the majority of our experiences consist of challenges. The narrator’s story was filled with past humiliations that were the major cornerstones to his identity. He illustrated the significance of embracing our humiliations, or
Flannery O'Conner has again provided her audience a carefully woven tale with fascinating and intricate characters. "The Displaced Person" introduces the reader to some interesting characters who experience major life changes in front of the reader's eyes. The reader ventures into the minds of two of the more complex characters in "The Displaced Person," Mrs. McIntyre and Mrs. Shortley, and discovers an unwillingness to adapt to change. Furthermore, the intricate details of their characters are revealed throughout the story. Through these details, the reader can see that both Mrs. McIntyre and Mrs. Shortley suffer from a lack of spiritual dimension that hinders them as they face some of life's harsher realities. Mrs. McIntyre struggles throughout the story, most notably during the tragic conclusion. Her lack of spiritual dimension is revealed slowly until we ultimately see how her life is devastated because of it. Mrs. Shortley, on the other hand, seems to have it all figured out spiritually -- or at least she believes that she does. It is only in the last few minutes of her life that she realizes all she has convinced herself of is wrong.
...oss, but specifically in cases where the protagonists are unaware or do not desire loss of individual identity and cases where the protagonists purposefully choose to conceal individual identity by using disguises. In the progression of both stories, the former is seen less often while the latter becomes more common as both characters gradually become more aware of the differences between their individual identities and the collective identities of their surroundings along with greater authorial portrayal of the rigidity of society through necessary conformation to one collective identity. Throughout the two works, the two authors extend the concept of home beyond the conventional portrayal as merely a physical structure by giving it significance as a state where the uniqueness of individual identity can be freely expressed.
Among carpenters, it is a well-known fact that building a house upon a solid foundation is imperative. When beginning the construction of a home, the foundation is always the first step leading to success, for without it, the house will become unstable. During extreme weather, such as floods, hurricanes, tornadoes, and other conditions, a slight fault in the foundation of a home will most likely guarantee significant damage, if not complete destruction. Similar to a house, a person’s identity must rest upon a firm foundation; otherwise, it may not be capable of withstanding the ominous conditions of the world. When trials and burdens threaten to crumble people’s identities, their foundations must stand their ground and overcome the various tribulations. Although there are billions of inhabitants of the world, no two people share the same identity; rather, each person has unique memories, stories, events, and artifacts influencing who they have become. Some people’s identities may reflect a difficult childhood of discrimination, poverty, and hatred similar to the one described by Malcolm X in his article, “Nightmare.” Other people may associate with Katie Pederson and her article, “Identity,” in which they are defined through a simple artifact such as an identification card. In addition, numerous unfortunate people may struggle from the devastating effects of memory loss similar to those Floyd Skloot experienced, and they are helpless as their memories and identity slowly slip away from them. Still other people may find themselves desperately searching for acceptance and identity similar to the homeless man in Gina Berriault’s article, “Who Is It Can Tell Me Who I Am.” Unlike the homeless man and Malcolm X, I was fortuna...
The narrator of The Autobiography of an Ex-colored Man decided not to fight for racial equality in America for his fellow African-American, or even for himself, but rather conformed with the white majority thus selecting the uncomplicated path: the path that would lead him to security and safety in the years to come. After struggling with his identity in the white and African-American community as a “colored” man who could pass as white, he decided to discard his “colored” roots and stick with his white origin. By doing such a thing, he was able to live a simple, respectful, and safe life, but he abandoned a very significant part of his identity. He felt slight remorse towards the end of the novel, but self-interest held more importance to him than embracing the cultural heritage of the African-American community.
Oppression is the systematic method of prolonged cruelty and unjust treatment, often intended for those who are deemed “different” by a hierarchical society. It’s a basis that can be found in the plot of a fictional movie or novel, but most importantly, it’s an aspect of both past and modern life that has affected multiple nations. Elie Wiesel, a Holocaust survivor, is a humanitarian who embodies the personal experiences of what being oppressed feels like – how it itches at one’s skin like the hatred and stares directed at them. The reason he is so important is because of his stories; what he has seen. The insight and intelligence he has brought forth further educates those who had previously accepted the world with their eyes closed.
—. Sources of the Self: The Making of the Modern Identity. Cambridge: Harvard University Press, 1989.