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Comparing and contrasting greek and roman art
Comparing and contrasting greek and roman art
Renaissance and pop art
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In the early 1440’s, the Medici family commissioned Donatello to sculpt what would become one of the greatest sculptures of the 15th century. Donatello’s David is depicted as a youthful David, which is complete opposite of how David was depicted in that time period. In the Middle Ages David was depicted as a King. In the sculpture David is in the nude, one foot on Goliaths severed head, which tells us it was after he took down the god-like goliath. Donatello’s David is considered a master piece of Western art, because of the way it relates to the classical past, yet it fits in perfectly with the Renaissance time period.
Donatello went completely back to the classical style when he sculpted David. It was the first nude sculpture in over a
thousand years. In the classical time period the artists would depict the Gods and heroes in the nude, so maybe Donatello was trying to express a sense of heroic nudity with David. Also David is in a contrapposto pose, when a figure is standing with most of its weight on one foot, which was widely used in the classical period and hadn’t been seen since. Also, it was the first bronze sculpture in the round, a free-standing sculpture meant to be seen from all sides, in western art. This style was extremely popular in the classical time period. David by Donatello is considered a master piece of western art for many of reasons. I believe it is considered a master piece of western art is because it was the first of its kind in that time period. It was the first time an artist did any work that was related to the classical time period. It was the first bronze freestanding stature in the western world of art. The piece also fit perfectly with the time period it was done. The Renaissance was a time for rebirth, rediscovering, and learning. David reflects the time period of the Renaissance when people wanted to bring back the ideas of the classics. David’s contrapposto stance fits perfectly with the renaissance style of capturing the way people looked and acted. People of the Renaissance time period started standing up for what they believed in and what they wanted. They really started discovering what they truly wanted. David reflects that sense of self-discovery. Also, since Donatello depicted David as a kid and not a king, it brought this idea that even a man can defeat something a big a god-like Goliath. That spirit reflects the spirit of the Renaissance time period. Donatello’s David is one of the greatest sculptures in the 15th Century. It was revolutionary for the way it related to the classical past, but also stylistically and historically fit in the Renaissance time period. It paved the way for many artists to come, including Michelangelo and Bernini.
This invention distinguish his David from any other David Statue before him. At Bernini’s ear, David was a popular subject in Italy. At that time Italy did not have a powerful central government, and cities were seeking for their independence. The story of David killed Goliath and won the independence of Israel was understand as a symbol of independent. Therefore the statue of David also had political meanings. The two most famous David were from Donatello and Michelangelo. Donatello made two David, one was marble and one was bronze, but the ideas behind them are same. Donatello’s David stood still. He had successfully achieve his goal and killed Goliath, whose head lying at his feet. Michelangelo’s David was nude and had perfect athletic muscles and proportion, and fairly smooth flesh. His body was so perfect that made him immortal and divine. He had not yet embarked on the actual combat but would departure instantly. He stood still confidently. Michelangelo’s David was actually much more vivid than Donatello’s. Nevertheless, when compared to Bernini’s David, even the former seems lack the sense of motion. Bernini made his David a mortal. Bernini expressed a man in the middle of his ferocious action in an ultra realistic
A little over 6 feet of marble, Donatello’s first version of David was one of his earliest known commisions that mark the beginning of his artistic career. He was commissioned by the Operai of the cathedral of Florence to create a David statue to decorate one of the buttresses. The statue ended up looking too small when placed high up, so it was taken down and later requested to be displayed in Palazzo Vecchio, the town hall. Many historians dismiss his first version of David, calling this piece unoriginal and nothing to praise.
Anticipated similarities exist between the Roman copy of Doryphorus and Donatello’s David, for the former replicates a product of Classical Greece while the latter is reminiscent of this artistic epoch (The Renaissance was a “re-birth” of this classical form). However, though formal qualities of Classical Greece may be present in David, they are uncharacteristically fashioned; therefore, major degrees of difference are established in terms of characterization. While Doryphorus is a typical example of reconciling idealism and naturalism, Polykleitos does not provide a depth of narrative subtext to this figure. On the other hand, Donatello overtly characterizes David through his effeminate if not androgynous form to deliver a powerful narrative (Duro). From the stance and posture of each sculpture to the use of nudity, Polykleitos’s Doryphorus and Donatello’s David present similarities accountable for in a historical context; however, the obvious structural differences must be
The statue of David best describes the ongoing influence of Protestant and catholic controversy on the visual arts. Michaelangelo uses David, a character from the Old Testament as his subject matter. The story goes that David, a mer man throws a stone with a slingshot at the mighty giant Goliath and kills him. (Your basic good vs. Evil.) Michaelangelo uses Clericism in this piece by incorporating a story from the bible, and on the other hand also incorporates his humanism influence into the work of art by placing himself as the character David; Giving us the impression that even the mer man can overcome his problems with knowledge of how to defeat them, instead of continually relying on the almighty to solve your problems for you. David shows the 2 conflicting views in a magnificent statue form.
