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History of fashion introduction
History of fashion introduction
Historical influences on fashion
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“Clothing, as one of the most visible forms of consumption, performs a major role in the social construction of identity. [..] Clothing is one of the most of the most visible markers of social status and gender.” (Crane, 2000, p.1). Buckley and Fawcett (2000) draw attention towards how fashion articulates different aspects of identity out of which gender is distinguished like no other, because clothes are used as a visible social marker to show gender differentiation. Fashion has closely been associated with gender and hence, looked up to when talking about gender. Enwistle (2015) quotes Suthrell (2004:2-3) where she analysed cross dressing and said, “’clothing is unusual in artefactual terms because it allows us to play- temporarily or permanently-
It is made up of two words andro- male and gyn- female (Case, 1995, p.19). For most periods, androgyny was not given any meaning except for a ‘fad’ that appears in fashion every once in a while. It appeared in fashion 1920s, then after the First World War, it was popularised in the Sixties by David Bowie and Boy George through unisex fashion, in 1980s by punk movement and then in 1990s through the representation of androgynous models (Gligorovska 2011, p-10 and 12). Davies (1992, p. 34) argues about the adaptation of androgynous clothing amongst men and women. He suggests that androgynous clothing has been incorporated by women during times of great distress to exhibit power which is associated with men and masculinity. Women have tried to display power through fashion with military jackets, tattooing, jumpsuits, men’s footwear, suspenders, trousers, underemphasised breasts, no makeup, boy’s haircuts etcetera over time. He also asserts that men have only flirted with the idea of adopting clothing that suggest femininity irregularly and
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
The author explains that men have the freedom to wear what they want without much meaning being read from their clothes, but for a woman every style has a meaning. In the article Deborah Tannen says “There is no woman's hair style that can be called standard, that says nothing about her” further supporting her point. The author uses the different clothing styles of three ladies in her conference meeting as examples when she tries to attribute them? to their respective personalities. However, she noticed that the men were all dressed alike because they had the freedom to. In my opinion, the author’s evaluation is restricted. Tannen did not consider the formal setting of her case study so to say.In such settings, men are often restricted to corporate outfits and a plain haircut just like the ones she observed in her male colleagues in the article (page #) . For instance, it is inappropriate for a man to go job hunting or for an interview in a pair of shorts and plain T shirt, but in a casual place like a bar he has more freedom in his choice of outfits. This example shows that men are only unmarked in certain situations and settings.
The film presents the stereotypical behavior of gay men that is evident in our society. Many of the costumes are designed to highlight the characters and the way they live. For example, Bernadette wears long flowing clothes usually white or an off cream. ‘She’ is an older ‘women’ and dresses to look like one with flowing skirts and tops with her hair done up simply.
In the mid 1960s more and more women started to look like men (maga 103). Although the trousers suit for women was launched, people suspected that some of the inspiration of the way women started dressing came from father down the ...
...d women’s fashion to break free from convention. Bras and corsets were seen as symbols of oppression and conformity. They were discarded by many women as many new fads appeared,(). Women also exhibited their newfound freedom by wearing traditional male clothing such as baggy trousers, men's jackets, vests, over-sized shirts, ties and hats.
From the conventional Victorian dresses of the 1800’s to the rock-and-roll tee shirts of the 1980’s, American culture has experienced incredibly diverse trends in clothing. This ever changing timeline of fashion provokes the question: what is the cause of such differing styles? By considering the state of society throughout the eras, it can be seen that clothing directly correlates with the current way of life. Specifically, American women’s fashion of the 1920’s and 1930’s proves to not simply be a meaningless trend – rather an accurate reflection of the specific era.
