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Injustice practice in literary
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The ideological construct of justice is a salient theme in both Susan Glaspell’s Trifles and Sophocles’ Antigone. Both plays depend on a struggle between what is legally correct and what is morally acceptable to further the conflict present in both plots. But justice is a malleable term - its meanings are so varied that a universal definition is impossible. When a word loses clear definition, it loses its usefulness. Both Trifles and Antigone provide perfect illustrations of how English is mutating beyond the idea of justice as a useful linguistic construct. Perhaps justice was easier defined in Sophocles’ time, when what was good for the state was also considered just. When Creon said, “I would not count any enemy of my country as a friend
Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother Polynices, and decides to execute Antigone for trying while Antigone’s legacy will live on because she has the courage to defy Creon, and chooses to sacrifice herself for Polynices' honor.
The debate between Unjust and Just Speech in Aristophanes’ Clouds draws the reader’s attention to the theme of natural pleasure versus lawful justice. The debate begins with the two Speeches representing
Struggling between the truth and the law, Antigone’s dilemma, in Socrates's Antigone effectively parallels Plato’s ¨Allegory of the Cave.¨ Antigone has seen the light/ truth and understands that her brother deserves a proper burial, despite what her uncle’s law may state. By fighting what Creon says is correct, Antigone has made the ascent out of the cave; she has seen the truth and has rejected the false images of the puppeteer, unlike the other cave dwellers who refuse to make the ascent into light. The journey into the light is painful and uncomfortable; however, in contrast to her sister, Ismene, and the townspeople Antigone is willing to make this sacrifice in the pursuit of truth, stating ¨To me the pain is light. . . and if my present action seems to
Trifles I would like to make three major points. Major #1: Since this is the first play we’ve read, the stage direction really caught my eye and I tended to consider it very seriously in determining the meaning of the work. The most obvious direction, which the essay by Parrish discusses, is that neither Mr. nor Mrs. Wright ever appear in the play, and Glaspell was the first to use this type of direction (which was later recognized as uniquely her own.) Other important examples of the play’s direction (not spoken lines) are: (. she is disturbed now and looks fearfully about as she enters).
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
Let us firstly analyze and delineate the significant instances in the interchange between the unjust speech and the unjust speech. Both the unjust and just speech begin this interchange with a heavy slandering of one another. Perhaps, one of the most notable moments of this slander is when the just speech, after claiming that it believes in and stands for justice and is hence “speaking the just things”, is asked by the unjust speech that “denies that justice even exists” to “answer the following question, if justice truly exists, then why didn’t Zeus perish when he bound his father?” (p. 152, 901-905). The just speech replies to this question by exclaiming that “...this is the evil that’s spreading around” and that he needs “a basin” if he is to continue hearing it (p. 152, 906-907). Firstly the just speech, as a mouthpiece for the existing Athenian legal-political convention, has claimed that this legal-political convention is where justice in its entirety is to be found. Secondly and simultaneously, however, the just speech finds itself unable to articulate what it means by justice and how the teachings of the Homeric Gods, that have informed the construction of Athenian political convention, are positive and/or negative examples of an
Thrasymachus’s definition of justice is incoherent and hard to conceptualize within the context of the debate. What remains unclear is Thrasymachus’s ideal definition of justice. At first, Thrasymachus definition of justice after passage 338c remains disputable. Justice, Thrasymachus states, “… is simply what is good for the stronger” (338c). Therefore, on its own, this statement could infer that, what can benefit the stronger is just and therefore can be beneficial to the weaker as well. Therefore Thrasymachus definition can be taken in different contexts and used to one’s discretion. Additionally, Thrasymachus changes his definition of justice multiple times during the discussion. Thrasymachus states t...
Nearly everyone experiences the feeling of love. Whether it’s for another person or for food, almost everyone feels love during their lifetime. In the play Antigone, the writer, Sophocles, illustrates a very important fact regarding love: love is our most important and most dangerous motivation for doing anything, and without moderation, love can be deadly.
Both Sophocles and Jean Anouilh use the simple story-line of a girl defying her uncle and king in the face of death to reflect upon the events and attitudes of their days. Sophocles' Antigone models the classical pattern of tragedy by incorporating key elements such as a tragic hero with a fatal flaw and the Man-God-Society triangle. Creon is the tragic hero who disturbs the natural harmony of Thebes by denying Polyneices a funeral. Antigone is the catalyst who forces him to reckon with the consequences of his pride and arrogance. In the twentieth century, Jean Anouilh takes Sophocles' drama, strips it down to its core, and weaves an entirely different version of the story. Anouilh redefines "tragedy" by removing the conventional tragic hero, the Man-God-Society triangle and the black-and-white distinctions within the story. He creates a heroine with human faults and emotions, whom society can both embrace and emulate, in order to criticize the Vichy collaboration with Nazi Germany during WWII.
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.
good." I think that the fundamental issue that comes out of the work is the basic definition of what it means to place value on beliefs in a heterogeneous social order. It would be easier if the battle was between "good vs. bad," but where Hegel, and Sophocles, found tension and true tragedy was in the action of having to choose between two equally desirable, but ultimately incompatible courses of action. Prior to Creon's own renouncement of his stubbornness, there is an agonizing choice to be made. On one hand, there is Creon with the word of the law as representing justice. On the other hand, Antigone presents her conception of justice as transcending the law. Both carry significant implications that have to cause some level of pause within the reader/ audience. If we validate Creon as being right, then it speaks to the absolute certainty of the political and social order, an order of individuals as carrying transcendent quality to it. If we validate Antigone, then it speaks to the idea that anyone is able to raise question to this system, and bring doubt into a realm where certainty is needed. At the same time, if we validate both characters, we also sanction the pain caused to those who have the unfortunate distinction of being in love with them. These characters become collateral damage in the tragic drama between two competing notions of the good. It is here where tragedy is evident. For this reason, I would have to see Hegel's view as one consistent with Classical tragedy, forcing agony and pain out of choice, and being the direct purpose of Sophocles in the construction of the
According to the Merriam -Webster Online Dictionary an assumption is a belief that something is true or a fact or statement that is taken for granted. Susan Glaspell wrote "Trifles" to demonstrate the male assumption that women are insignificant members in a male dominated society. Because the men underestimate them, the women are able to prove they are not insignificant. The improper assumptions by men toward women can have dire consequences, as demonstrated in Glaspell's world. Combating these narcissistic assumptions displayed by men can result in a unity among women that can overcome any male caused disrespect and oppression.
Within two classical works of philosophical literature, notions of justice are presented plainly. Plato’s The Republic and Sophocles’ Antigone both address elements of death, tyranny and immorality, morality, and societal roles. These topics are important elements when addressing justice, whether in the societal representation or personal representation.
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
Susan Glaspell’s Trifles explores the unequal relationship between men and women in the early 20th century. How do you think the power relationship between the two genders was reversed at the end of the play? In the 20th century females were just meant to be at home, taking care of the house, making sure everything ran smooth. Women weren’t allowed to vote. They couldn’t go out alone. A women’s place was behind her husband and making sure he looked good, in every aspect. Weather it was political or not. The way they weren’t supposed to dress was extremely different, they weren’t allowed to go out showing skin. At the start of the play we see how the detective states that the house isn’t as clean as it should be. The jars in the kitchen