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Women and Vodou
In the United States, we look mainly at mainstream religion and don't even look much into other religions apart from our own. Vodou is occasionally depicted as very dark, so it's not given the light of day, to learn about the religion itself. But in Karen McCarthy Brown's book, Mama Lola, she talks about Vodou and the connectedness people have to the religion and the spirits in Vodou. In the excerpt of Mama Lola, Brown talks about how Vodou is a religion that empowers women, more frequently than other religions throughout the world; but there are still constraints on gender, social class, and race. Throughout the excerpt we learn about the ways spirits help the people who practice Vodou in their everyday lives, especially women.
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They have very intriguing stories that trace back to segregation of social class, race, and gender; usually all three of these things intertwine with each other. Vodou has very strong ties in Haiti.
And although it was said that Vodou is a religion that empowers women, Vodou still is influenced by Haitian culture which is very misogynistic. There frequently is domestic violence and high male supremacy throughout Haitian culture which seeps into the influence of Vodou. In the excerpt, Brown writes, "…oungan, for example, are notorious for mistreating, in various ways, the women who become ounsi (ritual assistants) in their temples" (220). Things are indeed changing for the women in Vodou though, especially the ones who live in urban areas versus rural areas. In rural areas women can earn respect in a few positions such as herbalists or midwives, and on some occasions priestess, "but nowhere do they challenge the religious hegemony of the rural male" (221). But in urban areas, women are thriving, and it's not similar to rural areas at all. For example, when Brown talks about urban areas she claims that the urban Vodou leaders are women by at least half. Also, there's a different type of feeling within temples ran by women, as well. Women play a big role within the Vodou community as women are the caretakers, mothers, cooks, etc. Due to the nature of nurture, when you are thinking about a woman's temple it's more home-like, whereas men's temples are more business-like. This comparison goes back to the roles of women in rural and urban areas. Continuing with how Vodou is empowering women, it has a lot to do with the …show more content…
spirits. There are many spirits throughout Vodou, but the three dominant spirits in Alourdes' (also known as Mama Lola) life are Lasyrenn, Ezili Dantỏ, and Ezili Freda.
Brown talks about how Vodou is something that is very adaptable, and that is due to the fact that Vodou doesn't have a pope or something similar, but instead it has spirits "and the intimate detail in which those spirits reflect the lives of the faithful- all these characteristics make women's lives visible within Vodou in ways they are not in other religious traditions" (221). The female spirits are very human-like, which causes women to feel like they can relate with these spirits. This is sometimes unusual among other religions and cultures. Lasyrenn is a spirit who is sometimes depicted as a mermaid and sometimes a whale, but she is half black and half white, sometimes with black hair and sometimes with blonde, she is a very elusive character. Lasyrenn is important when thinking about social class, race, and gender because Lasyrenn is thought have the roots to the trauma of slavery. Ezili Dantỏ, on the other hand is a black, single mother, who wasn't too proud to work, and loves and nurtures her children. And then there is Ezili Freda, she "concerns herself with love and romance. [Her] connection to romance, like her light skin and her jewelry, identifies her with upper-class Haitian women". (247) When you look at these three spirits you realize that they all have very dynamic stories and such stories
consequently, a wide range of women and even men can relate or feel like they can ask for guidance within these spirits. Throughout American culture and history in general, race, gender, and social class play big roles with determining the status of a person. Dantỏ is depicted as a single mother who is poor, and women who are in similar scenarios can relate to her and feel like they are connected that way. On the other hand, Freda is light skinned, married, very sensual and of higher class which is something many women want, and some women feel like they have and again they feel connected to her, if they are married, or of higher class. Alourdes, or Mama Lola, feels as though she has a strong connection among the three spirits, but her life is very similar to Dantỏ. Alourdes is a single mother, just like Dantỏ. She works very hard for her children, since they moved from Haiti to New York. Alourdes is very similar in that aspect. But there was a time when Alourdes could also have a connection with Freda when she was married to a wealthier man named Kowalski. Alourdes is able to find herself among the very human like female spirits and she will throw birthday parties for the spirits. She very much accepts the guidance given to her from the Vodou spirits and she also helps share the word by being a priestess as well. Vodou is a religion that just like any other type of religion has some form of segregation of race, or gender, or social class. As you can see throughout the Vodou spirits they even have different races, genders, and social classes, especially depicted by Freda and Dantỏ. Freda is a spirit who is of higher social status due to the light complexion, whereas Dantỏ is darker, single mother, who is willing to work and make sure her children are safe. But overall Vodou is empowering women more than many other known religions throughout the world. Although Vodou originates from a misogynistic culture in Haiti, and although the rural areas of Haiti still are not as "progressive" as Vodou practiced in urban areas, it is still empowering women. The three female spirits are also a big role within Vodou culture, because these spirits live human-like lives which is a lot of help for women as well, as they are trying to take care of their children, or find a husband, or just live life!
