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Essays about physical abuse
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If it was one thing King Arthur appreciated, it was the warmth of his bed on a frosty winter morning, especially when his wife lay beside him sleeping peacefully. He relished these moments of peace, recognizing they would not last, as their child was due to arrive any time now. In a haze of half-wakefulness, Arthur recalled the smile on Guinevere’s face during the castle Yule Feast a few weeks prior, her enthusiastic laughter, and the way she danced, with such grace, despite her ungainly size. He did not think of her as ungainly, but that was the word she used to describe her shape. And Arthur had to admit, wandering about with a belly that protruded that much must be cumbersome. But above all, Arthur was incredibly grateful that he and Guinevere were closer than ever. They had weathered the storm …show more content…
“But that reminds me, I was in the market yesterday, and I heard that—” “Why were you in the market? Didn’t Alis tell you to reduce your activity? Put your feet up? There’s no need for you to go to the market, Guinevere. If you need something, we’ll send someone to fetch it.” Realizing this might start an argument, Arthur braced himself for his wife’s reaction. Her emotional outbursts were frequent these days, and normal, according to Alis, but why couldn’t Guinevere relax for once, especially when she was so. She might slip, or someone might take advantage of a heavily pregnant woman in the market. “Arthur, stop. I had a half score of guards with me, which is excessive, I might add, and if anything had happened, they could have carried me straight back to the castle. Besides, I wanted special cloth for the baby.” Her chin wobbled and her eyes glistened with tears. “I’m making something special for the baby, a little knights’ cloak, even if it’s a girl. But I wanted cloth that was supple, not thick or scratchy. It’s something I needed to see and feel myself,
In the Arthurian romance genre, Guinevere plays various roles; the purpose of her role depends on the story that she is in. In three separate stories, written by different poets, specifically Sir Gawain and the Green Knight, Morte Darthur, and The Wife of Bath’s Tale, Guinevere is used to achieve different goals. In Sir Gawain and the Green Knight, Guinevere is the catalyst of all of the stories events. The burning desire of Morgan le Fay to destroy Guinevere through dismantling the Round Table is what spurs the arrival of the Green Knight in Arthur’s court and the subsequent quest that Gawain goes on that tests his character and allows him to learn more about himself. The Guinevere in Sir Gawain and the Green Knight is the reason that Arthur’s
The Arthurian cycle shows a sporadic awareness of the impossibility of mere humans fulfilling all the ideals that Arthur and his court represent. The story of Lancelot and Guenevere, Merlin's imprisonment by Nimu‘, and numerous other instances testify to the recognition of this tension between the real and the unrealistic.
Arthur, young and impulsive, has a feast-day tradition, though, which has to be observed before the meal. He would not eat on such an occasion until he observed something marvelous: the telling of an amazing story, the fighting of a glorious battle, or the like. Arthur presides over the feast at the high table with Guinevere and Gawain and other famous knights as music plays and the food is brought in-so many delicacies and elaborate dishes that the poet says it would be impossible to describe them all. In the midst of the preparations for the feast, and as Arthur waits for a marvel to take place so that he can eat, a huge and terrible man bursts into the hall-a giant of a man, his chest and limbs are massive even while his proportions show him to be fit and attractive. The most shocking thing about him is that he was completely green.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
The narrative opens with a holiday feast in King Arthur’s court. The richness of this setting is represented by the decorations surrounding Queen Guenevere described in lines 76-80. “With costly silk curtains, a canopy over,/ Of Toulouse and Turkestan tapestries rich/ All broidered and bordered with the best gems/ Ever brought into Britain, with bright pennies/ to pay.” These lines also symbolize the queen’s role in the poem of a stately symbol of chivalric Camelot and as a female ideal. In this setting women are all around, but Guenevere is positioned above them and is surrounded by expensive, beautiful things. She is clearly made superior.
In the novel The Once and Future King, by T.H. White, the character, Queen Guenever, is depicted as a confused and lost woman in an arranged marriage. She had an internal struggle with a shameful secret, an affair with the ugly knight, Lancelot. In the time of King Arthur, women were limited to what they could do, and what decisions they were able to make. She ultimately made some wrong choices in her life, which led to the disapproval from those around her. She was in her marriage by force and had no malicious intensions, but did what she felt she needed.
Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain.
In the opening scene Sir Gawain faces his first trial when the Green Knight proposes his “Christmas game.” The room falls silent for “If he astonished them at first, stiller were then/ All that household in hall, the high and low;” (lines 301-302). The Green Knight begins to mock the court; and then boldly, King Arthur accepts h...
The elements of courtly love operate at several levels simultaneously in The Knight of the Cart; they are expressed by the behaviors of Lancelot, Queen Guinevere, Meleagant and other characters in the story. Two vividly deployed elements are the concepts of loyalt...
The Epic of Gilgamesh has many similarities to The Legend of King Arthur. Although Gilgamesh and King Arthur have comparison they also have differences. The main difference is that one is an Epic and the other is a Legend. To compare and contrast The Epic of Gilgamesh and The Legend of King Arthor, one must first know what the words, "Epic" and "Legend" mean. Primarily, "epic" is a long narrative poem about the deeds of a semi-god, also known as a superhuman hero who's actions are depended on as the fate of a nation, tribe or a human race. This usually consists of an adventure filled plot and is concerned with timeless human problems such as honour, jealousy, war and hatred. These contain gods and goddesses and the setting is fixed in a far distant place at a time long past. Epics are based on legends and myths.
Guinevere from the very beginning of the legend is portrayed as a passive, typical lady of the court. In stanza four, the author describes Guinevere almost as a trophy or ornament of the court: "Queen Guinevere very gaily was gathered among them/....The prettiest lady that one may describe/She gleamed there with eyes of grey/To have seen one fairer to the sight/That no one could truly say" (74-84). Guinevere does not take an active role in the court. She does not have speaking role and basically just sits among the knights of the Round Table. Her passivity and silence could be the result of medieval anti-feminism. According to Bloch in medieval times what a woman wants is to speak. Medieval authors such as Andreas Capellanus, the supposed author of The Art of Courtly Love writes, "Furthermore, not only is every woman by nature a miser, but she is also envious, and a slanderer of other women......fickle in her speech,....a li...
Camelot, the musical adaptation of The Once and Future King, allows for an interesting twist on the portrayal of Guinevere’s personality, mindset, and desires. The use of song and excellent acting allows for a unique display of the different aspects that make Guinevere a complex and strong character. Analyzing “The Lusty Month of May” shows Guinevere as a woman driven by her desires for the fantastical aspects of romance. However, contrasting “The Lusty Month of May” with other songs paints her as a more dynamic character and explains her relationship dynamic with Arthur, Lancelot, and other men in the court. This verse by verse analysis characterizes Guinevere as a woman driven by feelings of dissatisfaction and destiny.
...e is once again surrounded by the familiar faces of Arthur's knights, this return cannot undo what he has experienced, does not unwrite what the poet has written. The return of the endless knot to the place of its beginning does not negate the existence of the pattern that has been created.
The poem’s intricately balanced structure challenges the reader to seek out a resolution coherent with his or her own ethics. An admirable knight of King Arthur's renowned court, Sir Gawain is directed by a complex set of ethos, a collaboration of principles symbolized by the mystical pentangle. A five-pointed star composed of five interlocking lines; the figure represents a multitude of guiding tenets, representing both religious and knightly ideals. One can recognize that “the pentangle cognizance is explicated by the poet to signal Gawain’s complete Christian perfection, and for the reader to be aware of contemporary concerns about magical protective practices, hinting at human frailty” (Hardman 251).
In essence, “history” is simply a combination of stories: recounts of events from multiple points of view. This is especially true when talking about events before the 21st century and the invention of cameras, and video/audio recorders. The only available information we have about the medieval period is from the writings of people from that time period, people who we now call historians. It is natural for our personal lives to affect our vision of the world, and thus easy to see why many of the writings we have about the medieval time period are strongly influenced by their author’s personal experiences. This is very obvious in the different versions of the story of King Arthur.