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Ancient egyptian religious architecture
Ancient egyptian religious architecture
Ancient egyptian religious architecture
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Christianity and Islam are religions are two of world’s most widespread religions. Both religions when founded were not accepted by the people of that time and they have faced great resistance. Early Islamic art and early Christian art both are historically important as both are similar in some ways. The most earliest architecture and first such structure from the Muslims is the Dome of the Rock located in Jerusalem. When the Muslims conquered the city of Jerusalem in they needed a place (Mosque) to worship and offer their prayers in congregation. At the same time they also wanted to build a monument that would show the success of Muslims and their religion Islam. Similarly, Christians used to build their churches and monuments to show their influence and selected sites which were former Pagan temples and Catacombs to build their churches. Muslims had already conquered Syria and Byzantine and therefore used their designs to build the Dome Of The Rock. The Santa Costanza was originally built in Rome, Italy in 360c. It was erected for Constantine's daughter, however, it was later transformed into a memorial church. It is now argued by scholars that the Santa Costanza was originally built for Constantine's sister Helina. Both of these structures are similar in their function and have used the central plan to focus on the center. By looking at the both structures, Dome of the rock and the Santa Costanza the viewer can comprehend that both are similar in a way that both have circular domes. The most outstanding difference in both of the structure is that of the shape and exterior look and design. Santa Costanza now appears to be simple in a way that it is not decorated from outside like... ... middle of paper ... ....html (accessed April 22, 2014). Ettinghausen, Richard, Oleg Grabar, and Sheila Blair. The art and architecture of Islam 650-1250. Harmondsworth, Middlesex, England: Penguin Books, 1987. Fazio, Michael W., Marian Moffett, and Lawrence Wodehouse. A world history of architecture. 2nd ed. Boston: McGraw-Hill, 2008. Glancey, Jonathan. The story of architecture. London: Dorling Kindersley, 2000. Glancey, Jonathan. Architecture. London: DK, 2006. Hillenbrand, Robert. "The Birth of Islamic Art:the umayyads." In Islamic art and architecture. Holberton, Paul. The world of architecture. New York: Crescent Books :, 1988. "Images of Santa Costanza, Rome." Images of Santa Costanza, Rome. http://www.bluffton.edu/~sullivanm/italy/rome/costanza/costanza.html (accessed April 21, 2014). Krautheimer, Richard. Early Christian and Byzantine architecture. Baltimore: Penguin Books, 1965.
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
Brunelleschi 's Dome: How a Renaissance Genius Reinvented Architecture, written by Ross King, describes the history of the city of Florence and life at the end of the Middle Ages through the genius of Filippo Brunelleschi. The book begins by giving information about the historic competition that led to the impressive dome that sits atop Santa Maria del Fiore. It then gives an account of the history of Florence in the late 1300s and early 1400s and the building of the cathedral and the initial competition for the dome 's design. After providing information about Florence and the cathedral, Ross King gives background information about Filippo Brunelleschi, his experiences as an artist and scientist in both Florence and Rome, and insight into
...understandable of making use of perfect architectural form as geometry, in terms of believe and as well as architecture. His design was straight to the point , making use of geometrical shape and it’s magnificent meaning which itself emphasises a perfect form and perfect centre point at its middle, which itself is a powerful remark on the focus point of the building (crucifixion spot at Tempietto and the pulpit at the Basilica) this achievement is more effective rather than using of coloured and expensive material ,gold ,sculpture ,painting ,large windows and light or other architectural elements which Baraque architecture used to bring about the attraction and highlight it’s point in the building.(the Alter of Grace at Church of Vierzehnheiligen)
The Hagia Sophia and the Dome of the Rock are two of some of the greatest and most important monuments in the Eastern and the modern world. The Hagia Sophia is an amazing depiction of the Byzantine architecture. It symbolizes the “Golden era” of the Byzantine Empire and is a symbol of modern day Istanbul. The Dome of the Rock is located in Jerusalem. The Dome of the Rock is currently a shrine for Islamic believers and some Jews that believe the grounds are sacred. It holds a great religious significance to the rise of Islam in Jerusalem. Even though these major achievements in architecture were built at different times and were built with different styles, they hold many similarities. These similarities include such fascinating examples of
Hitchcock, Henry Russell. Early Victorian Architecture in Britain Volumes I and II. New Haven: Yale University Press, 1954.
Springfield, IL: Charles Thomas Publishers, 2009. Print. Necipoglu, Gulru. Muqarnas, Vol 25: Frontiers of Islamic Art and Architecture.
Hunt, William Dudley Jr. “Beaux Arts, Ecole Des.” Hunt Encyclopedia of American Architecture, 1980 ed.
Roma Secunda – the Romans’ Second Home | Suite101.com." Frances Spiegel | Suite101.com. 11 May 2011. Web. The Web.
In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...
Heinz, Thomas A., Frank Lloyd Wright: Architectural Monographs No 18, St. Martin's Press, New York, 1992.
The original basilica, built by Emperor Constantine in the fourth century, is the foundation to this building. To those of the Christian faith, this building is the epitome of belief. St Peter’s Basilica is where the Catholic faith starts.
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
Monuments such as the Dome of the Rock in Jerusalem and San Vitale in Ravenna, perform a great importance in Byzantine and Islamic architecture. Both of these structures did not exclusively represent the main place of worship, but most importantly as a symbol of achievement and growth within the current times of construction. Starting in 524, under the influence of Orthodox bishop Ecclesius, the development of San Vitale was to represent the achievements of the emperor Justinian. Julius Argentarius was the sponsor for this structure and it was dedicated by Bishop Maximian in 547. The Dome of the Rock is built on the Temple Mount in Jerusalem in 692 with the help of Abd al-Malik with the suspected intention to symbolize Islams influence in Jerusalem and its involvement in a highly Jewish and Christian supremacy. Although separated by over 100 yrs, both of these domes share multiple similarity's including a projected confidence of their originating culture.
The architectural vital to the Italian Renaissance traces its roots back to the ages of roman ancient times. The ancient Roman pursued to build architecture representations of the glories of their empire as they did so expand upon the earlier orders of Greek architecture of postal and lintel style and
of their buildings. One of the basic questions that this paper will be seeking to answer is whether architects and critics accepted ...