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Character portrayal in the streetcar named desire
Character portrayal in the streetcar named desire
Streetcar named desire character essay
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Madness is used as a theme in literature to explore the depths of the human mind. People experience and react to madness in various ways. In literary works such as The Yellow Wallpaper by Charlotte Perkins Gilman and A Streetcar Named Desire by Tennessee Williams madness is characterized by detachment from reality and delusions. The madness that the Narrator and Blanche experience is caused by their attempts to ease their loneliness. In The Yellow Wallpaper the narrator, who is subjected to the rest cure and isolated from the world, immerses herself in the world she creates within the wallpaper to ease her loneliness and in A Streetcar Named Desire Blanche Dubois deludes herself and those around her into believing that she is a proper lady …show more content…
While the Narrator is denied contact and forced to remain in the bedroom due to her husband’s insistence she begins to create a world within the hideous yellow wallpaper that covers the walls. She sees patterns and shapes, such as trapped creeping women, in the wallpaper. In the beginning of the short story, it is clear that the narrator desires social interaction and even believes that it would improve her mental condition.
I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad. So I will let it alone and talk about the house. (Gilman 648)
Her husband rejects the idea of her having any social interaction and does not allow her to have contact with anyone other than himself and Jeanie. She attempts to write for entertainment but she becomes too tired and soon the only source of entertainment for the Narrator is the wallpaper. She begins to look for patterns to ease her
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Give me long-distance, please.... I want to get in touch with Mr. Shep Huntleigh of Dallas. He 's so well-known he doesn 't require any address. Just ask anybody who-- Wait! I--No, I couldn 't find it right now.... Please understand, I--No! No, wait! ... One moment! Someone is--Nothing! Hold on, please! (Williams 138)
By believing her own lie, Blanche disconnects herself from the reality in which she lives. She becomes so immersed in her lies that she herself is unable to tell where her fantasies end and reality begins. It is no longer a lie to maintain her appearance but a delusion that she believes in. In her mind she is not an aging women with few social contacts but a proper young lady with friends of high standings.
Blanche also becomes disconnected from reality because of her delusions of music and gunshots from her husband’s death. She seeks relationships with strangers in the hopes of recreating the love she had for her husband. When the relationship fails to satisfy her craving for love, she sinks further into her fantasy. When Mitch rejects her, saying “I don 't think I want to marry you anymore.” (Williams 131) she once again finds comfort in her fantasy. She has sunk so far into her fantasy that she has a response to all of Stanley’s questions. She is no longer up holding the illusion for others. She truly believes her delusions enough to maintain the façade while she is
However Blanche is unable to get attention or protection throughout the story be cause of all the lies she's told. She also ends up hurting the people who are closest to her when she tries to hide who she really is. For example when she says " I don't want realism. I want magic! Yes magic!
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
The way that Blanche’s character was written shows a strong tendency towards a mental health issue known as Histrionic Personality Disorder. The earmarks of this illness are as follows: excessively emotional, need for an audience, shallow and rapidly shifting emotions, inappropriate sexual or provocative behavior, and does not form strong relational bonds amongst a wh...
...ow Wallpaper" and Henry Isben’s play A Doll's House both prove that independence is key in a woman’s life in order to feel free; yet social norms of the Victorian Age cause freedom to come at a high cost. Nora, the heroine in A Doll’s House, escapes from her husband’s confinement by leaving her family. While this seems revolutionary, Nora’s freedom will only cause confusion in her life. Had she not had her personal awakening on individualism, she would have remained happy with her family. In the “Yellow Wallpaper”, the narrator achieves freedom through madness. The narrator thinks she is free when she goes mad, yet this is only a brief feeling, as she will most likely realize the publicity of her mental state will only increase the restrictions upon her. In both texts, the heroines break for freedom will only result in more confusion and confinement in their lives.
The narrator and her physician husband, John, rented out a majestic, colonial mansion for the summer. The narrator is in love with the house and cannot wait to spend her summer here. Her husband John has high hopes that a change of scenery will help her recover from a recent phase of depression. He results in a treatment called the “Rest Cure,” a treatment discovered by S. Weir Mitchell. The narrator finds the house queer, but gives it a chance. She becomes upset with John due to his choice of a bedroom for her. Once she had a look around the house she desired the downstairs room with a window overlooking the gardens. However, John argues that the room is too small and places her in the nursery room. It is a large room with barred windows that allow plenty of sunshine through. The narrator finds the room appalling due to the chaotic, yellow wallpaper on the walls. The narrator is imprisoned, unable to have control over her own mind. "...t...
Blanche had a desire for sex in general to cope with her divorce and the loss of her family; she just needed to feel loved. Stanley expressed his hidden desire for Blanche by being cruel to her through the whole story, and then having sex with her. Mitch showed his desire for Blanche by asking her to marry him. Stella had a desire for Stanley’s love and for Blanche’s well-being. The play is a display of the drama involved in families, and it shows that sometimes people have to make decisions and choose one relationship over another.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Blanche may seem prideful, but it is a facade, like the rest of her. In reality, she has a very low self esteem. “Stella: And admire her dress and tell her she’s looking wonderful. That’s important with Blanche. Her little weakness.” (Williams 484). This is why she is so worried about her age and her appearance. She feels that since she is soft she must also be attractive in order to have protection and mean something. “People don’t see you - men don’t - don’t even admit your existence unless they are making love to you. And you’ve got to have your existence admitted by someone if you are going to have someone’s protection. . . . You’ve got to be soft and attractive. And I - I’m fading now!” (Williams 515). Blanche is so afraid of not being attractive enough she has relied on lies and deception to create a fantasy to escape realism. If only she saw her worth and loved herself for who she was, she would not be desiring to be acknowledged by men or to create a fantasy. Lack of self-esteem is the hidden part of Blanche’s tragic
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
which, as Williams suggests, "was too great for her to contain". As to whether her escape was "madness" can be debatable - although Blanche is clearly unstable at many points, some believe that Blanche is not. actually insane, suggested by Stella's comment in Scene 11 - "I. couldn't believe her story and go on living with Stanley. " From her first appearance on stage, Blanche is presented as being.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.