Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Romantic comedy genre essay
Bridget jones character analysis
Romantic comedy genre essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Romantic comedy genre essay
A Diegesis is a word used to describe the " total world of story action". In the beginning scene of the film Bridget Jones (the main character) begins speaking, the point of these beginning scenes is to use voice-over narration, which means; the camera is taking the audience to different places in Bridget's daily life and not pointed directly at her while she speaks. Throughout the entire film, the audience is taken through the timeline of Bridget's life as she is in her thirties, weighs 136 pounds, and smokes about 42 cigarettes a day and drinks an obscene amount of vodka. We see this information as it appears on the screen once Bridget feels the need to start a diary to keep track of the obstacles she intends to overcome throughout the next …show more content…
The way the English speak sounds proper, and sophisticated, even when saying curse words. The weather during the beginning of the film is cold and around Christmas time, then entering the middle of the film it seems to be spring time and by the end of the film, it is cold and once again Christmas. This takes us through a chronological timeline of what seems to be a year of Bridget's life. The audience begins to see how Bridget shapes and molds herself into a strong and independent woman, who only wants to be loved and avoid dying fat, alone, and eaten by wild dogs. This film is a romantic comedy, because although the true message of the story is somewhat sad, it is comparable to most audiences, and gives off the impression to not live life so seriously. The camera angles in the film help us to relate to the main characters point of view or of the setting around the main character, we follow Bridget throughout the entire film as she encounters new and old relationships, through her daily ordeals and decision making. The plot of the film is about love and the producers of this film intended for the audience to truly understand what Bridget Jones feels about certain situations and what conflicts and resolutions that came about in this time in her
They are already in a compromising situation in celebrating her eighteenth birthday at a gas station having coffee which was already established as being not the norm earlier with Marie recounting her own large party where her “mother made a large party” (154). There reality is broken when the teenagers arrive and “One of the girls went to the juke box and put money in” and they are forced to leave because of Carol condition which causes her to have a breakdown from the noise (157). The arrival of the kids forced them to come into contact with their own reality which can never coincide with the one they have fabricated. This small reminder of what the norm is supposed to be is often brought to their attention through others such as when they “could see, in the light shaft of light, a boy, two girls and a dog” (155). In this instance, they are walking on the way to their weekly picnic, which is in itself repetitive, when they are shown the norm of other having fun “the boy splashing in the water with the dog” while they are forced to go through the motions without much emotion. This depiction of the norm unsettles their reality and, even though they don’t stop trying to alter reality to shelter Carol, shows how dysfunctional their own situation is as it can be seen as a potential version of themselves without Carol’s
Although industry regulations restricted the film to show many scenes described in the book, such as the sexual relationship between Veda and Monty, the film in reality reinforces the theme by showing the tragical climax and denouement at the beginning of the film. Unlike the book, the film takes off with a gruesome murder scene followed by an attempted suicide, instantly creating a dark overtone characteristic of the film noir era. Throughout the film, constant intermission scenes create discontinuities and seemingly attempts to remind viewers of the eventual destination of the plot. Every time when Mildred prepares for a new stage in her life such as being together with Monty and deciding to open a restaurant, the flashback recount is suddenly cut off as the audience is snapped back into reality with Mildred and the officer at the police station. Along with the dark tone created in the very beginning, this narrative design casts a sense of crime on the whole plot, providing viewers with a feeling of desperation for every inappropriate action taken by the characters. Eventually, when the film ends with both Mildred and Veda punished in their own ways, a major release of emotions among the audience lands the final knockout punch on the “unladylike” lives of Mildred and Veda, emphasizing once again the traditional domestic expectations for women in the mid-20th
The film begins with Joseph, an Irish farmer, being removed from his land because he cannot pay rent. While mourning the death of his father he seeks revenge on the landlord who took his family’s land. This is where he runs into Shannon, a privileged
The setting that O’Connor portrays a v. O’Connor gives insight into the life of the family when she writes, “Bailey was the son she lived with, her only boy” (O’Connor 497). The house with Bailey reading the sports, and the mother feeding the baby apricots, it’s almost utopian, but the grandmother is the wrench in the machine. Being a husband and father of three, and letting his manipulative and conceited mother live with him, is creating tension between the adults, and starts forcing the environment to resonate with a lack of social connectivity in the home. The grandmother, for her own reasons, says to Bailey, “‘Here this fellow that calls himself The Misfit is aloose from the Fede...
In the novel, during many instances, intricate intimacies are illustrated. “No multitude of words could have been more significant than those moments of silences, or more pregnant with the first-felt throbbings of desire.” (30) Robert, in pursuit of Edna unlocks her sexual awakening alongside his social awakening. Robert becomes aware that he must step out of the boundaries and evolve as a man. Yet Robert still stumbles in his path. He and Edna have a common bond. They both attempt to defy the norms of society. Robert respects Edna’s yearning for individualism and only seeks to accompany her on that journey by form of marriage. However, he struggles to fight what societal ordainment. He lacks the key to break societies chains. He can’t simply let go of the expectation of marriage within this era. On the contrary his relationship with Edna gives him an optimistic view on his love life. “His search has always hitherto been fruitless, and he has sunk back, disheartened, into the sea. But to-night he found Mrs. Pontelllier.” (29) His passion for Edna, conveys his innocent hope for repressive love between himself and Edna. He and Edna
Director Ken Hannam uses the eclectic character range of the film to demonstrate the masculinity and mateship of Australian culture in the era. The competitiveness, alchoholism, gambling and distain for the daughter reak “Aussie” maleness and provide a bleak but relative humour to the film. Through out the film speech is kept to a minimum and the feel of the film is replaced by actions such as the scene where Foley and his “mate” compete in washing clothes while naked. Through similar scenes it seems that Ken Hannam is showing the nessecity and pain of masculine culture through the characters and situations presented.
