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John Gardeners, Grendel, he begins to outline his philosophy of reality and fantasy in which effects Grendel’s journey of life. Grendel believes that perception is reality and not a fantasy. Therefore Grendel creates his own universe, because it is only his experience of his environment that makes it real. Although Grendel takes this relatively reasonable idea to an extreme, deciding that he alone exists. It leads, eventually, to his belief that only he matters, and he can therefore do whatever he wants to everyone else. With this Gardner reveals to his readers about the important difference between reality verses fantasy, and its effects.
As Grendel strives forward, however comically, to escape from his world of tragedy and darkness he
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sees the goodness in others.
With the power of words, Gardner expresses, that even a monster can be affected by it. Gardner also develops the theme of fantasy as another moral force that allows humanity to advance by inspiring Unferth, in the belief of his heroism. Gardner details the thoughts of Grendel, “So much for heroism. So much for the harvest virgin. So much also for the alternative visions of blind old poets and dragons.” (Gardner 90). The significance in Unferth’s character is obvious throughout his encounters with Grendel. Unferth loses every time, first physically and then mentally, leaving us with no other option but to think maybe Grendel is right. Unferth shows some characteristics like courage and the determination to fight and die, but it’s not enough to break Grendel down. Unferth does indeed have a role to play in this story and the fact that he helps …show more content…
Grendel strengthen his belief that the world is empty, which makes Grendel’s death that much greater. Unferths failure to prove his heroism is reality; which puts Grendel in an even more cynical mood than before; he wasn’t ready to embrace the dragon’s philosophy. Gardner also creates a relationship between Grendel and the dragon in order to expand the concept of nihilism: the belief that there is no purpose to existence. This is also a fantasy in which Grendel supports and believes in trying to find the answer of how it works. Through these changes, Gardner is able to develop themes that recur not only in the characters but throughout the plot. In continuation of the influence on Grendel’s beliefs and his quest is to know who and what he is. His never changing answer to these questions suggests that he will never be satisfied with an end to his quest. Even when he is told his position in the universe by beings far wiser than he is (such as the dragon), Grendel attempts to modify this position in favor of something different. Ironically, his very attempts to reject his intended place in the universe lead him to accomplish the role of Hrothgar's (and humanity's) helpful adversary more completely than he desires. This shows Grendel’s resenting nerves and attitude towards his life and future. To the feelings and thoughts of Grendel’s future and fate, Gardner emphasizes in Grendel’s experiences.
At the end of the novel Grendel gets the chance to try to change his life. Grendel takes action and does something useful to make his life more important and memorable. Grendel felt as though his world and life was fading into darkness, he wouldn’t accept the truth and reality of the facts around him. ”Something is coming, strange as spring. I am afraid. Standing on an open hill, I imagine muffled footsteps overhead” (Gardner 126). Through Grendel’s agony and pain of his slow death he still resents the fact that he was defeated and says to himself that it was an accident. Gardner is successful in revealing the difference of reality and fantasy with the reference of Unferth, the dragon and himself and in which Grendel faces throughout his life in the
novel.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
the men as the "beasts" and Grendel as the victim. & nbsp; Another aspect of the humans in the story that Grendel defines is their concept of a hero. Not only does he allow for heroes to exist he gives them their purpose in life. Grendel is the monster in the darkness. that every loyal thane would defend his king against. Without Grendel this unique situation would not exist. On the other hand, Grendel has the ability to humiliate and cause a man to be named a coward. He does. this to none other than Unferth. Unferth is treated like a hero because he would defeat the "monster" Grendel, or die trying. When Grendel does not. allow him to complete this task he is shamed by his fellow thanes. Grendel realizes that by killing the man he will be defining him as a hero in the eyes of the humans. Considering the way Grendel was treated by Unferth. and others like him, it becomes easy to sympathize with him extracting this.
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
Perhaps he would actually like to live a normal life with the humans. “Some evil inside myself pushed out into the trees, I knew what I knew, the mindless, mechanical bruteness of things, and when the harper’s lure drew my mind away from hopeful dreams, the dark of what was and always was reached out and snatched my feet.” (Gardner 54) It seems as though Grendel would like to change things if he could, but some outside force will not allow it. Even if this is true, Grendel is still inherently evil. Despite whatever dreams he may have. The reader simply cannot ignore the fact that he still does evil deeds with evil intentions. He is seemingly unable to feel love, or at least disinterested in it. He enjoys torturing and killing humans and rarely shows mercy. Due to these facts, it is impossible to say Grendel is a hero in this
Towards the end of the novel, Grendel finally becomes ‘himself’. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in at the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident.
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
It bears mentioning that Grendel was strongly influenced by the idea of nihilism, which means that he believed that nothing has meaning and everything in life was an accident. “Nevertheless, it was
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
Merrill, Robert. "John Gardner's Grendel and the Interpretation of Modern Fables." American Literature 56.2 (1984): 162-180.
Evil. It’s a concept that has baffled philosophers, religious figures, and the common man alike for thousands of years. In this millennium, people may exemplify evil as terrorism, genocide, or, perhaps, placing an empty milk carton back in the refrigerator. However, many remain conflicted about the exact definition of evil, as the dispute over the character Grendel, from the John Gardner novel, makes evident. To conclude that Grendel is not evil, readers must first operate under the assumption that the beast is unequivocally and thoroughly evil. Having done so, readers will notice the fallacies within this thought process. By asserting that Grendel is evil, readers blatantly disregard the ambiguity with which humanity defines its actions, as
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”