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Role of consumer culture to self and identity
An essay on consumer culture
An essay on consumer culture
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The essay will explore the concepts of ‘Habitus’ and how it can form a personal taste. In order to discover if taste can be considered to be truly personal, it is important to first investigate on the ideas of consumer culture and how meaning can be created. There are a number of theorists that need to be pointed out when talking about this subject matter, such as; Slater, Bourdieu, Lury and Miller. There will also be a slight touch on the key aspects of semiotics and semiology as this tool will be used in order to apply the main theories to practice. So as to carry this out, the theorist Barthes will be studied as well. According to Slater (1997:26), ‘consumer culture is, in principle, universal and impersonal’. The notion behind this is that consumer culture is believed to be something that is in general for everyone and not specifically personal to you. The variance between production and consumption is growing larger for the reason that, individuals would now rather consume an item that is already available to them instead of producing items themselves. People would now work in their jobs to earn money just so they can spend it on items that someone else has produced as their job. It is a process that goes round in a circle; work, leisure, work, leisure. Slater (1997:8) also mentions that, ‘consumption is always and everywhere a cultural process, but ‘consumer culture’—a culture of consumption—is unique and specific: it is the dominant mode of cultural reproduction developed in the west over the course of modernity’. This explains the concept of meaning and how there are meaning of things in the uses of consumption. Things involve meaning for the reason that consumption is cultural. Meaning is created through the cultural val... ... middle of paper ... ...ent and the style shown is informal and relaxed. This ad is addressed to the theory that says working classes have no time for the reason that Twix is a quick snack chocolate bar and does not need a lot of time to consume. Additionally, it would appeal to the lowbrow because it’s all about eating it fast and not caring about the actual taste. Therefore, Twix contains a lot of fat in it and is not made with great care or quality. Works Cited Barthes, Roland. (1977). Image Music Text. New York: Hill and Wang. Bourdieu, Pierre. (1986). Distinction: A Social Critique of the Judgement of Taste. London: Routledge & Kegan Paul. Lury, Celia. (1996). Consumer Culture. Cambridge: UK: Polity Press. Miller, Daniel. (1987). Material Culture and Mass consumption. Oxford, UK: B. Blackwell. Slater, Don. (1997). Consumer Culture and Modernity. Cambridge, England: Polity Press.
The chosen article is Two Cheers for Consumerism by James Twitchell. In this article he talks about consumerism, commercialism, and materialism. He argues the stand point of consumers and the role they live by every day. In other hands the critics, Academy, gives the consumers and overview description to their consumers.
In chapter seven of The Way We Never Were, Stephanie Coontz focuses on consumerism and materialism. In this chapter, Coontz claims that the root causes of consumerism is affecting Americans in a contemporary society is the mindset of people having an addiction to having the latest and greatest in terms of any goods. Coontz argues that “consumerism and materialism affect working adults and non working ones, both sexes and all ages, people who endorse new roles for women and people who oppose them” (page 223). In our society people buy what they want rather than what they need.
Bourdieu, Pierre. Distinction- A Social Critique of the Judgement of Taste(Cambridge: Harvard University Press, 1984)
At first, the narrator conforms to the uneventful and dull capitalist society. He fines success in his work at an automobile manufacture, has obtained a large portion of his Ikea catalog, and has an expansive wardrobe. He is defined by his possessions and has no identity outside his furniture, which he remarks, “I wasn’t the only slave of my nesting instincts” (Palahniuk, 43) and “I am stupid, and all I do is want and need things.” (Palahniuk, 146) For the narrator, there is no fine line between the consumer [narrator] and the product. His life at the moment is a cycle of earning a wage, purchasing products, and representing himself through his purchases. “When objects and persons exist as equivalent to the same system, one loses the idea of other, and with it, any conception of self or privacy.” (Article, 2) The narrator loses sight of his own identity; he has all these material goods, but lacks the qu...
The amount of critical analysis surrounding Alfred Hitchcock's Vertigo is itself dizzying, but as the film has recently been restored, it seems appropriate to provide it with a fresh critical reading. The purpose of this paper then, is to draw this film out of the past with a reading that offers not only a new way of understanding it, but a close look at the culture that produced it. Specifically, Vertigo offers its most exciting ideas when contextualized in a culture of consumerism. Consumerism shaped the film, and also shapes the way we view it. The desire of the consumer is the driving force behind not only our economy, but our mode of seeing the world, and seeing films. As consumers, we are always looking for, and looking at, new commodities, especially clothing. We gaze at clothing in shop windows. We purchase it and wear it, making it visible to others. Indeed, the desire to buy clothing is linked closely to our desire to show it off. We shop in a visual economy, a visual culture of consumption. To understand this culture it is important to understand the historical figure of the flâneur. The flâneur is a wandering male consumer of images who is, and was, particularly in the nineteenth century, the visual and economic agent at the center of consumer culture. He is also at the center of Vertigo, personified in the main character, Scotty.