...s two opposing opinions to the reader. The reader is allowed to make his own assumptions and opinions on the different situations that arise. The narrator tells the reader of Carol’s aspirations of changing small town America. At the same time he is able to give Will’s feelings about Carol being a “normal” wife. The narrator is also able to express the feelings of the other characters who occupy the town. These thoughts are very insightful and make for a better understanding of Carol.
The film opens with Agnes “Apple” Bailey is cutting her long hair with scissors as she prepares for what is coming. She is a teenager living with her abusive mom in a poor motel- and she is going to escape to find her father. Her one clue to a parentage is the one letter he once sent her. The actress Rosario Dawson plays Apple’s mother. Rosario Dawson gives the role a dramatic edge and slowly turns her performance up to eleven as the story progresses.
The major theme of Andre Dubus’ Killing,s is how far someone would go for the person they love. It is important to note the title of the story is killings and not killers, for the reasoning that the story does not just focus on two deaths or two murderers but rather the death of marriage, friendship, youth, and overall, trust.
Birling shows little affection towards her daughter’s engagement. She hesitates when she is offered the Port and needs convincing that this occasion is worth drinking to, “special occasion…. Go on mummy”, showing how little she regards her family. As well as this, she dismisses all of Sheila’s worry, that Gerald may have lost interest in her over the summer. Mrs. Birling expects Sheila to behave normally in these situations, and proceeds to lecture her on it, “When you’re married…. Get used to that, just as I had”. Not only that, Mrs. Birling is very annoyed at Sheila for being shocked at the death of Eva Smith. In her opinion, no regard should have been given at the death of this girl, “annoyed… affecting great surprise”. These stage directions emphasize Mrs. Birling’s detached and emotionless
At the start of the movie, Diary of a Mad Black Woman, the music begins and it sounds like a romantic movie is about start and you see what appears to be a happy couple getting out of a town car. The diary begins as a narration from a woman as the couple begins to walk into a party to honor her husband of eighteen years as lawyer of the year, walking arm in arm, they look and portray what you would think would be a wonderful marriage. Charles, the husband, stands up to give his speech for receiving the honor of lawyer of the year and ends his speech with saying he could not have done any of this without his wife, Helen. Helen is the woman narrating and the diary is hers, at this point you can tell they are not the perfect couple and that some days
The grandmother seemed to be a typical religious southern woman, but so happens to an evil person. She always speaks about beliefs, but does not follow them. She judges strangers and makes many hypocritical statements. Unfortunately, the family encounters a serial killer named the Misfit while on a road trip. After her family is murdered, the grandmother thinks that by manipulating the Misfit and using love will save her life. Knowing that her life may end at any moment, the Grandmother begins to show love to the Misfit: “Why you’re one of my babies. You’re one of my own children!” She attempts to coax him, but love is the thing that seals her fate. The Misfit shoots her dead and she dies with a smile on her face. Love is complicated and it can have a negative or positive outcome in certain circumstances. As a final point, this genre depicts the horror individuals will go to when their hearts are being toyed
This selfish act jeopardizes the family when the cat causes Bailey to wreck the car. The grandmother’s egotism places them directly in the path of The Misfit. However, the most disturbing act of selfishness displayed by the grandmother is her lack of concern for any of her family’s life when faced with death. She only acknowledges Bailey’s life when she hears the gunshots and is never concerned for the other members of the family. As the grandmother realizes that her life is coming to an end, she finally displays compassion instead of selfishness. She truly feels for The Misfit and his dreadful past. The grandmother’s unspeakable acts of selfishness are transfigured into blessings when she offers grace to The Misfit (Bandy, 2003). Unfortunately, this epiphany is realized too late. If she had not manipulated every aspect of the trip for her own selfish reasons, her family might still be alive.
On a day where the weather was not too cold or too hot and almost perfect for traveling, a family of six begins their journey to vacation in Florida (O’ Connor 450). Bailey, Bailey’s wife, the baby, John Wesley, June Star, and the grandmother all squeeze into the same car together. The grandmother is portrayed as the protagonist character of the story and is seen as being in the way and not being able to keep her opinions to herself. Unknown to the other individuals in the vehicle, the grandmother brought along her cat, Pitty Sing, who ended up being the main cause of their sudden wreck in Georgia (O’ Connor 449, 454). The accident created a chance meeting with a serial killer named the “Misfit” who was on the loose from federal prison, and each member of the family dies. The past events and present actions of the protagonist (the grandmother), the antagonist (the Misfit), and the foil (Bailey) characters of the story heavily influenced the deadly
For a start, the basic plot of this movie is pretty much the same as every other family film to be released this decade; the unlikely hero, believe in yourself, follow your dreams, etc, etc.