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Annotated bibliography on mental illness in literature
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Didion's narrative technique in "Los Angeles Notebook" describes a wind that is sweeping across the Los Angeles air. This wind is not like any other wind. It causes a change in character of the people and in the environment, creating tension and an unnatural stillness. Didion's use of imagery conveys an eerie mood. Through imagery, She voices, her "neighbor would not come out of the house for days, there were no lights on at night and her husband roamed the place with a machete." People's actions are changed and they have murderous and unusual characteristics that come about when the Santa Ana winds begin to blow. Her diction tells how people who live with the Santa Ana accept the odd workings of human behavior when its winds haunt the Los Angeles air. The Santa Ana creates feelings even the people themselves do not understand. Didion applies active verbs that stirs paranoia because …show more content…
it conveys that the events are happening now.
She illustrates,"The baby frets. The maid sulks." It ignites an atmosphere of worry and concern as Didion's mood of an ominous darkness thickens.
The passage goes on to narrate that the Santa Ana winds turns out to be a case in which "sciences bears out folk wisdom". The Santa Ana is a foehn wind which happens on a specific slope of a mountain and changes temperature as it glides down the mountain then turns into a hot dry wind. Didion's ambiguity makes known that doctors believe that people tend to overreact when people state they suffer from "nervousness", "depression" and other insignificant symptoms. Doctors think these symptoms come about in people because of the belief in superstition and what is supposedly supposed to happen to human health when these winds come around. Didion creates ethos through her factual evidence as stated in the last paragraph."In Switzerland the suicide rates goes up during the foehn
wind, and in the courts of some Swiss cantons the wind is considered a mitigation get circumstance for crime." This proposes Didion knows what she is talking about and is knowledgable about these foehn winds. Moreover, the Santa Ana winds not only affects people but also the environment. She narrates from personal recollection "the pacific turned ominously glossy" and how people are awaken in the middle of the night not only by "the peacocks screaming in the olive trees but by the eerie absence of surf." The environment's differences are greatly known by people and it is a sign of the Santa Ana's presence. Didion's imagery of the surreal heat and a yellow cast of light stretched across the sky sometimes called "earthquake weather" reveals nature's reactions to foehn winds. It is a warning that something is coming and whatever it may be it is not good. Didion's use of personal recollection recognizes this point. "I recall being told...that the Indians would throw themselves into the sea when the bad wind blew." The Santa Ana is nothing to welcome but is undoubtly inevitable.
Joan Didion uses words such as ‘eerie’, ‘depression’, and ‘unnatural’ bringing an unsettling and serious tone. Didion reflects this uneasiness on the people and how as Santa Ana nears, it affects them. “I have neither heard, nor read that a Santa Ana is due, but I know it, and almost everyone I have seen today knows it too. We know it because we feel it. The baby frets. The maid sulks (Didion).” As Santa Ana looms closer the people living in the area get a strange sensation, almost self preparing themselves for the worst. Linda Thomas however describes the atmosphere in a different light. Thomas uses words such as ‘undisturbed’, ‘undamaged’, and ‘natural’ bringing a more casual and normalized tone. “I awoke to air so dry that the graze of my nightgown against the down comforter created tiny orange sparks… And as I make the drive to work, I find myself beneath a smoky sky the color of fire (Thomas).” The self knowing that Santa Ana is there, just like with Didion, but there is no strange feeling present. It is almost as if the presence of Santa Ana is not bothering and
Meaning/Main Idea - The meaning of Joan Didion’s The Los Angeles Notebook may seem like it is only about the foehn. While this may hold true when the passage is read at face value, further analysis shows that due to the very abstract language, she is shooting for a deeper meaning. This deeper meaning is shown when she mentions that living in Santa Ana exposes her to a “deeply mechanistic view of human behavior” (paragraph 1). This changes the meaning of the whole passage from describing the foehn to expressing the mechanical aspects of human behavior that are shown due to the wind. These mechanistic behaviours vary from how the everyone she meets knows that the wind is coming (paragraph 1) to the strange behaviour of her neighbors (paragraph
She excites the feelings of guilt and pity in order to gain the support of her audience. By using details that describe the horrible work conditions of “several thousand little girls”, such as “in the deafening noise of the spindles” and “all night through”, she emphasizes how bad the children’s lives are without the proper laws. Another example of pathos being used is “A little girl, on her thirteenth birthday, could start away from her home at half past five in the afternoon, carrying her pail of midnight luncheon, and could work in the mill from six at night until six in the morning…” Kelly’s subtle emphasis on the innocence of children as seen the preceding example, gives the audience a feeling of guilt because children shouldn’t need to work through the night. By going into more detail about the type of work children do, Kelley helps to persuade the audience into making a change in order to satisfy their
Baby narrates her story through her naïve, innocent child voice. She serves as a filter for all the events happening in her life, what the narrator does not know or does not comprehend cannot be explained to the readers. However, readers have reason not to trust what she is telling them because of her unreliability. Throughout the beginning of the novel we see Baby’s harsh exposure to drugs and hurt. Jules raised her in an unstable environment because of his constant drug abuse. However, the narrator uses flowery language to downplay the cruel reality of her Montreal street life. “… for a kid, I knew a lot of things about what it felt like to use heroin” (10). We immediately see as we continue reading that Baby thinks the way she has been living her life is completely normal, however, we as readers understand that her life is in fact worse then she narrates. Baby knows about the impermanent nature of her domestic security, however, she repeatedly attempts to create a sense of home each time her and Jules move to another apartm...