Although the thought of being involved in such rituals is scary, I developed a deeper understanding and appreciation for the practices that Haitian voodoo participants, if it is appropriate to refer to such people as, engage in. The most impressive bit of information that I will keep with me is to be less judgmental of others; “people who practice voodoo believe in the same God as Christianity, but they also believe in communicating with other spirits, who serve various roles in healing, casting spells, and more” (Boudreaux, 2015a, p. 110). As a golden rule, I know that I should not be judgmental of others anyway, but I am human and am prone to quickly create stereotypes in my mind. I don’t always share those thoughts, but thinking makes me just as guilty as doing or saying. I am thankful for the reminder that all people are children of God, and I should research and learn about different beliefs before I make a judgmental decision, if I make that judgment at
“Anyone can have a child and call themselves a parent. A real parent is someone who puts that child above their own selfish needs and want.” – unknown. “Rules of the Game,” a short story crafted by Amy Tan, depicts a conflict between mother and daughter. Waverly, a young female chess prodigy, lives in San Francisco’s Chinatown with her family. As Waverly develops into a great chess player, the pressure and control of her mother becomes too much to handle. Waverly’s mother has a mentally abusive relationship with her daughter. The Mother fails to give Waverly room to grow and she puts an unhealthy amount of pressure on such a young girl.
In the Voodoo religion, a priestess hosts a number of different ceremonies each year. During these ceremonies, one of the people present (usually the priestess herself) is supposedly possessed by one or more spirit(s) who then communicates with the rest of the people present. A typical example of a Voodoo ceremony is that described in the book Mama Lola by Karin McCarthy Brown. Here, Mama Lola, as this voodoo priestess is known, lives in Brooklyn and does all she can to stay faithful to her Haitian religion. After inviting her voodoo ‘family’ for what will be the birthday celebration of the spirit Azaka, all members, important and close gather to help set up the intricate and festive alter in the basement of Mama...
Vodou is a religion that is often misrepresented because of mainstream Hollywood movies. It is a religion that remains an enigma to outsiders, and as a consequence, many incorrect assumptions are made about its practices. To outsiders, Vodou may seem to be based on cursing others with voodoo dolls, sacrificing animals or people, and even being possessed by the devil. However, that is not the case in Mama Lola where an outsider, Karen McCarthy Brown is given an inside view on this secretive religion. Vodou is not as simple as popular culture insinuates, it is a complex religion that involves integrating magic, marriage, possession, and the role of women.
“Where Are You Going, Where Have You Been?” is a short story that is about a fifteen year old pretty teenager named Connie, who does not get along with her mother and is irritated by her sister. Her sister can do no wrong in her mother's eyes while she is constantly getting criticized. Connie enjoys listening to music, watching movies, and spends a lot of time going out with her best friend and meeting boys. Until one day, a creepy guy, she had seen out one night shows up in her driveway when her family is out. He introduces himself as Arnold Friend and insists that Connie go for a ride with him and threatens to harm her family if she doesn't. In the story, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates portrays Arnold Friend as a rapist; he creates the climax of the story in which Connie is taken from her home and family, by him through violent means.
“Are there any two words in all of the English language more closely twinned than courage and cowardice?” (Brooks). In the novel March by Geraldine Brooks, March ponders this question and contemplates several of the choices he has made during his fight for African American’s equality. After experiencing the cruelty of slavery and the hardships of war, March begins struggling to get a grasp of his morals and to fully cope with his guilt. Due to his life being constantly involved with slavery and the civil war, March is surrounded by violence. These scenes of violence, March’s actions during these cruel occasions, and the outcome of his choices are instrumental pieces to the theme of this novel.
