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Benefits to alternative dispute resolution
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Shakespearean literature has been long commended by scholars for its incorporation of legal discourse into its plot structures that further paves way for interdisciplinary study of law. Practically all of Shakespearean texts are known to have tangential relation and relevance to legal practice but plays like “Merchant of Venice” have scenes that do not only depict a courtroom trial but also shed light on some key aspects and methods of dispute resolution that are arbitration, conciliation, negotiations and mediation.
“The merchant of Venice” is not only appreciated by literary enthusiasts but it has also generated great interest in Lawyers more than any other Shakespearean text, sparking profound commentary on the legal facets that are assessed academically. Before delving deep in to the legal themes entailed in the play, the substance of the prose will examine the definition of the term “Alternative Dispute Resolution” or ADR. Alternative Dispute Resolution refers to a repertoire of mechanism that can substitute court trials and largely entail discussions between the disputant parties.
These methods are also referred to as “out of court settlements”, whereby the parties involved in the dispute are encouraged to negotiate and find a solution to resolve their dispute. The ADR system is subdivided into the following categories that are negotiation, mediation and arbitration. The process of negotiation consists of dialogues between the disputant parties whereas, “arbitration” and “mediation” require the involvement of a third party to act as a mediator or conciliator in order to find a solution and make unbiased judgment in the matter. It is important to understand that the decisions in a dispute are non-binding if they are made t...
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... it is discussed earlier, the prior relationships of the disputant parties is both economic and social, which were intensified due to the bond between the two parties. Despite the legal nature of their case, mediation could have provided a valid resolution to the dispute as this process of dispute resolution assesses the situation beyond the officially authorized frame of justice, which in many ways fell short of providing a verdict that as fitting for the involved parties. It was also pointed by Prof. Carrie Menkel Meadow in her article titled “women as lawyers” used Portia as an epitome to demonstrate the fact that her participation in the trial was similar to that of an “advocate” than a “mediator”.
From an advocate’s perspective, Portia’s arguments were strong and she did a commendable job in not only saving Antonio’s life but also brought ruin to Shylock.
The trial was used to paint Abina as a complainer since there were other young girls who worked for Quamina Eddoo who did not report him or his sister. Another way Abina’s was silenced was the fact that her perspective was not recorded. Even though the court case was documented by an observer in the court, Abina’s personal narrative was not. It is probable to assume that Abina was illiterate since she was a slave from a young age and would not have been provided the opportunity of education. Due to this fact, the audience is unaware if the represented story of Abina is an accurate depiction of her story. The documented court hearing provides the reader with a strong sense of who the powerful men are in the room since the dialog was dominated by the men. Another reason why Abina’s story was quieted was because of her
Undoubtedly Artemisia made a big effort to rehabilitate from the story of the rape through a combined marriage, but especially through her career. Unfortunately, the episode clouded part of the artistic achievements of Artemisia, who was long considered a “curiosity...
The tension implied in the insistence to bind the definitions of justice, mercy, and equity in Elizabethan texts suggests that behind their representation there is more at stake than a conceptual problem. Elizabethan conceptions of ideal justice politicize their representations in order to justify the prevailing monarchy. Spenser and Shakespeare offer their own version of the nature of justice through female characters, Mercilla in Book V of The Faerie Queen and Portia in The Merchant of Venice. However the textualization of these categories works differently. For Spenser, justice relates itself to a divine ordering of the world, which connects his work with Elizabeth I, God's instrument on Earth. In the case of MV, law in the form of contracts and bonds, substitutes any divine mediation in the legal process, thus displaying, even though briefly, the artificial nature of justice.
West, Rebecca. “A Court and World Infected by the Disease of Corruption.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT: Yale University Press, 1957.
West, Rebecca. “A Court and World Infected by the Disease of Corruption.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT: Yale University Press, 1957.
Goldman, Michael. "Hamlet and Our Problems." Critical Essays on Shakespeare's Hamlet. Ed. David Scott Kaston. New York City: Prentice Hall International. 1995. 43-55
West, Rebecca. "A Court and World Infected by the Disease of Corruption." Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT: Yale University Press, 1957.
His love for Portia blinds him of the fact that possessions do not always bring others close to you. Later, this decline in moral values is seen when Portia pretends to like the Prince of Morocco, one of her suitors, by inviting him to dinner, but later reveals her true opinion of him after he chooses the golden casket. Once the Prince of Morocco leaves Portia's house, after picking the wrong casket, Portia expresses her feelings concerning the outcome, "A gentle riddance. Draw the curtains : go. / Let all of his complexion choose me so," (II.vii.78-79). Portia's hope that anyone with the prince's dark colour chooses the wrong casket shows her low morals in that she does not want to marry any of them. Through deceiving the prince, Portia's displays her prejudice towards the prince's race. These examples show how deception, as seen through love, leads to a decline in the moral values of
West, Rebecca. “A Court and World Infected by the Disease of Corruption.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT: Yale University Press, 1957.
The nature of the contract between Portia and her father is as follows, Portia’s father state’s that all suitors must first select on of three caskets in order to marry her. The caskets are made of gold, silver, and base lead, all containing different messages. Only one of the three caske...
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
The ideological construct of justice is a salient theme in both Susan Glaspell’s Trifles and Sophocles’ Antigone. Both plays depend on a struggle between what is legally correct and what is morally acceptable to further the conflict present in both plots. But justice is a malleable term - its meanings are so varied that a universal definition is impossible. When a word loses clear definition, it loses its usefulness. Both Trifles and Antigone provide perfect illustrations of how English is mutating beyond the idea of justice as a useful linguistic construct.
8[8] Turner, John, "Hamlet: The Court in Transition". University College of Swansea, Shakespearean Criticism, Volume 16, Yearbook 1990, p. 253.
Upon an initial examination of William Shakespeare’s play, The Merchant of Venice, a reader is provided with superficial details regarding the moral dilemmas embedded in the text. Further analysis allows a reader to recognize the multi-faceted issues each character faces as an individual in response to his or her surroundings and/or situations. Nevertheless, the subtle yet vital motif of music is ingrained in the play in order to offer a unique approach to understanding the plot and its relationship with the characters. Whether the appearance of music be an actual song or an allusion to music in a mythological or social context, the world of Venice and Belmont that Shakespeare was writing about was teeming with music. The acceptance or denunciation
...sfied with the outcome and resolution from the mediation session, the parties are given liberties to engage with a court procedure.