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Literature and identity
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“To Blisland” uses repetition, in many forms, to show the story’s overall theme of the story being a repetition of itself as the characters go through actions without much meaning or connection only to go through them again the following week. The narrator omits much information about the details of the story, such as his relation to Carol and the reason she is at this institution, to add to this idea of repetition by creating a new version of reality that fits their needs. The author’s style of repeating certain key words such light and dark, the repetition the dialogue and repetition of conflict come together to create a story that is without real conflict and fits their version of reality.
The word choice, more specifically light and dark,
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shows the narrator’s repetitive style and therefore the characters repetitive situation. The narrator’s description of the character’s clothing illustrates the contradiction between Marie and himself in opposition to Carol. He and Marie are described using the word light, generally associated with positivity, in a more non-repetitive manner in an attempt by the author not to be emphasized. Marie being depicted as wearing “a light blue summer dress with short sleeves” and himself in “a light grey summer suit with a dark blue sport shirt open at the neck” (153). Carol, in contrast, is show in a more individualistic way, almost secluded, wearing “black-black trousers and a long black sweater. Her black hair hid[ing] her face” (153). The word choice of black upon black creates an image of trying to hide behind the darkness or to show her feelings to the world that the author feels needs to be emphasised in order to understand the character. The repetitive use of black and the light as description creates a certain level of repetition for the reader and the style demonstrated the author’s repetitive style. This use of the words light and dark emphasize the imagery to describe the setting where the characters find themselves. They, the characters, find themselves projecting their own feelings of distorting the norm onto the landscape by being underneath a “dark light” (155) which uses the two contradictions to create a setting that defies logic. This means that they aren’t in the light , the reality, that they wish to be so that they create this dark light of a reality which mimics reality in their situation. To emphasise this fact, the sentence retains its use of the repetitive nature of the word dark which continuous with “while above was this bright-yellow light and green light” (155). This use of the repetitive word choice style emphasises the fact that the light of reality cannot touch them and that without it they will continue in this distorted light of reality. Repetition of the dialogue showcases the idea that those in the story are living in their own repetitive world by omitting details in conversations that cause a disruption their version of reality. When the dialogue appears in the story its style of avoiding what needs to be said is part of the repetition with Marie or the narrator changing the subject whenever the reality of Carols illness comes to light. When Marie starts to describe her new reality that acknowledges the illness such as talking about her new friend at the institution Marie tactfully manages to avoid the situation by changing the topic to their pre-illness reality by mentioning that “Mrs. Smith asked after you” (154). This is repeated again when a harsher reality of Carol not taking her meds comes to light. Instead of facing the reality that she isn’t getting better they instead change the subject by asking “‘What’s the girl like that is in the room with you?’” (155). In this instance, they want to preserve their new found reality again by avoiding what needs to be said or acknowledging that they do not fit into reality. Then again, when Carol mentions getting a cottage with her inheritance instead of coming to terms with her illness, they skip above the question by answering “that’s a good idea” (156). They refuse again to discuss that this isn’t a healthy way to deal with her issues and instead give into her fantasy by not acknowledging its faults. Throughout these repetitive conversation nothing of substance is ever talked about as that might disrupt their reality as they refuse to acknowledge or discuss what needs to be said. The repetition of conflict, the kids that disrupt the characters’ norm, displays to what extent the characters attempt to keep their reality is fragile with their false reality that they have created being broken by the arrival of others.
They are already in a compromising situation in celebrating her eighteenth birthday at a gas station having coffee which was already established as being not the norm earlier with Marie recounting her own large party where her “mother made a large party” (154). There reality is broken when the teenagers arrive and “One of the girls went to the juke box and put money in” and they are forced to leave because of Carol condition which causes her to have a breakdown from the noise (157). The arrival of the kids forced them to come into contact with their own reality which can never coincide with the one they have fabricated. This small reminder of what the norm is supposed to be is often brought to their attention through others such as when they “could see, in the light shaft of light, a boy, two girls and a dog” (155). In this instance, they are walking on the way to their weekly picnic, which is in itself repetitive, when they are shown the norm of other having fun “the boy splashing in the water with the dog” while they are forced to go through the motions without much emotion. This depiction of the norm unsettles their reality and, even though they don’t stop trying to alter reality to shelter Carol, shows how dysfunctional their own situation is as it can be seen as a potential version of themselves without Carol’s
illness. This story has the possibility of beginning where it ended as it lacks a climax and is instead filled with repetition and the omission of various information to show the narrators formation of a new reality that doesn’t coincide with the one they are presented. All together the author’s style of repeating certain key words, the repetition the dialogue and repetition of conflict come together to create a story filled with questions that can never truly be answered.
Margot goes to school with classmates that resent her. They hate her for having seen the sun, something they wanted so badly. This jealousy led to an overwhelming hatred that they were reminded of any time they saw her. Her classmates let their hatred take over and they locked her in a closet as revenge for the pain she had caused them all. But unlike Wendy and Peter from The Veldt, Margot was affected negatively from her classmateś actions.
