1. Introduction In the XII century the court of Henry II had a leading role in the construction of the idea of courtliness and was a propitious laboratory for the weapon of the courtiers: the word. A peculiarity of the cultural production at the Plantagenet court was the use of the literature to translate, fight or exegitize, in literary terms, the conflicts of the Angevin Empire. Was at the Plantagenet court that Walter Map wrote, between the secondo half of the twelfth century and the beginning of the thirteenth, the De nugis curialium which melted historic things with weird tales in a typically courtier style, as its author was. The reading of those stories needs to remind the double-nature of the courtly texts, the literary one and the …show more content…
Water Map and the kings of his ages, presence, absence and comparisons. Especially in the fifth Distinctio Walter Map writes about the figures of different kings, real and unreal ones. The author also shows his closeness with the kings who were ruling during his service at the court of Henry II: Henry II himself, Louis VII of France and the young son of Henry II, Henry the Young. Therefore a comparison between the different descriptions could be useful to tract different aspects of royalty. Indeed those different aspects are related with the person experience of the author and his …show more content…
In the sixth chapter of the fifth Distinctio Walter Map describes his rising up to the throne but also depicts the aspect of the English king. The physical description of Henry II was not very detailed, and it’s possible to say that Map wants to adapting the figure of the king to a codex of characteristics that a king should have, neglecting the defects that the time could have left on the king’s aspect after 34 year of reign. However describing the king he shows his proximity with him, he was so close that not only remembers his physical aspect but relates some court’s rumours as the king’s fear of getting fat that constricted all the court to follow him that was “constantly on the move”. But beyond the physical description there are other signs that show of his majesty. Henry II was described as a courtly king, and we can strictly relate that description with the system of the curia regis in which Walter Map was involved and which saw the king as its chief, and as a literate king which could speak different languages, which love read and have an extraordinary memory. The clergy in XIth and XIIth centuries proposed the necessity for a king to be a rex litteratus that could read the Holy Scriptures, confronts himself with the ancient authorities and understand the wise suggestions of his counsellors. The reverse, as John Salisbury said will be an
Passage Analysis - Act 5 Scene 1, lines 115-138. Shakespeare’s ‘King Henry IV Part I’ centres on a core theme: the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play.
When we look at Henry as a king we have to look in the context of
In the play Henry V written by Shakespeare. Henry was presented as the ideal Christian king. His mercy, wisdom, and other characteristics demonstrated the behavior of a Christian king. Yet at the same time he is shown to be man like any other. The way he behaves in his past is just like an ordinary man. But in Henry’s own mind he describes himself as “the mirror of all Christian kings” and also a “true lover of the holly church.
honorble ruler. Henry IV was king of France between 1589 and 1610. He was supported
In the novel, later, Mme. de Clèves asks for further explanation for the love between a woman and the king with “several other lovers” (1039). This passion forms the “political and social effects” (1039) that change the norms in the court. The court mixes this false “event into its own structure, so that the implausible now becomes the norm for the entire court” (1039). This incident drives to the extent of passions, “political ambitions and social events”, that utilize M. de Clève’s passion. Hence, the power of Duchesse de Valentinois doubles “the power of the monarch” (1039).
When all the courtly love elements that flow through The Knight of the Cart are composed, in addition to a tale of love affair between Queen Guinevere and Lancelot of the Lake, a document revealing the enchanting history of the Twelfth Century Renaissance is created. Troyes, our powerful storyteller, was able to do this by taking us on a journey with Lancelot, not only though his exciting battles to Guinevere but, through his passionate and enamored thoughts and behaviors that yearns for his beloved.
Henry's past is described by Ely and Canterbury, the two bishops. Canterbury quotes, "Since his addiction was to cause vain, His companies unletter'd, rude, and shallow, His hours filled with riots, banquets, sports; And never noted in him any study, And retirement any sequestration, From open haunts and popularity. " Ely says, "The strawberry grows underneath the nettle. " And wholesome berries thrive and ripen best.
Henry V is not a simple one as it has many aspects. By looking into
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
Henry V, like most characters created by Shakespeare, is very complex, and cannot by defined in black and white or as good or bad. However, he is the sum of his actions, and his actions and decisions during the campaign during the campaign in France lead him to be classified as a war criminal. A politician who works for his own good and through that, the good of his country, Henry’s decisions are often cold and calculated, designed to manipulate those around him.
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
One of the most famous scenes in Henry IV: Part I is the scene in which Prince Hal and Falstaff put on a play extempore. This is often cited as the most famous scene because it is Hal’s turning point in the play. However, the scene is much more than that. The play extempore is a moment of prophecy, not epiphany because is cues the reader in to the play’s major themes, and allows readers to explore the possibilities of the play’s continuance.