Haitian Vodou is the combination of supernatural and mystical components of African religions, along with the ritual basics of Roman Catholicism. They believe that there is one supreme God, but praise spirits, which are recognized as sacred ancestors, African gods, and even Catholic saints. Haitians call these spirits loa. Loas are “African deities who have been inherited through succeeding generations by the descendants of those who brought them to Haiti” (124). It is required to have ritual ceremonies for the loa, so that they can guide, protect, heal, and help those that practice Haitian Vodou. To begin calling down the loa, one must draw the vévé, which is the symbol for the loa on the prayer ground. During these ceremonies, there is a lot of dancing, singing, drumming, prayer, animal sacrifice, and food preparation. Just like Catholicism, a priestess or priest guides the worshipers in the ceremonies. Also in the course of a Vodou ceremony, which ever loa that is being called upon possesses participants to give advice or perform cures. To anyone that does not practice Haitian Vodou, the way these ceremonies are unorthodox, but to Haitians, it is their way of life and what they believe
When one first hears the word Vodou, immediately images of curses and little model dolls come to mind. We tend to synonymize it with words like sinister, evil and revenge. However, Vodou is nothing like what mainstream North American media has brainwashed people into believing. As best put by Patrick Bellegarde-Smith, “Vodou is far more than [a religion] it's a spiritual system” (Tippet and Bellegarde-Smith 145). Haitian Vodou is a spiritual system that syncretizes the practices of Roman Catholicism with West African spirituality. This paper will contextualize Vodou and give a brief history on what it is, explain how I came to gain an interest in Vodou and close off with an introduction to Chouk Bwa Libète a traditional Haitian Mizik Rasin—roots
Since the case of Mary Ellen Wilson in 1874, child abuse has seen it’s share of light in published news. It is disheartening to read countless stories of future generations being harmed to the extent of psychological damage or even death. Child abuse as a whole has been addressed multiple times in various news blogs, however, nothing has been done to work towards abolishing it at a larger level. The future of America is in jeopardy based on the level of abuse that children endure. Childhelp states that approximately 5 children die every day at the hands of child abuse. America struggles to find equality, and by bystanding the stripping of its youth, continual prolonging is inevitable. Raising this nation’s children in means of nurturing and care is the first step to uplifting America as a whole. In 2012 alone, 1593 of America’s children died at the hands of child abuse, 70.3% of which were younger than the age of three (Safe Horizon). In order to prevent further child abuse, the American government should address stricter child protection laws, psychological stability, and an increase the recognition of those that have released their stories.
...white people were the change-makers and shapers of Vodun, when actually black people adapted their religion to suite oppressive conditions. As time went on “Voodoo had become less of a religion than a political association [which was] and inherent characteristic of black religion from the slave period” (46). This happened not only in America, but in Haiti as well. This not only highlights the evolution of Vodun from religion, to a political force, but also the adaptability of Vodun as well.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
One might find many religions, denominations, and supernatural belief systems in Haiti, while nearly 10% of the population follows no religion at all. Approximately 2% of the population reports Voodoo to be their primary religion, however, close to 50% of the population practices Voodoo along with Christianity (Religion in Haiti). Haiti is the oldest black republic in the world; it’s the only country ever established by a nationwide rebellion of slaves. The Voodoo practice and religion gave the slaves hope that they will survive the New World. In the eighteenth and nineteenth centuries, Voodoo was introduced to the natives of Haiti where it flourished and became the most favored religion of Haitians to date. Voodoo was brought to Haiti by slaves from areas of West Africa now known as Benin and Congo, where the religion is practiced by nearly 60% of the population (Voodoo). The religion quickly blossomed in areas of oppression on the island of Hispaniola. The natives were able to outstand wars, revolutions, and natural disasters for over five centuries because of their faith in the spirits. The voodoo belief system has also helped the Haitians through slavery issues and the progression towards becoming free men and women. Another form of magic was introduced in African American communities in the United States named “hoodoo” (Pettinger, Alasdair). It had different types of magic and witchcraft than the original Voodoo, but still the same principles. Souvenance is a small town located in a valley about 100 miles north of Port-au-Prince, the capital of Haiti, and is where they hold an annual Easter festival attracting thousands to the culture, spirit, and spiritual rituals of Vodou (commonly called Voodoo outside of Haiti). Souvenance, Haiti is where the most important Vodou sanctuary is located. The
Voodoo has evolved from the time it was first practiced in the United States by both male and female slaves, into a religion synonymous with the “Voodoo Queen”, Marie Laveau and her primarily female followers. Marie was herself a creole, born in the late 1700s to “an old slave woman on her mother’s side, and on the other hand the best French blood of Louisiana coursed in her veins.” Marie’s rise to “queen” coincided with voodoo’s shift towards being known as female dominant and gained the legacy of being primarily practiced by women . She was so famous and trusted that white “celebrities of the day” (lawyers, merchants, and legislat...
"Two Kinds" by Amy Tan is about the intricacies and complexities in the relationship between a mother and daughter. Throughout the story, the mother imposes upon her daughter, Jing Mei, her hopes and dreams for her. Jing Mei chooses not what her mother wants of her but only what she wants for herself. She states, "For, unlike my mother, I did not believe I could be anything I wanted to be. I could be only me" (Tan 1). Thus this "battle of wills" between mother and daughter sets the conflict of the story.
The novel Mother to Mother created a controversy that brought to light the horrors of apartheid. The murder of Amy Biehl took place near the author’s residence, easily could have been her son involved. Sindiwe Magona describes a society suffering from violence and lack of education. Mandisi, mother of Mxolisi is directing a huge part of the blame for her son’s actions, on a society that did not give him many choices in life. She is not condoning her son’s actions for taking part in the murder of this young American woman but describing the life they must endure in a society that is under apartheid. She is implying that they as parents, the government, and society, have failed this generation.