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Personification of death in poems
Death poems metaphysical
Death poems metaphysical
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The poem “Do Not Stand at my Grave and Weep,” by Mary Elizabeth Frye, uses literary techniques to connect to the reader; it is an elegy because it is inspired by someone’s death and structured so that it moves toward a resolution, an acceptance of that death. “Do Not Stand at my Grave and Weep” fulfils the qualification to be an elegy by being written in response to the grief of a young girl whose mother has died (the inspiration), and by ending with a sense of acceptance and peace. The mother of a young girl dies in Germany during the Holocaust, so her daughter is unable to return to the grave and grieve for her. The poem speaks from the perspective of the dead mother, and it communicates what the girl should do to arrive at acceptance of
the situation. Frye wants the girl to look for signs of the mother’s spirit in the natural world instead of in physical form. Furthermore, the poem’s structure helps to convey ease and acceptance to those who read by ending with a resolution through which the reader realizes that every person is a part of nature, not a separate individual. The piece leads to, “Do not stand at my grave and cry: / I am not there; I did not die” (Frye 11-12). The beginning of the poem emphasizes that the mother is still present around her daughter. However, by the end, the reader starts to understand that she is not to be found physically in the grave, but has been transformed into a part of nature. In general, elegies focus on dealing with the anguish that comes after death than other types of poems. “Do Not Stand at my Grave and Weep” is an elegy because of its theme dealing with the grief of death using poetry rather than prose. Frye uses the literary techniques: point of view and imagery to personally connect to the reader. The poem is told in the first person. The character who has died tells the daughter what she, the mother, has become. This makes the poem intensely personal. The reader feels a direct connection to the dead mother when reading the lines , “I am not there; I do not sleep. / I am a thousand winds that blow” (Frye 2-3). The dead mother asks the reader not to think of her body as an attachment to the world. Rather, one should look around for her essence in nature. Frye also uses a second poetic device: Imagery. The author uses different figures such as, “diamond glints on snow...ripened grain...gentle autumn rain” (Frye 4-6) to paint the picture of nature in the reader’s mind. The image “diamond glints on snow” (Frye 4) causes the reader to think of sparkling elegance. The image “ripened grain” (Frye 5) leads one think of an ideal time, and the image “autumn rain” (Frye 6) evokes ideas of freshness and tranquility. These portraits of beauty better connect the reader to the narrator. Frye uses these techniques to move the reader to believe the poem’s goal that the impact of the dead person is present around us and continues to influence and support those who she has left in this world This poems helps the bereaved daughter to accept death more easily, and to look for her mother in her daily life, and in the air she breaths. When someone dies, it is not necessary that he or she visit the dead’s grave to mourn. Rather, it is better to look for his spirit all around in the beauty of nature.
The deep complexity of its message is furthered by Olds’ use of metaphor. In describing the unburied corpses strewn about the cemetery, she notes a “hand reaching out / with no sign of peace, wanting to come back.” Through indirect metaphor, she is able to not only bring emotion to the stiffness of a frozen hand, but ponder a greater question—whether the “eternal rest” of death is peace at all. Despite the war, despite “the bread made of glue and sawdust,” and despite “the icy winter and the siege,” those passed still long for life. Human cruelty and the horrors of existence permeate even the sanctity of death. In war, nothing is
“Pass On” written by Michael Lee is a free verse poem informing readers on grief, which is one of the most difficult obstacles to overcome not only when losing a loved one, but also in life itself. “Pass On” successfully developed this topic through the setting of an unknown character who explains his or her experience of grief. Despite Lee never introducing this character, readers are given enough information to know how they are overcoming this difficult obstacle. In fact, this unknown character is most likely the writer himself, indirectly explaining his moments of grief. One important piece of information Lee provides is the fact that he has experienced loss twice, one with his grandfather and the other a friend who was murdered by the
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
Addie is actually the perfect character to try and describe the lack or void of words and meanings. The very fact that she is dead and is talking about this void from the dead is important. In a way she is speaking from a void between life and death. Morna Flaum expresses this idea in her article, “Elucidating Addie Bundren in As I Lay Dying.” “Her condition of deadness, speaking from the void between is and not-is makes her the perfect vehicle for Faulkner to describe the indescribable, approach the unapproachable, express the inexpressible, as he so gracefully does, does-not. The placement of Addie’s chapter in the middle of her long journey from deathbed to grave is also significant.” Flaum goes on to say that this placement of Addie’s chapter
The idea of graves serving memory is introduced in Part I of the collection within the poem
One primary element of death is the experience of dying. Many of of us are scared of the thought of death. When we stop and think about what death will be like, we wonder what it will feel like, will it be painful, will it be scary? In Emily Dickinson's poem Because I Could Not Stop for Death, she focuses on what the journey into her afterlife will be like. Dickinson uses the first person narrative to tell her encounter with death. The form that she uses throughout the poem helps to convey her message. The poem is written in five quatrains. Each stanza written in a quatrain is written so that the poem is easy to read. The first two lines of the poem, “Because I could not stop for Death, He kindly stopped for me;” (Clugston 2010), gives you a clear view of what the poems central theme is. Unlike most poems that are about death, Dickinson's attitu...
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
First of all, the speaker starts her poem personifying death as a kind gentleman who comes to pick her up for her death journey. It is obvious if the reader looks at “He kindly stopped for me” (2). T...
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors.
An elegy is typically a way to honor a person who passes away, although the author of this poem uses this form of expression as an appreciation for his father who is still alive. In this poem, although the father is not dead, the narrator dreads the moment when death will permanently separate them. Hudgins
An elegy is a poem that reflects upon death. It is a very good way for people to release stress. It makes others think. An elegy to some people, is very depressing to read. Most of thge time it tells the truth about a side of a persons life, that no one knows about. An elegy could be a real breath taker, if taken the right way.
Death is a concept that every human being must accept eventually. Some fight against death while others embrace it. There are even instances in which one may be living but already feel dead. Death is a common topic used in the writing world. Being that it is so universal it gives the reader a real life connection to the characters in a story. Beliefs of death are different amongst human beings. Some people see death as an ending where others see it more as a beginning. The story “A Rose for Emily” by William Faulkner and the poem “Do Not Go Gentle into That Good Night” by Dylan Thomas both express similar and different feelings towards death. “A Rose for Emily” is a story about an elder woman who was not living when she died. Certain life events cause this woman to refuse and ignore change. Death is an ultimate form of change so it was only natural for Miss Emily to ignore it.
Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.