...approval by their family and the people around are considered as the most common trend between teenagers around the world and are used throughout the novel. Josephine was first introduced to the reading knowing that she was unsure of her identity and how she was searching for acceptance from her grandmother due to her illegitimacy. Marchetta created Josephine’s characteristic as one that the readers can truly understand and allow them to be able to feel a connection and a relation between the characters in the novel and themselves; it can make them realize that this is a social issues that each generation of teenagers face on a daily basis. The characters in the novel accompanied by the themes such as stereotypes and social statuses supported the author’s idea of creating a novel in which comment on the social issues and reflect reality within the novel.
When authors use repetition it helps the reader connect to the importance of the novel. In this novel Galloway uses repetition in the beginning of the novel as he repeats the phrase: “It SCREAMED DOWNWARD,
...stood by those who surround them. Mental illness does not discriminate among sex, age, or social status, and it becomes very clear that both of these women are lost when it comes to providing a stable, healthy lifestyle for themselves. Fernie and Blanche encounter a common enemy in men everywhere, men who only wish to use and desert them, but in the process become so enraptured by their allure that they end up destroying both women on the inside. Their passion is toxic, and yet both women seem to remain chaste and virginal to each new man they encounter, restarting the process all over again and dooming themselves entirely. In a perfect world, there would be no need for these women to continue their dalliances with men, but as they are both equally addicted to the thing that destroys them, the reader must sit back and watch as they both self-destruct entirely.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
The film reflects the class difference from beginning through the end, especially between Annie and Helen. Annie is a single woman in her late 30s without saving or boyfriend. She had a terrible failure in her bakery shop, which leads her to work as a sale clerk in a jewelry store. When Annie arrived Lillian’s engagement party,
Most of us can easily picture a typical child's party, loud and hyper boys running about, noise and fun and screaming kids and chaos, but this party seems to be viewed differently by the mother. It is a more serious and quiet event. She sees the boys as "short men" gathering in the living room, not as children having fun. The children seems subdued to us, with "hands in pockets". It is almost as if they are waiting, as the readers are, for something of imp...
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
...’ family is in deep alcoholism, depriving children the benefits of a proper upbringing. The Johnsons are also chaotic and tyrannical. Jimmie and his ilk of brawling youths epitomize the violence that rocked the society. In the middle of this violence is pursuit of vanity. Children are fighting viciously to establish the superior one. Adults are watching on indifferently. Maggie gets into prostitution because of pursuing an elegant life. She lacks appreciation of her beauty and persona. In the end, the question to ponder is whether human beings have the capacity to make personal choices in midst of immense social circumstances. Regrettably, Johnsons share the blame for the kind of person that their children turned out. The society too has remained passive in the midst of great social trepidation. Maggie and Jimmie share the blame for pursuit of vainglorious vanity.
By believing her own lie, Blanche disconnects herself from the reality in which she lives. She becomes so immersed in her lies that she herself is unable to tell where her fantasies end and reality begins. It is no longer a lie to maintain her appearance but a delusion that she believes in. In her mind she is not an aging women with few social contacts but a proper young lady with friends of high standings.
In addition to vocabulary, Poe’s use of repetition ensures that his audience will appreciate the deeper meaning of his writing and understand which concepts are important in his stories. In “The Tell-Tale Heart,” the narrator, after stating that he is not insane, goes on to describe “how stealthily, stealthily” (Long) he proceeds when going into of the elderly man and blighting the room with the lantern. The repetition of “stealthily” demonstrates just how sneaky and narrator is, suggesting that he is crazy.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
She is marginalize from society by her partner and she has to live in the shadows of him. She is unbelievably happy when she found out about the death of her husband. She expresses her feelings of freedom in her room where she realize she will live by herself. This illustrates that Louise has been living in an inner-deep life disconnected form the outside world where only on her room away from family and friends she discovers her feelings. It is important to mention that even though Louise has a sister, she does not feel the trust to communicate her sentiments towards her. We discover a marginalization from family members and more surprising from a women, Louise’s sister. The narrator strictly described Louise’s outside world but vividly reveals what is in her mind. At the same time she feels guilty of her emotional state by recognizing that she loved Brently mallard sometimes, her husband. Louise contradict herself but this demonstrates her emotional feelings about her husband disregarding her marriage. The situation of this woman represents the unhappiness and disgraceful life that women had to suffer from their
In the novel, women were affected by racism and gender role equality more than men. Pecola is one if the main characters, and she deals with the figure of a man who violates her. The female characters in the novel were apprehended by females roles that made them feel like they were non existent. Each character had their own personality. Claudia, another character in the novel escapes her suffering by pulling apart from Shirley Temple dolls. The expectations of theses women in the novel have been created through our society, and how we view our gender