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Monarchies in ancient Greece
Difference between divine law and man-made law
Divine law v. human law
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The concept of divine law versus the human law is a prominent theme in the Greek play, Antigone. Sophocles creates the epitome of the inferiority of a king to reinforce the fact that monarchs will always be secondary to the Greek divine powers. Due to Creon’s unhealthy obsession and grip on personal power and his complete disregard of the divine law and fate, he later fails not only as a ruler but as a father and husband. Evidence of the superiority of religion can be encountered when Antigone rebels Creon’s orders in order to bury her brother’s corpse, when Teresias, the Chorus and his own son warns Creon about his decisions and how the Gods will reciprocate and when the people and the chorus unite to defend Antigone since her actions were only to protect and maintain the divine law.
In the story, Antigone’s two brothers, Eteocles and Polyneices have killed
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each other in battle, after the death of Eteocles, Creon assumed his power and decrees that Polyneices betrayed the king and “he shall be left unburied for all to watch The corpse mutilated and and eaten by carrion birds and by dogs” (Sophocles) This created an issue because in Greek culture, if a body is not buried by sundown on the day of their death their spirit will never find peace and is cursed to walk the earth. Creon’s order is against the divine law and created a dilemma between the head of the state and religion. Antigone defies Creon’s law but follows the will of the gods and buries her brother. When she was caught, Antigone takes the blame and does not deny that it was her that buried Polyneices. She then announces that even though her actions were against Creon’s commandment, they were in line with her obligations and values towards the gods and justice. Antigone explains that “for these laws were not ordained of Zeus…Justice, enacted not these human laws… The immutable unwritten laws of Heaven… They die not… To disobey these laws and so provoke the wrath of Heaven.” (449-470, Sophocles) Antigone challenged Creon’s authority by elevating religion law above his worldly law. Creon, blinded by his thirst for power, refuses to listen to advices from his family and even ignores Teresias’ warnings. His own son, Haemon is against his actions and attempts to convince his father to prevent him from killing his wife-to-be, Antigone. He suggests that his father’s sense of justice is flawed and reminds him that “A State for one man is no State at all” (734, Sophocles) during a discussion with his father. In which Creon ruthlessly replies, “the State is his who rules it, so ’tis held.” (734, Sophocles) Afterwards, Teresias came with his prophecies that never fail to be true and warns him that his actions will affect him. The prophet apprises him that Creon’s unwillingness to allow Antigone to bury Polyneices and permit her to live will anger the gods and be reciprocated by his own death. However, Creon refuses to listen and replies with the same temper as he did to his son. He offends Teresias and says “prophets are all a money-getting tribe” (1050, Sophocles), and the prophet replies with “and kings are all lucre-loving race” (1050, Sophocles). After Teresias announces fate, everyone seems to understand the dilemma at hand.
Even Creon, although he wants to resist and continue to fight for what he believes is right, he knows better than to fight fate. Everyone learned this lesson from Oedipus’ mistakes. The Chorus, at first, were in Creon’s side due to the fact that she had disrespected the Head of the State, however, after Teresias’ warning, The Chorus changes their opinion and mentions how perhaps the burial was the will of the gods. The Chorus and the people learned to empathize Antigone, and she was a source of inspiration and realization that no matter how powerful a person is, they are defenseless against the almighty gods. Antigone’s approach to death is almost fearlessly as she is unwilling to live in a world where the word of a man is means more than the word of the gods. “God forbid it e’er should please… and yet how otherwise had I achieved a name so glorious as by burying a brother? … Where they not gagged by terror, Manifold a king’s prerogatives, and not the least that all his acts and all his words are laws.” (497-506,
Sophocles) As a result of Creon’s obsessive grip on personal power and Antigone’s persistence on defending her morals and the gods’ wills, it seems that at the end of the story, it is evident that the divine law and never-ending faith will always be superior to the worldly law of a powerful man. Because no matter how prodigious a man can be, a person’s ethical values and beliefs are and will always be stronger.
The main conflict in the story Antigone is between the king of Thebes, also the antagonist, Creon and Antigone the Protagonist. When Antigone's brother dies in war Creon does not want to bury him, But Antigone feels its her brothers rights bestowed on him buy the gods to be able to be buried and that it would be disrespectful not to. For example in scene one page two Creon says "He’ll be left unburied, his body there for birds and dogs to eat, a clear reminder of his shameful fate.That’s my decision." As you can see here Creon thinks he has the authority and makes the laws about what is going to happen but really that is divine authority. Another example is in scene two page three when Creon is interrogating Antigone, Antigone says "Yes. Zeus did not announce those laws to me. And Justice living with the gods below sent no
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
The character Antigone has been in conflict against Creon ever since he became the king of Thebes. Antigone would never let Creon's law about burying the body of Polyneices override her moral beliefs and her beliefs in the gods. “Zeus did not announce those laws to me, And justice
Ever since the beginning of days, people have pondered the question of whether or not any gods exist and if they do, are they in control? In Sophocles’ Antigone, the reader is introduced to two opposing characters: Antigone and Creon. Creon, the king of Thebes, decrees that Polynices, who led an army against Thebes, is a traitor and therefore may not be buried. Antigone, a strong and persistent woman, disagrees with Creon’s decision to deny Polynices a proper burial and is determined to bury him, disregarding Creon’s ruling. As the monarch, Creon represents human law and the power of kings, while Antigone represents divine law and the belief that the gods are in control and will punish anyone who defies them. At the conclusion of the play, both characters’ futures are doomed, but the original question of is was correct still remains.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Conflict of law, presents the initial disturbance within Thebes. Creon, King of Thebes, refuses to bury the body of Polynices, for in his eyes Polynices is 'his country's enemy' Antigone pg.131. Thus, despite breaking the laws of the gods, Creon holds his power higher than that of God and heavens and enforces his law. As the story follows, Sophocles expands on the ignorance presented by Creon and Antigone, and it is also found that it is impossible to defeat an ignorant man, or woman in argument. It is this ignorance, that establishes the notion of the sin and punishment that both Creon and Antigone face due to their stubbornness and self will.
When Antigone learns that no one is to bury her brother, she immediately knows what she must do. She doesn’t even hesitate to her decision and she is fully willing to face the consequences to do what is right. She believes that what she is doing is just a humane right and she’s willing to die for what she believes in. She even tells Creon that what he’s doing is against what the gods wanted and that his laws were worthless. She states: “Not through dread of any human pride could I answer to the gods for breaking these.” It seems that gods are almost speaking to Creon through Antigone and warning him of his decision.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Possibly the most prominent theme in Sophocles' "Antigone" is the concept of divine law vs. human law. In the story the two brothers, Eteocles and Polyneices have slain each other in battle. The new King Creon, who assumed the throne after Eteocles' death, decrees that because Polyneices committed treason against the king, he shall not be buried, but instead "He shall be left unburied for all to watch
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.