With the rise of industrialization, globalization, and mass production, the manufacturing productivity has been dramatically increased and accordingly the availability of consumer goods. And with the rise of the mass media, various products have been targeted on broad groups of consumers. Consumerism, which is propelled by a system of mass production and high levels of consumption, has been one of the themes in art works from twentieth century till now.
He is best known for his book, In Distinction: A Social Critique of the Judgement of Taste (Bourdieu, P, 1984).
One of the key elements of this film is that it reveals how the primary human population is being manipulated and controlled through a variety of societal institutions without even realizing it. As Theodor Adorno assesses how people ultimately make decisions that bring them the most pleasure in his writing of: Culture Industry Reconsidered, primarily takes into account how corporations influences the decisions make within a society. A primary aspect that occurs as a result of the influence of corporations is the element of a culture within a society that impacts people to make submissive decisions to greater institutions in a way that functions to produce some sort of monetary benefit to that society. As consumers become victims of this manipulative system,“it may also be supposed that the consciousness of the consumers themselves is split between...by the culture industry” as individuals become submissive to the benefits that this form of society produces while remaining oblivious to the means used to obtain this goal (Adorno, 5.) This author goes on to explain how the culture industry has created a system in which conformity has replaced the consciousness among the public.
This essay explores the relationships between social, cultural, epidemiological, economic causal factors that led to the romantic perception of Consumption. In addition, Lawlor and Suzuki engage in the contemporary intellectual framing of Consumption by problematized Susan Sontag’s theory of illness and social metaphor within her work Illness as Metaphor. Sontag suggests that the existence of the Consumptive identifiers, like pale skin, low-grade fever, listlessness etcetera, occurred simultaneously with social metaphors of romanticizing Consumption. Lawlor and Suzuki challenge this notion by stating that the physical epidemiological identifiers are the building blocks in which metaphor are created, rather than metaphor and physical identifiers always simultaneously existing .
In this essay Hume creates the true judges who are required to have: delicacy of taste, practice in a specific art of taste, be free from prejudice in their determinations, and good sense to guide their judgments. In Hume’s view the judges allow for reasonable critiques of objects. Hume also pointed out that taste is not merely an opinion but has some physical quality which can be proved. So taste is not a sentiment but a determination. What was inconsistent in the triad of commonly held belief was that all taste is equal and so Hume replaced the faulty assumption with the true judges who can guide society’s sentiments.
Sassatelli, R. (2007). Consumer Culture: History, Theory and Politics, London: Sage, Page 30, Page 126, Page 132, Page 133
Predicates of personal taste have attracted a lot of linguistic and philosophical attention. They express an analytical difficulty in determining whose knowledge or taste is being expressed. However, there predicates of personal taste such as delicious and tasty seem to be different from other kinds of predicates. As their name suggests, predicates of personal taste exhibit personal taste; thus are essentially subjective. Coincidently, they give rise to disagreements such as the one in the following dialogue:
Consumerism is global; it occur every part of the world. It’s viewed as the social movement where people buy goods in excess just to find pleasure and enjoy life. It happens mostly in the western world though it still happens in the Japan as put forward in the novel. Yoshimoto has dealt with the theme of consumerism in many in many instances; it is more evident in the purchase of the juicer as well as the word processor. It has led Mike to believe that the Japanese have the taste in buying the new things. However, the authors also emphasize on the negative aspect of the consumerism through some of the impacts it has on Japanese tradition and culture. It’s through it that people have no value and the respect for the family. Due to their busy life, they find no time to spend with their families.
Individuals also learn to adopt materialistic values through social learning from family members, peers, and the materialistic messages that they are frequently bombarded with in television programs advertisements (Kasser et al., 2004). The materialistic lifestyle, According to Kasser (2002), is a process of acquiring material goods beyond the necessities to meet human needs. It is of high importance to the individuals to attain financial success, impressive possessions, an attractive image, and a replicable status. Materialistic people tend to use money as a mean of self-enhancement (Kasser et al, 2004). Similarly, Belk (1985) explains materialism as the importance a consumer places on the acquisition and ownership of possessions (Belk 1985) and the view that there is a ris...
“The average family is bombarded with 1,100 advertisements per day … people only remembered three or four of them”. Fiske’s uses an example of kids singing Razzmatazz a jingle for brand of tights at a woman in a mini skirt. This displayed to the reader that people are not mindless consumers; they modify the commodity for their use. He rejects that the audiences are helpless subjects of unconscious consumerism. In contrast to McDonald’s, Fiske’s quoted “they were using the ads for their own cheeky resistive subculture” he added. He believed that instead of being submissive they twisted the ad into their own take on popular culture (Fiske, 1989, p. 31)