Where one is a bronze statue with a singular figure, the other is a painting with a central figure, from which the story is built. However, their contrasts go beyond what they are made of, to their different subjects and their complexity. Donatello’s David shows youthful beauty and strength, which he confidently exudes through his body language. Standing with one foot atop Goliath’s severed head while turning his body to balance his weight to the other leg, this statue is a clear example of Contrapposto, which the Greeks invented and introduced into their sculptures. Donatello’s statue of David stands triumphant and proudly atop his trophy, while telling the audience I am the conqueror of Giants. His expression is stern to match his
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
Guido and Dora earn a living in two completely opposite ways. Guido is a serving important people in a restaurant type place, but he is doing more / talking / than anything else. Later we see Dora at a school assembly where she and other teachers are present.
Michelangelo’s David is one of the most well-known statues of the Renaissance, and even of all time. It is known to be one of the best example of Renaissance art. It stands tall at 17 feet, and was originally commissioned for a tribune of statues on the Florence Cathedral. Because of the story it depicts, that in which David overcomes a massive giant, it has become a symbol for Florence, representing its independence and how, even with its size, is still a mighty and strong city.
Bernini’s “David” is 5 foot, 7 inches tall and was made in the year 1623. It is from the Baroque period, a time of discovery, exploration and increased trade. Bernini’s “David” is a three-dimensional sculpture that gives the viewer the ability to relate the image with one’s body and not only in one’s mind. Bernini wanted to show the intensity and dramatic tension in the hero David as he prepares to cast the stone from the sling. In contrast to the intensity of Bernini’s David, Michelangelo’s “David” looks much more contemplative, statuesque and less “life-like” than Bernini’s. This marble sculpture, unlike Michelang...
Art carried its own imaginative impact in amending man’s view of man, as various art styles changed dramatically over a few centuries, shown in Document A. The painting of the Madonna Enthroned Between Two Angels by Duccio di Buoninsegna was done in the Middle Ages, around the late 1200’s, with an emphasis on the religious aspects. On the other end, the painting of Mona Lisa by Leonardo da
Michelangelo’s David does not react with the surroundings but it stands alone with the little movements disguised behind it. The sculpture brings out David as a soldier preparing for war and not a person engaged in a battle (Miller, Vandome, & McBrewster, 2010). The hands are larger than normal and the arms are longer than his body. This is meant to illustrate the renaissance period. In contrast, the Bernini’s David has aspects of motion, showing that he was already engaged in the battle with Goliath. The idea of movement is enhanced by the loosely flowing robes. In addition, the sculpture demonstrates that unlike Michelangelo’s David that has longer hands, Bernini’s David has contracted muscles. The Michelangelo’s sculpture was created during Renascence period while the Bernini’s sculpture was done during the Baroque period.
.... Simplicity and soberness of the composition allowed David to create a sense of martyrdom and spirituality in the face of the dead man. While there is a definite Neo-Classical (Poussinesque) influence on this painting, it bares a striking resemblance to the Baroque painting by Zurbaran entitled Saint Serapion (1628, Oil on canvas). David was in full control of the art of France by this stage.
The David’s that we are going to compare are all within the Renaissance time period and by comparing them you can see the shifts in thought and viewpoint within that period. The three statues of David by Donatello, Verrocchio, and Michelangelo all are great depictions of this story while portraying values of the Italian Renaissance period. They have many things in common while also having their own
The Bible takes a unique turn in the book of 1 Samuel, Israel requests the appointment of an earthly king. The prophet Samuel warned them against trading their Divine King for an earthy one. In Matthew 7:13 Jesus told us, “..For wide is the gate and broad is the road that leads to destruction..,” cautioning believers not to long to be like everyone else.
The Italian Renaissance was a marvelous time period. During this time, many new artists were introduced. Let’s talk about the Florentine sculptor named Donatello. Through sculptural advancements in the usage of human anatomy, Donatello created the sculptural influence during the renaissance. Donatello was unquestionably one of the key figures in Italian Renaissance sculpture. Donatello practically reinvented the meaning of sculpture during his the Italian Renaissance. These influences are still seen in many sculptures created today.(LATER!!!!) The way Donatello used human anatomy, perspective and realism in his work was like no other at the time. Donatello worked with bronze, stone and wood. Although Donatello’s greatest strength was his