As Entwistle eloquently claims, " it is through our bodies that we see and come to be seen in the world." By using the phrase "come to be seen in the world," Entwistle introduces how dress serves not only as an expedient for individual expression, but also as a mediator between our internal identity and social rules. Our performance of gender is coherent with what societal conventions define as the appropriate set of characteristics of a woman. This dual purpose of dress is manifest in the manner in which Jenner dresses her body: all attempts are made to exaggerate the feminine aspects of her body. For example, her satin corset drapes alluringly around her hips, accentuating the curvature of her hips. She employs significant cosmetics to further beautify her face in order to create a sensual aura. The emphasis on her Jenner 's aesthetics is in concurrence with the importance placed on a female 's looks. The aesthetic appeal is often one of the defining characteristics of a female. And thus, Jenner 's body is dressed in the way a female 's body should be dressed. In conclusion, Jenner 's dressed body plays a salient role in Jenner 's articulation and expression of her new feminine
Sarah Crawley’s article, They Still Don’t Understand Why I Hate Wearing Dresses: An Autoethnographic Rant on Dresses, Boats, and Butchness, draws on how society distinguishes appearance, responsibility and expectations in regards to women and men. She observes the gendered discrimination people often have, for women in particular, using her personal experiences; she focuses on women wearing or performing tasks that are strongly associated with femininity, contrary to the‘masculine’ responsibilities that are designated for men. In the article, Crawley expresses her disassociation of the typical gendered traits for both women and men, by being butch. Butchness, Crawley explains, “is a practice in a sexist, heterosexist culture that engages female-bodied people in the expression of ableness” (81). By performing butch, Crawley breaks away from what
Fashion in the 21st century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3). Works Cited Finkelstein, Joanne. A.S.A. & Co. Fashion: An Introduction to Fashion. New York: New York University Press, 1998.
"The androgynous woman literally incorporates the independence that the male was designed to exemplify prior to the introduction of woman, but the male who depends on a woman becomes effeminate and is perceived as missing something in the outline of maleness," (Rose, 25). While in the forest of Ardenne, Rosalind is dressing in and taking on the male persona.
In the late 18th century the Industrial Revolution occurred causing a huge shift in the ways in which clothing was produced and subsequently altering the ways in which clothing was perceived. For decades preceding industrialisation men and women of high so...
For example, if people saw me wear Concords, they would categorize me as being into basketball or hip hop. It is also mostly guys who are wearing basketball shoes that notice my shoes. Therefore, it makes me feel masculine and makes me feel like I belong to the basketball or hip hop culture, but at the same time, I feel like I do not belong to a certain group. Thus, fashion is different in ethnics group, gender, and class because it serves to unite people or to establish a separation from other groups. It originated from women in order to make up for their disadvantage status, middle class in order to increase their social status and marginal social groups for their lack of social importance and cities for social density and wealth (Fashion, 310). Therefore, fashion play an important role in our lives back then and
The overall idea of what a women should wear was extremely unpractible, causing women intense sickness and immobility due to things like “tight garters” and “corseted waists” (Riegl 176). Women could not wear loose, practical, comfortable clothes like mens fashion, but were confined to a life of solitude in their own clothing. Women’s fashion created a very large and unneeded burden (Riegl 176). Women felt violated that this uncomfortable and unhealthy way of life was being forced upon them. Eventually women got fed up by these Fashions and a sense of rebellion was triggered in many women. They finally felt they had to do something about the unfair treatment that took too large of a toll on their lives (Riegl 176)
Generally, in the 60s people’s dressing was stilted, unattractive and confined (Tracy Tolkien., 2002). However, young people experienced the highest incomes period after the Second World War; therefore, they began to put more attention outside the basic human supply. Hence, the young boys and girls were start desired some fresh elements to add i...
There have been many instances where I am stopped and commented on what I’m wearing. Depending on a single item of clothing, I am either a “certified hippie”, “lesbian”, or “law student”. This has brought me to raise an important social question: How have fashion and advertising built identity stereotypes? Stereotyping can have a strong and negative impact on a person, especially younger generations that are now at an influential stage in their mental development. By subjecting them to these stereotypes based on what they wear, they may begin to think of and see themselves as society claims, rather than who they are or aspire to be. By conducting further research on stereotyping in fashion designs through their advertisements, the aim of this research is to understand the history and social ideas behind fashion. By thoroughly understanding the problem, a solution would be easier to reach. In order to gain further insight on the matter, two practitioners have been selected: Dr. Rebecca Arnold and Dr. Roman Meinhold.