In the first two lines, an aural image is employed to indicate a never-ending anger in the girl's father. Dawe uses onomatopoeia to create a disturbing and upsetting description of his enraged "buzz-saw whine." An annoying, upsetting sound, it gives the impression of lasting ceaselessly. His anger "rose /murderously in his throat." Because "murderously" begins on a new line, a greater emphasis is placed on it and its evil and destructive connotations. An image of a growling lion stalking its prey is evoked in the reader, as it threateningly snarls from its throat. The girl is terrified as it preys on her persistently "throughout the night." Furthermore, because there is no punctuation, these few lines are without a rest, and when reading out aloud, they cause breathlessness. This suggests that the father's "righteous" fury is ceaseless and suffocating the girl.
As Jeanette Walls reveals this unraveling tale of her childhood she spares little to no detail from scrutiny, least of all the faults she finds in her father. As the reader enters the scene of her earliest memory the irrational thought process of her mother is instantly brought to light. A toddler catches herself on fire while attempting to cook hotdogs and who is to come to the rescue?
The narrator accepts the fact that she must live the rest of her unfulfilling and undesirable life with Daniel. Finally, “Around us the fog settles over everything like a shroud.” (“Alrededor de nosotros, la niebla presta a las cosas un carácter de inmovilidad definitivo”; 47, 95). The narrator surrenders herself to the fog, the silence, and the death.
The first effect of the birth imagery is to present the speaker's book as a reflection of what she sees in herself. Unfortunately, the "child" displays blemishes and crippling handicaps, which represent what the speaker sees as deep faults and imperfections in herself. She is not only embarrassed but ashamed of these flaws, even considering them "unfit for light". Although she is repulsed by its flaws, the speaker understands that her book is the offspring of her own "feeble brain", and the lamentable errors it displays are therefore her own.
...all want to believe that the crime was truly “foretold”, and that nothing could have been done to change that, each one of the characters share in a part of Santiago Nasar’s death. Gabriel Garcia Marquez writes about the true selfishness and ignorance that people have today. Everyone waits for someone else to step in and take the lead so something dreadful can be prevented or stopped. What people still do not notice is that if everyone was to stand back and wait for others, who is going to be the one who decides to do something? People don’t care who gets hurt, as long as it’s not themselves, like Angela Vicario, while other try to reassure themselves by thinking that they did all that they could, like Colonel Lazaro Aponte and Clotilde Armenta. And finally, some people try to fight for something necessary, but lose track of what they set out for in the first place.
Although the little girl doesn’t listen to the mother the first time she eventually listens in the end. For example, in stanzas 1-4, the little girl asks if she can go to the Freedom March not once, but twice even after her mother had already denied her the first time. These stanzas show how the daughter is a little disobedient at first, but then is able to respect her mother’s wishes. In stanzas 5 and 6, as the little girl is getting ready the mother is happy and smiling because she knows that her little girl is going to be safe, or so she thinks. By these stanzas the reader is able to tell how happy the mother was because she thought her daughter would be safe by listening to her and not going to the March. The last two stanzas, 7 and 8, show that the mother senses something is wrong, she runs to the church to find nothing, but her daughter’s shoe. At this moment she realizes that her baby is gone. These stanzas symbolize that even though her daughter listened to her she still wasn’t safe and is now dead. The Shoe symbolizes the loss the mother is going through and her loss of hope as well. This poem shows how elastic the bond between the daughter and her mother is because the daughter respected her mother’s wish by not going to the March and although the daughter is now dead her mother will always have her in her heart. By her having her
The Infant Child plays a huge role in Blanche’s early life. As a result of her mother’s death, Blanche has a fearful temperament, and
The author uses symbolism to describe the aura of the town, creating an oppressive atmosphere for the reader. The oppressive heat tells the reader that the town is hiding something,
o The daughter, Mathilda, is somewhat dynamic as she changes from stubborn and defiant (line 18) to broken, betrayed and angry. (last paragraph)
... the desire to find out who he is. A Kiowan by birth connected to his ancestors through his grandmother and her love of her people. By the end of Joan Didion’s quest to face the past, she realizes she doesn’t have to create the same life that she had for her daughter. Didion holds on to the things that bring her joy, such as her grandmother’s tea cups, and gets rid of the things she can’t control. She realizes that she can create memories for her daughter through giving her the love and time she needs. She wants to allow her daughter to experience being a kid without having to please anyone. “...would like to pledge her picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday.” Because she can’t offer those things to her because of how they live, she gives her a xylophone and promises to tell her a funny story.
In the third stanza, the baby is innocent and unaware of the events that are taking place, “cooed and laughed and rocked the pram”. By the words “i was embarrassed and “shake my hand” it is shown how Heaney had to take the role...